By day Yaya and I stand on the town’s main street and watch rickshaws and carts bumping along the road. A truck full of men — shirtless, carrying picks and shovels — roars past, nearly knocking us down. Once in a while a shiny car glides by, scraping its suspension on the rutted road. We run alongside and try to peer through the dark glass. Try to imagine who could possess a vehicle such as that.
Eventually we stop and stand still, dizzy at the sight of so much. The people hurry past us heaving bundles, sacks and crates. People here rarely smile or greet each other. After a while I begin to notice that most of the people here are men. We walk past queues of them, arms and legs covered in cracked red mud like elephants’ skin, waiting outside the Syrian diamond traders’ shops. We press our noses against the windows, see men hand over leather pouches, dealers weigh little pieces of grey grit on tiny brass scales.
The view from our window looks out over pits that line the river like sores on a leper’s mouth. Men in loincloths wade up to their thighs through the rusty shallows, other men dig at the sticky mud with shovels, on the banks of the river more men sift the mud and water in round trays. A vaporous sunlight glazes their shiny black ant bodies and a sour wind drifts across the houses.
One carat equals ten pounds. Two carats equals twenty pounds. A full three carats equals one hundred and ten pounds. Enough to buy a fleet of bicycles, marry, build a house of baked bricks with a zinc roof.
Our mother’s bride price equalled the price of a one carat diamond. Cash only. On top of which she received a cow which was hers for the milking. Non-returnable. Two country cloths and four double lengths of waxed cotton, one dozen sticks of salt at two shillings each, cowries, rice, cocoa beans, gold and one umbrella, distributed to guests and family: all were listed by the court and added to the debt. To be repaid in full.
Our mother knew enough to know that the people who made money in the gold rush were not the miners, but the ones who sell buckets and spades. And so she buys a three-legged stand and sets herself up in business selling eggs on the roadside.
We buy our eggs for two pennies each, boil them and sell them for five pennies each. A perfect plan except that firewood is not free. Here the trees have all been pulled down to make way for the mines and railways. Firewood sells for fifteen pence a bundle in town, twelve pence a bundle on the road out of town. A dozen eggs equals twentyfour pence, plus fifteen pence firewood equals thirty-nine pence.
Twenty-one pence profit per dozen. And living costs and everything on top.
Not all the eggs are good. Some contain the pale foetuses of baby chicks, others are watery and grey. Each time this happens our profits are reduced. The eggs must be conserved. We do not eat them for lunch. We do not eat anything. We nibble kola nuts to ward off the hunger and thirst just like the men in the pits. And mother sends me on the long trek to buy firewood out of town.
And at the end of more long days than we can bear it is enough. And the end when it comes is marked only by an egg slipping through fumbling fingers and fracturing on the ground. I laugh, because for some reason I think it’s funny. And because we have been fooling around Yaya laughs with me. And so I laugh all the harder to encourage him, and just because I want to. The giggles rise in my chest like bubbles of air under water. I don’t notice the way Yaya’s laugh hovers and bursts. Only vaguely do I hear the sound, like a whistling in the air.
My mother slaps me hard across the face.
I have forgotten what was so funny. It isn’t funny any more. I bend down to try to scoop the egg up. It stares back up at me like a sorry eye, quivering with glutinous tears.
‘Leave it.’
‘I’m sorry, I’m sorry,’ I say as many times and as quickly as I can. And again: ‘I’m sorry.’ Because I am: deeply, desperately, suddenly. Frightened faces, Yaya’s and mine. No pride, no urge to sulk or seek refuge in swaggers.
‘And you think that’s enough,’ my mother says, ‘just like that? You say you’re sorry?’
‘But I am sorry.’ My mother looks at me. Her face is empty.
‘Well Serah, sometimes sorry isn’t enough.’
A gecko, hanging in the crevice between the ceiling and the wall, turns its head and blinks as if in disbelief.
The next morning a line of ants trails across the floor, up the legs of the bed, across the mattress, up the wall and through the window, carrying away grains of sleep and dead skin.
My mother, curled up on her rented cot, weeps. I clutch her and cry too. I hurt her hurt. I grieve her grief. Yaya sits on the end of the bed, leans over and places his head on her legs, curls up there awkwardly grasping her calves. And the bad feeling settles itself over us like a blanket.
Hours later I sit up straight and watch my mother as she sleeps. She sleeps on her side with one arm bent beneath her head, the other stiff and straight, trapped under her body. Thinner now, the bones have crept to the surface. A web of cracks in her heels, outlined with dirt. In the dark cups beneath her eyes, a sheen of sweat and oil.
Behind her shoulder is a tiny, keloid scar with points like a star. I reach out and touch it, feel the slipperiness with my forefinger. When I was very little I used to like to stroke it while I sucked my thumb, when it was still my turn to be carried on her back. Once she told me a shooting star had fallen out of the sky and landed there. Another time she said a firefly had settled on her and forgotten to put itself out first. The last time I had asked her, a few days before, she told me it was nothing: just a spark from a lively fire.
Jagged silvery lines glimmer in the thickening gloom, across her hip bone and in the curve of her that dips from the peak of her hip down and out again towards her stomach. Some years after my brother was born she became pregnant again. She was asleep in the house; I heard the sound of her calling and ran inside. Water! Soaking the sheets, leaking through the straw mattress, dripping on to the floor where it formed tributaries and ran across the uneven floor into the corner of the room. And my mother clutching her stomach with one hand and waving at me with the other. I lurched forward, but she wasn’t beckoning. She was waving me away.
‘Out! Out!’ And Ya Memso running in behind me. My mother’s closest friend among the wives. A tiny woman, so short I once asked my mother if she had grown up yet. Ya Memso went to her, as I backed out of the door.
No more children, then. Just us two. And only many years later, when I was sitting in front of my own husband, on the far side of a table and a silence that neither of us could cross, I sat and stared into the corner of the room at the fluff, the angled shadows, the dark seam where the floor met the walls. Fatigue made my skin hurt, my teeth ache. For a few moments I gazed into that corner, forgot he was there. And the memory came back to me then. Not in a flash. Rather it fluttered down like a feather.
I stay awake and watch her until gradually the outline of her body withdraws into the darkness.
Orange robes. Bright against her skin. I notice my mother is beautiful. This is the first time I have seen her since we came back. I don’t know how many months ago that was. It is harvest time. Out past the fields the rice is hanging in bundles on frames to dry. In the plantation the red coffee beans in their new red skins shimmy and shine. It makes your eyes ache to look at them for too long.
I had almost forgotten the village existed, and yet in no time I have assumed old habits, returned to the places I consider my own. The water has closed over those weeks. Memories of our time away slipping down the sand, red mud and threadbare curtains and lizard eyes being washed away. The tide of the present rushes in to fill the space.