I straightened from my map reading. “Doc, you’re pretty familiar with the Bible, right?”
He glanced over at me from where he sat, cutting various sized bandages from freshly washed but irregular hunks of fabric. “I am familiar with it, yes.”
“Isn’t there something in the Revelation of Saint John about God locking Satan up someplace and then letting him loose at the end of the age to torment the world?”
His gray gaze was contemplative and level. “That is metaphor, my friend. The seemingly simple words speak a complex truth, which they can either illuminate or obscure, depending upon who reads them.”
“And how do you read them?”
“I understand them to mean that what torments the world is man’s insatiable thirst for control.”
I nodded. “I guess the prophecy applies either way, doesn’t it? It sure seems as if someone let Satan out of jail.”
“I thought you were plotting our course.” This came from Colleen, who was bundling barbs and arrows on the floor near where Doc sat. “What’s that got to do with the devil?”
I rubbed my eyes, feeling suddenly light-headed. “Must be getting punchy. Maybe I’ll take a break.”
“Good timing!”
Goldie entered the cabin on a wave of kinetic energy, rubbing his hands together fast enough to make static.
“I was just going to suggest that you all take a break and come for a little walk underground.”
His face was flushed; his eyes were overbright, and for a moment I had the sickening thought that he was on something, or worse. He stopped in front of me and I realized that his jeans were soaked from the knees down.
“Well, don’t everybody move at once. Just line up in alphabetical order and file politely out the door.” He made a shooing gesture with both hands.
“Where would we be going on this little walk?” Colleen asked, not even preparing to move.
“I told you: underground. There’s something I want you to see.” He imitated a praying mantis again and giggled. “You’re gonna love this.”
I exchanged glances with Doc and Colleen. Both looked uneasy. Doc rose slowly and put his bandages aside. Colleen, taking the cue from him, followed suit.
“Please, show us,” Doc said, and smiled.
Goldie rolled his eyes, shook his head and laughed. “Jeez, you guys are a piece of work. Fine, if thinking that poor old Goldman is about to leap out of his head will get you into the caves any faster, so be it. Walk this way.”
He did a creditable Igor, hunching his back and dragging one foot behind.
I wasn’t sure whether I was supposed to laugh or cry, so I did neither. I just followed, Colleen and Doc close on my heels.
Ten yards from the door of the cabin, Goldie straightened and shook himself all over. “Man, that gets old fast. How’d Feldman do that through an entire movie?”
He cocked a glance back over his shoulder. “Oh, there you are.” He crooked a finger and took off again.
Down in the cavern, he led us through the Indian Council Chamber, then took a left-hand passage rather than the more or less straight-ahead one that led to the Adena portal. After a silent walk of about twenty yards or so we came to another branching of the ways. Again Goldie took the left-hand trail.
Colleen, just behind me, tapped my shoulder and whis-
pered, “This is the one that goes to Put-in-Bay cave.” Goldie turned back with a finger to his lips. “Ssshhh.” “Now he thinks he’s a librarian,” muttered Colleen. “Quiet, Miss Brooks,” said Goldie. “We don’t want to do
detention, do we?”
Colleen fell back, muttering obscenities under her breath.
Yards of faerie-lit tunnel slid by around us and I found myself internally oohing and ahing at the sheer beauty of the glittering rock formations. God’s jewel box. Another passage opened up in the left arm of a Y junction. The lights continued to the right; Goldie ducked under a diamond-studded curtain of limestone and forged into the darkness of the leftmost branch.
I hesitated.
Behind me Colleen protested, “Goldman, you lose your compass or something? It’s that way.”
A shower of gold light cascaded down the left-hand passage from Goldie’s hand and rolled into the junction where the rest of us stood in confusion.
“Nope. It’s this way.” He beckoned, releasing the ball of light into the moist air, then turned and led on, a second tweaked lantern floating above his head.
The passage twisted and turned a bit, then opened up into a huge, sandy-bottomed chamber from which I could hear the gurgle of running water. The golden light did not touch the walls on the far side of the room, giving some indication of its size, but it sparkled like stars in the waters of a tiny lake.
It was into this body of water that Goldie plunged up to his knees. He splashed across to the other side, where Kevin Elk Sings sat cross-legged on the floor, flute in hand, wearing the same gray look of exhaustion that Goldie did beneath his flush of excitement. Mary McCrae stood behind him, looking bemused. Magritte hovered at her shoulder. Goldie’s light globes and smaller, starlike motes of gold floated about them, casting luminescence over the glistening floor.
“Good, you’re here,” said Mary. “Cal, do you have any idea what this is about? They’re all being annoyingly mysterious.”
I shook my head. “I haven’t got a clue.”
“I am not wading through that,” announced Colleen from behind me.
“It’s the only way across without going all the way to the end of the chamber,” said Goldie. His voice echoed strangely off the walls.
I sighed and plowed through the flood, gritting my teeth against the bone-jarring cold. On the other side I found myself facing a curving wall of pale flowstone that glittered as if set with jewels. It blended upward into a vaulted ceiling that was lost in the void.
“Okay,” said Goldie, “everybody stand just so.” He arranged us all in a semicircle behind Kevin. “Maestro?” Goldie nodded to Kevin, who rose in a single, fluid movement and began to play.
The melody was familiar, but twisted. Appropriate, I suppose. It took a moment for me to recognize it as a piece from the Who’s rock opera, Tommy. Rolling out of Kevin’s flute, it had an ageless quality, as if generations of Lakota Sioux might have played it.
At almost the precise moment I placed the song, Goldie’s face lit up in a brilliant smile and Kevin began to move toward the wall, still playing. He strode up to the wall and stepped through it as if through a curtain of stars. The music echoed momentarily, then faded.
“Pretty slick, huh?” Goldie asked.
It was, indeed, pretty slick. “Uh, yeah,” was the best I could manage.
Mary put a hand over her mouth, her eyes wide. “Kevin did that? Himself?”
The music faded back in and Kevin reappeared. He stopped playing the moment he was clear of the wall. Behind him the stars winked out.
Goldie, Mary, and Magritte broke into spontaneous applause, and Kevin bowed, grinning and flourishing his flute.
“Now,” said Goldie, “the really slick part. Kev is going to take you all through the portal.”
He did, too. Instead of passing entirely through the sparkling wall, he stood, half in and half out, and literally changed his tune. The wall no longer seemed quite solid. It looked like a slightly cheesy special effect I’d seen in countless old science fiction films-a filmy veil of sequins through which our heroes would step into…?