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Grigori’s interest in St. Rose Convent made the information all the more perplexing. A man like Grigori could not possibly find beauty and meaning in art. People like that lived their entire lives without understanding that there was more to a van Gogh than record-breaking sales at an auction. Indeed, there must be a monetary value to the object in question, or Grigori wouldn’t spend a moment of his time trying to hunt it down. How Verlaine had gotten mixed up with such a person was truly beyond his understanding.

Gazing outside, he searched the darkness beyond the pane. The temperature must have fallen again; the heat from the interior of the room reacted with the cold window, creating a layer of condensation on the glass. Outside, the occasional car drove by, its taillights leaving a trail of orange in the frost. Verlaine watched and waited, wondering how he would get back home.

For a moment he considered calling the convent. Perhaps the beautiful young nun he’d met in the library would have a suggestion. Then the thought struck him that she, too, might be in some kind of danger. There was always the chance that the thugs he’d seen at the convent might go inside looking for him. Yet there was no way they could possibly know where he had gone in the convent, and surely they wouldn’t know he’d spoken to Evangeline. She had not been happy to see him and would probably never speak to him again. In any event, it was important to be practical. He needed to get to a train station or find a bus that would get him back to the city, and he doubted that he would find either of those in Milton.

St. Rose Convent, Milton, New York

Evangeline did not know Sister Celestine well. At seventy-five, she was wheelchair-bound and did not spend much time among the younger nuns. Although she made an appearance each day at morning Mass, when one of the sisters would push her wheelchair to the front of the church, Celestine resided in a position of isolation and protection as sacrosanct as a queen’s. Celestine always had her meals delivered to her room, and from time to time Evangeline had been dispatched to Celestine’s cell from the library, a stack of poetry books and historical fiction in her arms. There were even the occasional works in French that Sister Philomena had secured by interlibrary loan. These, Evangeline had noted, made Celestine particularly happy.

As Evangeline walked through the first floor, she saw that it had filled with sisters at work, a great mass of black-and-white habits shuffling along under the weak light of bulbs encased in metal sconces as they performed their daily chores. Sisters swarmed the hallways, opening broom closets, brandishing mops and rags and bottles of cleaning agents as they set about the evening chores. The sisters tied aprons at their waists and rolled up their dolman sleeves and snapped on latex gloves. They shook the dust from drapery and opened windows to dissuade the perennial mildew and moss of their damp, cool climate from taking hold. The women prided themselves on their ability to carry out a great deal of the convent’s labor themselves. The cheerfulness of their evening chore groups somehow disguised the fact that they were scrubbing and waxing and dusting, and instead it created the illusion that they were contributing to some marvelous project, one of much larger significance than their small individual tasks. Indeed, it was true: Each floor washed, each banister finial polished became an offering and a tribute to the greater good.

Evangeline followed the narrow steps from the Adoration Chapel up to the fourth floor. Celestine’s chamber was one of the largest cells in the convent. It was a corner bedroom with a private bathroom containing a large shower equipped with a folding plastic platform chair. Evangeline often wondered whether Celestine’s confinement freed her from the burden of daily participation in community activities, offering her a pleasant reprieve from duties, or if isolation made Celestine’s life in the convent a prison. Such immobility struck Evangeline as horribly restrictive.

She knocked on the door, giving three hesitant raps.

“Yes?” Celestine said, her voice weak. Celestine was born in France-despite half a century in the United States, her accent was pronounced.

Evangeline stepped into Celestine’s room, closing the door behind herself.

“Who is there?”

“It’s me.” She spoke quietly, afraid to disturb Celestine. “Evangeline. From the library.”

Celestine was nestled into her wheelchair near the window, a crocheted blanket in her lap. She no longer wore a veil, and her hair had been cut short, framing her face with a shock of white. On the far side of the room, a humidifier spewed steam into the air. In another corner the hot coils of a space heater warmed the room like a sauna. Celestine appeared to be cold, despite the blanket. The bed was made up with a similar crocheted throw, typical of the blankets made for the Elder Sisters by the younger ones. Celestine narrowed her eyes, trying to account for Evangeline’s presence. “You have more books for me, do you?”

“No,” Evangeline said, taking a seat next to Celestine’s wheelchair, where a stack of books sat on a mahogany end table, a magnifying glass atop the pile. “It looks like you’ve got plenty to read.”

“Yes, yes,” Celestine said, looking out the window, “there is always more to read.”

“I’m sorry to disturb you, Sister, but I was hoping to ask you a question.” Evangeline pulled the letter from Mrs. Rockefeller to Mother Innocenta out of her pocket and flattened it upon her knee.

Celestine folded her long white fingers together upon her lap, a gold FSPA signet ring glinting on her ring finger, and stared blankly at Evangeline with a cool, assessing gaze. It was possible that Sister Celestine could not remember what she had eaten for lunch, let alone events that had occurred many decades before.

Evangeline cleared her throat. “I was working in the archives this morning and found a letter that mentions your name. I don’t really know where to file it-I was wondering if you would help me to understand what it is about, so that I can put it in its proper place.”

“Proper place?” Celestine asked, doubtful. “I don’t know if I can be much help at putting anything in its proper place these days. What does the letter say?”

Evangeline gave the page to Sister Celestine, who turned the thin paper over in her hands.

“The glass,” she said, fluttering her fingers toward the table.

Evangeline placed the magnifying glass in her hands, watching Celestine’s face intently as the lens moved over the lines, transforming the solid paper into a sheet of watery light. It was clear by her expression that she was struggling with her thoughts, although Evangeline could not say if the words on the page had caused the confusion. After a moment Celestine laid the magnifying glass in her lap, and Evangeline understood at once: Celestine recognized the letter.

“It is very old,” Celestine said at last, creasing the paper and resting her blue-veined hand over it. “Written by a woman named Abigail Rockefeller.”