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At the millhouse the great wheel was still, poised above the water. A cascade of curses rolled from the open door. We dove inside.

The obscene litany came from a stocky gentleman with an impressive shock of white hair and five o’clock snow on his jaw. Within the halo of white, his face was the color of a boiled lobster and glistening with sweat; a sledgehammer was clenched in his fist. Like Thor or Vulcan, Greg Gustavson must surely be capable of tossing thunderbolts.

Colleen was here, too, crouched above him in the confusion of large wooden gears that formed the mill’s mechanism.

Greg ceased cursing long enough to look at Mary and say, “Before you ask, it can’t be done. She’s not ready. The clutch isn’t finished, and if it were, the wood’d be too green yet.”

“Great Scotty’s Ghost,” murmured Goldie.

I looked up into the recesses of the building. About a dozen feet above our heads a beam as big around as a century oak stretched the width of the millhouse. It was suspended from the ridgepole above its cradle by a web of ropes. Along with the framework of gears that would drive the grinding plates below, there were several pulley-wheels, their lines threaded through the millhouse walls through small, high windows. They connected the mill to our system of chime lines. They were useless without the wheel.

I swung up next to Colleen amidst the machinery and knelt to inspect the clutch “Scotty’s Ghost” had mentioned. I could feel the Storm above us, circling like a vast bird of prey, muttering to itself, looking for another opening.

“What’s the good news?” I asked.

“The good news is the gearbox is finished. The bad news is-”

“I didn’t ask for the bad news.”

Colleen shot me a sideways glance. “Well, you’re gonna get it anyway. Bad news is, these brakes need work.”

She ran her hands over the curved wooden brake pads that were intended to slow or stop the wheel. “These are smooth,” she told me. “Too smooth. It’d be a miracle if they could brake this thing under normal circumstances; there’s no way they’ll survive if the shaft hits the cradle moving.”

“Which it will do,” said Greg Gustavson from below, “if the wheel catches running water.”

“We have to get it in the water,” I said. “Now.”

Colleen met my eyes, then looked down at the engineer. “What if we bypass the clutch and-”

“If you drop this thing in the water without a clutch, it’ll tear the whole mill apart,” he snapped. “We’ve got to be able to disengage the gears.”

“Or stop the water,” said Kevin quietly. The boy hovered behind Mary, working his hands around and around the barrel of a wooden flute. Somehow I got the feeling he never put the thing down.

Greg shook his head. “The lock’s not finished yet, Kev. We got caught with our pants down. We’re not ready.”

“How fast can you get the wheel into the cradle?” I asked.

Greg shot me a glance that asked who the hell I thought I was to come onto his turf and start issuing orders. “In a matter of minutes, but what’s the point? I told you, if that wheel hits the water in motion-”

“Then Kevin’s right,” I said. “Our only chance is to stop the stream. Then we can lower the shaft into the cradle and use the brakes to control the momentum.”

If we rough up these braking surfaces,” said Colleen. Greg snorted. “Hell, that’s the easy part. How’re you gonna stop the stream?”

Kevin and Goldie followed me from the mill while Greg, Colleen, and a couple of volunteers worked on the brakes. Mary hurriedly gathered a crew of brawn to manhandle the wheel.

Just above the millhouse the waterway narrowed before cascading into the broader, deeper channel along which the mill was being constructed. I tried not to hear the roaring of the frustrated Storm above the treetops, tried not to imagine its hot breath as we checked the lay of the land, the orientation of trees, the availability of large rocks, logs, branches, anything.

Near the mill, uphill from the stream, a large hunk of granite caught my eye. Apply the right leverage and we could roll this thing downhill into the current right about where the stream fed into the millpond. That would block it only partially and would leave us with the additional problem of getting the boulder out of the water again, but right now I didn’t see an alternative.

The sweet, clear tones of a flute floated up to me, mingled with the purl of the stream. I turned. Kevin Elk Sings sat cross-legged beside the flow, flute to his lips. He seemed to be playing to the water. Goldie squatted beside him, eyes raptly on the flute player.

I heard steps behind me. Shadows fell across the face of the boulder. I tried not to notice how dim they were in the growing darkness, what strange colors they cast.

“What are they doing, Calvin?” Doc asked.

“Not sure,” I said.

I turned. Doc wasn’t alone. Delmar Crow and several other men were with him. “Look,” I said, “here’s the situation. We need a dam. Gustavson and Colleen are getting the wheel ready to go in the water, but first we have to stop the water from flowing into the millpond.”

Delmar nodded, slapping his hand against the granite flank of the boulder. “You want to start with this?”

I nodded. “We’ll need leverage.”

Leverage came from a pile of scrap lumber stacked in the lee of the mill. We dragged out three long pieces and hurriedly worked them under the boulder’s flank.

I looked down the hill, mouth open to warn Goldie and Kevin out of the way. The sound stopped in my throat.

The two of them were just about as I’d last seen them, except that Goldie had moved closer to Kevin, the fingers of one hand resting on the barrel of the flute as if in a caress or a benediction. Just beyond where they crouched, the water eddied, curled, and slowed as if an arctic wind breathed over it. Then it folded back on itself and ran, with all the speed of syrup, back the way it had come.

If Kevin could keep this up, the millpond would be empty in a matter of minutes. I held my breath, feeling as if I were on the verge of an epiphany. But as I watched, the water fell back into its normal state, and my epiphany drained away with it toward the mill.

Kevin slumped on the bank with a wail of frustration.

I nodded to Delmar. “We’re on. Let’s get this thing in the water.” I wrapped my hands around a rough two-by-four. “Doc, can you go down there and get them out of the way?”

He threw me a sideways glance. “I am prepared to help here,” he said.

“Doc, we need them out of the way.”

He moved off down the hill, gait stiff, but no longer limping. At the water’s edge, Goldie gave him an argument and Kevin was slow to move, but he managed to get both of them out of the path we hoped our boulder would take.

It took more than the three tries requisite in most fiction, and Goldie, Doc, and Kevin had to add their strength to the effort, but in the end we heaved the boulder out of its bed and watched it roll ponderously into the stream. It splashed down about where we’d intended, but then rolled back toward the mill, leaving generous floodgates on both sides.

“Now what?” Goldie had to shout, making me realize that the roar of the Storm had grown.

I could no longer hear the wind chimes, and had to glance at those nearest us to even see that they were moving. Around us the woods flickered with strange, uncertain light and our shadows squirmed and writhed on the ground as if sinister life grew within them.

“Now we build a dam,” I answered.

Delmar was already headed for the pile of scrap lumber. The rest of us followed. We hauled everything we could lay our hands on down to the stream, then Delmar and I plunged in to start the water wall. We were joined by two men who could have easily passed for defensive linemen. Their names were Tomas and Hagen.