‘Nothing’s happened yet,’ Carter adds. ‘We can still call it off.’
‘Is that what you want?’
‘I need you steady, Angel.’
Carter lays the coil of rope and the grappling hook on the bag containing his equipment. He slides both toward the door, then pulls on the tea-dyed gloves he’d worn on the day they met. ‘Look, you’re going to sit in back of the van, in the dark, until I call for you to pick me up. That could take a lot of time, since I’m not sure what problems I’ll encounter once I get inside. At some point as you sit there in the dark, your imagination will kick into overdrive. Did Carter’s luck finally run out? Is he wounded, helpless, even dead? Is he coming back? How long do I wait?’
‘You said an hour.’
‘That’s only an estimate.’ Carter leans forward to kiss the back of Angel’s neck. ‘I need you steady,’ he repeats.
‘Are you worried about something?’
‘The inner door, the one to Bobby’s office. It’s a thick slab of wood protected by a deadbolt, keycard lock. Eventually, I’ll get through it, but I can’t be sure how long that will take. I have to know you’ll be here when I come out. Taxis are hard to find in this neighborhood.’
Angel takes a left. Two blocks ahead, she can see the fence surrounding Benedetti Wholesale Carpeting’s truck yard. ‘How do you plan to get through the door?’
‘I’m going to burn it down ... with a very small flame.’
‘Are you joking?’
Carter’s not joking, but there’s no time to explain. ‘If you want to take a pass, just keep driving. I won’t be upset, not at all. But once the operation begins, once I’m in the field, I need to know you’ll be waiting for me.’
Angel makes a right turn on to the cobblestone street running along the back of the warehouse. ‘Tell me where to stop.’
‘Up ahead, just in front of the fire hydrant.’
‘An hour, you said?’
‘If it’s going to be more, I’ll try to call you on the walkie-talkie.’
‘I’ll be there.’
Carter waits until the van comes to a stop against the curb, then slides the rear door open and hops out. He reaches back into the interior to lift the bag and the rope, and closes the door. He offers no memorable goodbye, no parting comment, but merely crosses the sidewalk to the chain-link fence, the first barrier, and goes to work.
Chain-link fencing is delivered in rolls, then wired to vertical fence posts and horizontal rails. Carter begins at one of the posts, using the bolt cutters to slice through the links wired to the post. Made of soft, galvanized metal, the fencing offers minimal resistance, and Carter’s able to force it back and slide underneath twenty seconds after leaving the van. He returns the bolt cutter to the bag, ties the loose end of the rope to the bag’s handles and tosses the grappling hook over the parapet edging the roof. When the hook pulls tight on the first toss, he shows a bit of emotion, a tiny smile that just touches the corners of his mouth. Meticulous preparation has always been his strong point.
The rapid fire, hand-over-hand climb to the top leaves him breathless, but Carter doesn’t pause to recover. He pulls the bag up behind him and steps back into the shadows. Carter fears most what he can’t control, like the remote possibility that a police cruiser would turn on to the block while he was halfway up the rope. Hanging there, he’d be entirely helpless, escape impossible. He couldn’t even shoot his way out. Now he’s invisible from the street. He can take his time.
He walks first to the skylight, the means of his initial entry, only to find it secured with a high-end padlock. The padlock’s shackle is made of hardened steel and more than a match for the bolt cutters, which comes as no surprise to Carter. If he didn’t have a back-up plan, he wouldn’t be here.
Carter walks directly to the south-western corner of the building where the tarnished, sheet-metal chimney of a defunct ventilation system rises a few feet above the tarred roof. The ductwork, along with a cap to protect the system from rain and snow, is joined by sheet-metal screws. Carter finds a slot head screwdriver inside the bag and fits it into the nearest screw. Rusted in, the screw gives off a little screech of protest before it begins to turn. Carter’s not particularly worried about making noise. Even assuming the guards below aren’t asleep, the basement has no windows and the floor of the warehouse is thick enough to support the weight of loaded trucks. Still, once the cap pulls free, Carter leans into the opening and listens for a moment, his eyes closed, his expression serene despite the intense drumming of his heart.
Bobby Ditto’s freezing his ass off as he pilots the SunDancer beneath the Cross Bay Bridge after a two hour trip. Not the Blade. No, the Blade’s wearing a sweater so thick it might still be on the fucking sheep, which makes good sense because it’s early May and the water temperature’s only fifty degrees. The air temperature isn’t much to write home about, either, not at three o’clock in the morning. The air temperature’s maybe fifty-two.
The good news is that there’s no wind and no chop to the water. The bad news is that a moving boat makes its own wind. Bobby had pulled a life jacket over his T-shirt a few moments after they dumped the freak’s body over the side, an XL jacket so tight it might have passed for a corset. The Blade had the good manners, and the good sense, not to comment, but the facts were on the table. He’d looked stupid, not to mention ridiculous, not to mention pitiful. Plus the jacket was coated with dried salt spray and it’s irritating his skin.
The SunDancer emerges from the shadows beneath the bridge into the moonlit waters of Jamaica Bay, traveling east toward the vast expanse of Kennedy Airport. If New York is the city that never sleeps, JFK is the airport that never sleeps. Bobby first hears the swelling whine of jet engines, then watches a 747 lift off the runway, headed straight out to sea as it gains altitude.
‘Ya know what?’ he asks the Blade.
‘No, Bobby, what?’
‘I’m wishin’ I was somewhere else. I’m wishin’ I was on that plane. For the first time in my fuckin’ life.’ Bobby turns to port and eases back on the throttles as he guides the SunDancer toward Hawtree Basin, a narrow canal flanked on both sides by equally narrow houses. ‘But I got a question, pal, and it’s this: What does the prick already know?’
‘You talkin’ about Carter?’
‘No, I’m talkin’ about the man in the moon.’ Bobby points to the silver disc above them. ‘Right up there.’
‘C’mon, boss.’
‘Just answer the question. What does he know?’
‘That we’re doin’ a deal?’
‘What else?’
‘Bobby, I’m not a mind reader.’
‘Then explain how he knew about the freak? Tell me how he knew to bug the Ford? Tell me what he was doin’ inside the warehouse?’
At last, an easy question. ‘He was after the money.’
‘Yeah, right.’ Bobby slows to a crawl as he enters the canal. ‘So, how did he know the money was there?’
‘He didn’t, at first. He knew the money was in the Bronx because your brother told the whore.’
‘So why didn’t he grab it right then? Bein’ as he’s fucking Superman and Vinny’s seventy years old?’
‘Actually, I been thinkin’ about that.’ The Blade pauses to let Bobby ease the SunDancer into a slot alongside his dock. Then he hops on to the wooden planks, ties off the bow rope and straightens.
‘So, what did you think?’ Bobby asks. ‘When you were thinking?’
‘First, that we got a rat in the crew. That would be the worst. But then I thought that maybe Carter was outside when you decided to move the money. Maybe he followed it to the warehouse. Maybe he just got lucky.’