She did not care (ее не волновало: «не заботилась») that he would never be the great man his father had proved to be (каким стал его отец: «доказал быть»). Sonny Corleone had strength (силу), he had courage (смелость [‘kLrıdG]). He was generous (великодушный, добрый, щедрый [‘dGen∂r∂s]) and his heart was admitted (как было признано, считалось; to admit – допускать, соглашаться; считать [∂d'mıt]) to be as big as his organ. Yet he did not have his father's humility (смирения) but instead a quick, hot temper (темперамент, характер) that led him into errors of judgment (вводил в «ошибки суждения»). Though he was a great help in his father's business, there were many who doubted that he would become the heir to it (наследником [e∂]).
The second son, Frederico, called Fred or Fredo, was a child every Italian prayed to the saints for (о котором каждый итальянец молил святых = желал бы иметь). Dutiful (исполнительный: «полный долга»; duty – долг, обязанность), loyal, always at the service of his father, living with his parents at age thirty. He was short and burly (плотный, крепкий, большой и сильный), not handsome but with the same Cupid head of the family, the curly helmet of hair (шлем, каска) over the round face and sensual bow-shaped lips. Only, in Fred, these lips were not sensual but granitelike (словно высечены из гранита: «подобны граниту»). Inclined to dourness (склонный к меланхолии, депрессии; dour [du∂] – мрачный; строгий, суровый), he was still a crutch to his father (все же был опорой; crutch – стойка, опора; костыль), never disputed him, never embarrassed him (никогда не доставлял ему неприятностей, не ставил его в неприятное положение; to embarass [ım’bær∂s] – затруднять, стеснять; ставить в неудобное положение) by scandalous behavior with women (скандальным поведением [bı’heıvj∂]; to behave [bı’heıv] – вести себя). Despite all these virtues (достоинства ['v∂:tju:]) he did not have that personal magnetism, that animal force, so necessary for a leader of men, and he too was not expected to inherit the family business (не ожидалось = не предполагали, что унаследует [ın’herıt]).
Standing at the door with him were two of his three sons. The eldest, baptized Santino but called Sonny by everyone except his father, was looked at askance by the older Italian men; with admiration by the younger. Sonny Corleone was tall for a first-generation American of Italian parentage, almost six feet, and his crop of bushy, curly hair made him look even taller. His face was that of a gross Cupid, the features even but the bow-shaped lips thickly sensual, the dimpled cleft chin in some curious way obscene. He was built as powerfully as a bull and it was common knowledge that he was so generously endowed by nature that his martyred wife feared the marriage bed as unbelievers once feared the rack. It was whispered that when as a youth he had visited houses of ill fame, even the most hardened and fearless putain, after an awed inspection of his massive organ, demanded double price. Here at the wedding feast, some young matrons, widehipped, wide-mouthed, measured Sonny Corleone with coolly confident eyes. But on this particular day they were wasting their time. Sonny Corleone, despite the presence of his wife and three small children, had plans for his sister's maid of honor, Lucy Mancini. This young girl, fully aware, sat at a garden table in her pink formal gown, a tiara of flowers in her glossy black hair. She had flirted with Sonny in the past week of rehearsals and squeezed his hand that morning at the altar. A maiden could do no more.
She did not care that he would never be the great man his father had proved to be. Sonny Corleone had strength, he had courage. He was generous and his heart was admitted to be as big as his organ. Yet he did not have his father's humility but instead a quick, hot temper that led him into errors of judgment. Though he was a great help in his father's business, there were many who doubted that he would become the heir to it.
The second son, Frederico, called Fred or Fredo, was a child every Italian prayed to the saints for. Dutiful, loyal, always at the service of his father, living with his parents at age thirty. He was short and burly, not handsome but with the same Cupid head of the family, the curly helmet of hair over the round face and sensual bow-shaped lips. Only, in Fred, these lips were not sensual but granitelike. Inclined to dourness, he was still a crutch to his father, never disputed him, never embarrassed him by scandalous behavior with women. Despite all these virtues he did not have that personal magnetism, that animal force, so necessary for a leader of men, and he too was not expected to inherit the family business.
The third son, Michael Corleone, did not stand with his father and his two brothers but sat at a table in the most secluded corner (в самом безлюдном уголке; to seclude [sı’klu:d] – отстранять, изолировать) of the garden. But even there he could not escape the attentions (избежать знаков внимания) of the family friends.
Michael Corleone was the youngest son of the Don and the only child who had refused the great man's direction (отказался следовать указаниям этого великого человека). He did not have the heavy, Cupid-shaped face of the other children, and his jet black hair (черные, как смоль; jet – гагат, черный янтарь) was straight rather than curly (скорее прямые, чем вьющиеся). His skin was a clear olive-brown that would have been called beautiful in a girl. He was handsome in a delicate way (красив тонкой, изящной красотой). Indeed there had been a time when the Don had worried about his youngest son's masculinity (беспокоился о «мужеских качествах» = не слишком ли женственен его сын). A worry that was put to rest (беспокойство это отпало, было снято: «было успокоено») when Michael Corleone became seventeen years old.