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He leaned against the four-door Chevy sedan. In the back seat two men were sitting, almost invisible, although they were very big men. Paulie said, "Take them when they come out."

He still thought it had all been set up too fast. Clemenza had given him copies of the police mug shots of the two punks, the dope on where the punks went drinking every night to pick up bar girls. Paulie had recruited two of the strong-arms in the family and fingered the punks for them. He had also given them their instructions. No blows on the top or the back of the head, there was to be no accidental fatality. Other than that they could go as far as they liked. He had given them only one warning: "If those punks get out of the hospital in less than a month, you guys go back to driving trucks."

The two big men were getting out of the car. They were both ex-boxers who had never made it past the small clubs and had been fixed up by Sonny Corleone with a little loan-shark action so that they could make a decent living. They were, naturally, anxious to show their gratitude.

When Jerry Wagner and Kevin Moonan came out of the bar they were perfect setups (они были в отличной форме, отлично подготовлены /для предстоящего/; setup – установка, наладка). The bar girl's taunts (насмешки; taunt [to:nt] – язвительное замечание) had left their adolescent vanity prickly (оставили их подростковую гордость в раздраженном состоянии; adolescent [æd∂u’lesnt]; vanity [‘vænıtı] – тщеславие; prick – шип, колючка). Paulie Gatto, leaning against the fender of his car (прислонившись к крылу своего автомобиля), called out to them with a teasing laugh (с дразнящим смехом, смешком), "Hey, Casanova, those broads really brushed you off (здорово те девки дали тебе от ворот поворот; brush – щетка; to brush off – смахнуть; отмахнуться, «послать»)."

The two young men turned on him with delight (повернулись и направились к нему с восторгом). Paulie Gatto looked like a perfect outlet for their humiliation (как отличная отдушина для их унижения, униженности; to humiliate [hju’mılıeıt] – унижать, оскорблять). Ferret-faced (с лицом, как у хорька), short, slightly built (тщедушно сложенный; slightly – слегка, незначительно) and a wise guy in the bargain (да еще и умник в придачу; bargain ['bα:gın] – сделка, соглашение). They pounced on him eagerly (они рьяно набросились на него; pounce – коготь /ястреба/; to pounce – хватать когтями; внезапно атаковать) and immediately found their arms pinned (захваченными, зажатыми; pin – любой продолговатый предмет для соединения, сцепления чего-либо; to pin – сцеплять, прикалывать; прижать, придавить) by two men grabbing them from behind (схватившими их сзади). At the same moment Paulie Gatto had slipped onto his right hand (незаметно взял; to slip – скользить) a specially made set of brass knuckles (металлический кастет; brass – медь; knuckle – сустав /пальца/; knuckles – кастет) studded (обитый, усеянный; stud – гвоздь /с большой шляпкой/, штифт) with one-sixteenth-inch iron spikes (железными шипами в одну шестнадцатую дюйма; inch = 2,5 см). His timing was good (расчет времени, координация /движений/), he worked out in the gym (в гимнастическом зале) three times a week. He smashed (двинул; to smash – наносить сокрушительный удар, разбивать вдребезги) the punk named Wagner right on the nose. The man holding Wagner lifted him up off the ground and Paulie swung his arm (размахнулся; to swing), uppercutting into the perfectly positioned groin (в удобно подставленный пах). Wagner went limp (обмяк; limp – мягкий, нежесткий) and the big man dropped him. This had taken no more than six seconds.

Now both of them turned their attention to Kevin Moonan, who was trying to shout. The man holding him from behind did so easily with one huge muscled arm. The other hand he put around Moonan's throat (вокруг горла) to cut off any sound.

Paulie Gatto jumped into the car and started the motor. The two big men were beating Moonan to jelly (до состояния желе). They did so with frightening deliberation (с пугающей рассчетливостью, неспешностью; deliberation – рассуждение, размышление; медлительность), as if they had all the time in the world. They did not throw punches in flurries (они не «бросали удары кулаком суетливыми движениями»; flurry – шквал /ветра/; волнение, спешка, суета) but in timed, slow-motion sequences (но с размеренной, как бы замедленной постепенностью, размеренными сериями /ударов/; sequence [‘si:kw∂ns] – последовательность, очередность; серия) that carried the full weight (которые несли полный вес) of their massive bodies. Each blow landed with a splat (всплеском, шлепком) of flesh splitting open (трескающейся, разбивающейся плоти). Gatto got a glimpse of Moonan's face. It was unrecognizable (неузнаваемо [Ln’rek∂gnaız∂bl]; to recognize [’rek∂gnaız] – узнавать). The two men left Moonan lying on the sidewalk (на боковой дорожке, тротуаре) and turned their attention to Wagner. Wagner was trying to get to his feet and he started to scream for help. Someone came out of the bar and the two men had to work faster now. They clubbed Wagner to his knees (ударами подняли на ноги; club – дубинка; to club – бить /напр. дубинкой/). One of the men took his arm and twisted it (вывернул), then kicked him in the spine (пнул ногой в позвоночник). There was a cracking sound (что-то хрустнуло; to crack – трещать, хрустеть) and Wagner's scream of agony brought windows open (заставил распахнуться окна) all along the street. The two men worked very quickly. One of them held Wagner up by using his two hands around Wagner's head like a vise (как тиски). The other man smashed his huge fist into the fixed target (в закрепленную цель). There were more people coming out of the bar but none tried to interfere (вмешаться [ınt∂'fı∂]). Paulie Gatto yelled, "Come on, enough (ладно, хватит)." The two big men jumped into the car and Paulie gunned it away (умчал ее, дал полный газ; to gun – /разг./ давать полный газ). Somebody would describe the car and read the license plates (license plate – номерной знак автомобиля) but it didn't matter. It was a stolen California plate and there were one hundred thousand black Chevy sedans in New York City.

When Jerry Wagner and Kevin Moonan came out of the bar they were perfect setups. The bar girl's taunts had left their adolescent vanity prickly. Paulie Gatto, leaning against the fender of his car, called out to them with a teasing laugh, "Hey, Casanova, those broads really brushed you off."

The two young men turned on him with delight. Paulie Gatto looked like a perfect outlet for their humiliation. Ferret-faced, short, slightly built and a wise guy in the bargain. They pounced on him eagerly and immediately found their arms pinned by two men grabbing them from behind. At the same moment Paulie Gatto had slipped onto his right hand a specially made set of brass knuckles studded with one-sixteenth-inch iron spikes. His timing was good, he worked out in the gym three times a week. He smashed the punk named Wagner right on the nose. The man holding Wagner lifted him up off the ground and Paulie swung his arm, uppercutting into the perfectly positioned groin. Wagner went limp and the big man dropped him. This had taken no more than six seconds.