And Ritter's, too, was very amusing and foreign and discreet; a little rambling room with a number of small tables, with red electric light shades and flowers. It was an overcast day, albeit not foggy, and the electric light shades glowed warmly, and an Italian waiter with insufficient English took Ramage's orders, and waited with an appearance of affection. Ann Veronica thought the whole affair rather jolly. Ritter sold better food than most of his compatriots, and cooked it better, and Ramage, with a fine perception of a feminine palate, ordered Vero Capri. It was, Ann Veronica felt, as a sip or so of that remarkable blend warmed her blood, just the sort of thing that her aunt would not approve, to be lunching thus, tete-a-tete with a man; and yet at the same time it was a perfectly innocent as well as agreeable proceeding.
They talked across their meal in an easy and friendly manner about Ann Veronica's affairs. He was really very bright and clever, with a sort of conversational boldness that was just within the limits of permissible daring. She described the Goopes and the Fabians to him, and gave him a sketch of her landlady; and he talked in the most liberal and entertaining way of a modern young woman's outlook. He seemed to know a great deal about life. He gave glimpses of possibilities. He roused curiosities. He contrasted wonderfully with the empty showing-off of Teddy. His friendship seemed a thing worth having....
But when she was thinking it over in her room that evening vague and baffling doubts came drifting across this conviction. She doubted how she stood toward him and what the restrained gleam of his face might signify. She felt that perhaps, in her desire to play an adequate part in the conversation, she had talked rather more freely than she ought to have done, and given him a wrong impression of herself.
Part 7
That was two days before Christmas Eve. The next morning came a compact letter from her father.
"MY DEAR DAUGHTER," it ran,—"Here, on the verge of the season of forgiveness I hold out a last hand to you in the hope of a reconciliation. I ask you, although it is not my place to ask you, to return home. This roof is still open to you. You will not be taunted if you return and everything that can be done will be done to make you happy.
"Indeed, I must implore you to return. This adventure of yours has gone on altogether too long; it has become a serious distress to both your aunt and myself. We fail altogether to understand your motives in doing what you are doing, or, indeed, how you are managing to do it, or what you are managing on. If you will think only of one trifling aspect—the inconvenience it must be to us to explain your absence—I think you may begin to realize what it all means for us. I need hardly say that your aunt joins with me very heartily in this request.
"Please come home. You will not find me unreasonable with you.
"Your affectionate
"FATHER."
Ann Veronica sat over her fire with her father's note in her hand. "Queer letters he writes," she said. "I suppose most people's letters are queer. Roof open—like a Noah's Ark. I wonder if he really wants me to go home. It's odd how little I know of him, and of how he feels and what he feels."
"I wonder how he treated Gwen."
Her mind drifted into a speculation about her sister. "I ought to look up Gwen," she said. "I wonder what happened."
Then she fell to thinking about her aunt. "I would like to go home," she cried, "to please her. She has been a dear. Considering how little he lets her have."
The truth prevailed. "The unaccountable thing is that I wouldn't go home to please her. She is, in her way, a dear. One OUGHT to want to please her. And I don't. I don't care. I can't even make myself care."
Presently, as if for comparison with her father's letter, she got out Ramage's check from the box that contained her papers. For so far she had kept it uncashed. She had not even endorsed it.
"Suppose I chuck it," she remarked, standing with the mauve slip in her hand—"suppose I chuck it, and surrender and go home! Perhaps, after all, Roddy was right!
"Father keeps opening the door and shutting it, but a time will come—
"I could still go home!"
She held Ramage's check as if to tear it across. "No," she said at last; "I'm a human being—not a timid female. What could I do at home? The other's a crumple-up—just surrender. Funk! I'll see it out."
CHAPTER THE EIGHTH
BIOLOGY
Part 1
January found Ann Veronica a student in the biological laboratory of the Central Imperial College that towers up from among the back streets in the angle between Euston Road and Great Portland Street. She was working very steadily at the Advanced Course in Comparative Anatomy, wonderfully relieved to have her mind engaged upon one methodically developing theme in the place of the discursive uncertainties of the previous two months, and doing her utmost to keep right in the back of her mind and out of sight the facts, firstly, that she had achieved this haven of satisfactory activity by incurring a debt to Ramage of forty pounds, and, secondly, that her present position was necessarily temporary and her outlook quite uncertain.
The biological laboratory had an atmosphere that was all its own.
It was at the top of the building, and looked clear over a clustering mass of inferior buildings toward Regent's Park. It was long and narrow, a well-lit, well-ventilated, quiet gallery of small tables and sinks, pervaded by a thin smell of methylated spirit and of a mitigated and sterilized organic decay. Along the inner side was a wonderfully arranged series of displayed specimens that Russell himself had prepared. The supreme effect for Ann Veronica was its surpassing relevance; it made every other atmosphere she knew seem discursive and confused. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure. It dealt from floor to ceiling and end to end with the Theory of the Forms of Life; the very duster by the blackboard was there to do its share in that work, the very washers in the taps; the room was more simply concentrated in aim even than a church. To that, perhaps, a large part of its satisfyingness was due. Contrasted with the confused movement and presences of a Fabian meeting, or the inexplicable enthusiasm behind the suffrage demand, with the speeches that were partly egotistical displays, partly artful manoeuvres, and partly incoherent cries for unsoundly formulated ends, compared with the comings and goings of audiences and supporters that were like the eddy-driven drift of paper in the street, this long, quiet, methodical chamber shone like a star seen through clouds.
Day after day for a measured hour in the lecture-theatre, with elaborate power and patience, Russell pieced together difficulty and suggestion, instance and counter-instance, in the elaborate construction of the family tree of life. And then the students went into the long laboratory and followed out these facts in almost living tissue with microscope and scalpel, probe and microtome, and the utmost of their skill and care, making now and then a raid into the compact museum of illustration next door, in which specimens and models and directions stood in disciplined ranks, under the direction of the demonstrator Capes. There was a couple of blackboards at each end of the aisle of tables, and at these Capes, with quick and nervous speech that contrasted vividly with Russell's slow, definitive articulation, directed the dissection and made illuminating comments on the structures under examination. Then he would come along the laboratory, sitting down by each student in turn, checking the work and discussing its difficulties, and answering questions arising out of Russell's lecture.