But the young man with the orange tie remained in his place, disputing whether the body had not something or other which he called its legitimate claims. And from that they came back by way of the Kreutzer Sonata and Resurrection to Tolstoy again.
So the talk went on. Goopes, who had at first been a little reserved, resorted presently to the Socratic method to restrain the young man with the orange tie, and bent his forehead over him, and brought out at last very clearly from him that the body was only illusion and everything nothing but just spirit and molecules of thought. It became a sort of duel at last between them, and all the others sat and listened—every one, that is, except the Alderman, who had got the blond young man into a corner by the green-stained dresser with the aluminum things, and was sitting with his back to every one else, holding one hand over his mouth for greater privacy, and telling him, with an accent of confidential admission, in whispers of the chronic struggle between the natural modesty and general inoffensiveness of the Borough Council and the social evil in Marylebone.
So the talk went on, and presently they were criticising novelists, and certain daring essays of Wilkins got their due share of attention, and then they were discussing the future of the theatre. Ann Veronica intervened a little in the novelist discussion with a defence of Esmond and a denial that the Egoist was obscure, and when she spoke every one else stopped talking and listened. Then they deliberated whether Bernard Shaw ought to go into Parliament. And that brought them to vegetarianism and teetotalism, and the young man in the orange tie and Mrs. Goopes had a great set-to about the sincerity of Chesterton and Belloc that was ended by Goopes showing signs of resuming the Socratic method.
And at last Ann Veronica and Miss Miniver came down the dark staircase and out into the foggy spaces of the London squares, and crossed Russell Square, Woburn Square, Gordon Square, making an oblique route to Ann Veronica's lodging. They trudged along a little hungry, because of the fruitarian refreshments, and mentally very active. And Miss Miniver fell discussing whether Goopes or Bernard Shaw or Tolstoy or Doctor Tumpany or Wilkins the author had the more powerful and perfect mind in existence at the present time. She was clear there were no other minds like them in all the world.
Part 4
Then one evening Ann Veronica went with Miss Miniver into the back seats of the gallery at Essex Hall, and heard and saw the giant leaders of the Fabian Society who are re-making the world: Bernard Shaw and Toomer and Doctor Tumpany and Wilkins the author, all displayed upon a platform. The place was crowded, and the people about her were almost equally made up of very good-looking and enthusiastic young people and a great variety of Goopes-like types. In the discussion there was the oddest mixture of things that were personal and petty with an idealist devotion that was fine beyond dispute. In nearly every speech she heard was the same implication of great and necessary changes in the world—changes to be won by effort and sacrifice indeed, but surely to be won. And afterward she saw a very much larger and more enthusiastic gathering, a meeting of the advanced section of the woman movement in Caxton Hall, where the same note of vast changes in progress sounded; and she went to a soiree of the Dress Reform Association and visited a Food Reform Exhibition, where imminent change was made even alarmingly visible. The women's meeting was much more charged with emotional force than the Socialists'. Ann Veronica was carried off her intellectual and critical feet by it altogether, and applauded and uttered cries that subsequent reflection failed to endorse. "I knew you would feel it," said Miss Miniver, as they came away flushed and heated. "I knew you would begin to see how it all falls into place together."
It did begin to fall into place together. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. Some indeed carried themselves, dressed themselves even, rather as foreign visitors from the land of "Looking Backward" and "News from Nowhere" than as the indigenous Londoners they were. For the most part these were detached people: men practising the plastic arts, young writers, young men in employment, a very large proportion of girls and women—self-supporting women or girls of the student class. They made a stratum into which Ann Veronica was now plunged up to her neck; it had become her stratum.
None of the things they said and did were altogether new to Ann Veronica, but now she got them massed and alive, instead of by glimpses or in books—alive and articulate and insistent. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against.
She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and "movements," though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. But the people among whom she was now thrown through the social exertions of Miss Miniver and the Widgetts—for Teddy and Hetty came up from Morningside Park and took her to an eighteen-penny dinner in Soho and introduced her to some art students, who were also Socialists, and so opened the way to an evening of meandering talk in a studio—carried with them like an atmosphere this implication, not only that the world was in some stupid and even obvious way WRONG, with which indeed she was quite prepared to agree, but that it needed only a few pioneers to behave as such and be thoroughly and indiscriminately "advanced," for the new order to achieve itself.
When ninety per cent. out of the ten or twelve people one meets in a month not only say but feel and assume a thing, it is very hard not to fall into the belief that the thing is so. Imperceptibly almost Ann Veronica began to acquire the new attitude, even while her mind still resisted the felted ideas that went with it. And Miss Miniver began to sway her.
The very facts that Miss Miniver never stated an argument clearly, that she was never embarrassed by a sense of self-contradiction, and had little more respect for consistency of statement than a washerwoman has for wisps of vapor, which made Ann Veronica critical and hostile at their first encounter in Morningside Park, became at last with constant association the secret of Miss Miniver's growing influence. The brain tires of resistance, and when it meets again and again, incoherently active, the same phrases, the same ideas that it has already slain, exposed and dissected and buried, it becomes less and less energetic to repeat the operation. There must be something, one feels, in ideas that achieve persistently a successful resurrection. What Miss Miniver would have called the Higher Truth supervenes.
Yet through these talks, these meetings and conferences, these movements and efforts, Ann Veronica, for all that she went with her friend, and at times applauded with her enthusiastically, yet went nevertheless with eyes that grew more and more puzzled, and fine eyebrows more and more disposed to knit. She was with these movements—akin to them, she felt it at times intensely—and yet something eluded her. Morningside Park had been passive and defective; all this rushed about and was active, but it was still defective. It still failed in something. It did seem germane to the matter that so many of the people "in the van" were plain people, or faded people, or tired-looking people. It did affect the business that they all argued badly and were egotistical in their manners and inconsistent in their phrases. There were moments when she doubted whether the whole mass of movements and societies and gatherings and talks was not simply one coherent spectacle of failure protecting itself from abjection by the glamour of its own assertions. It happened that at the extremest point of Ann Veronica's social circle from the Widgetts was the family of the Morningside Park horse-dealer, a company of extremely dressy and hilarious young women, with one equestrian brother addicted to fancy waistcoats, cigars, and facial spots. These girls wore hats at remarkable angles and bows to startle and kill; they liked to be right on the spot every time and up to everything that was it from the very beginning and they rendered their conception of Socialists and all reformers by the words "positively frightening" and "weird." Well, it was beyond dispute that these words did convey a certain quality of the Movements in general amid which Miss Miniver disported herself. They WERE weird. And yet for all that—