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In defiance of Christopher she put on a very short sleeveless dress, covered in midnight-blue sequins, which glittered with every movement, and wore her hair loose but pulled off her face with a crimson bow. She also ringed her eyes with black eye-liner, but left off her mascara in case the Brahms made her cry again.

Rodney had the entire orchestra and the audience in fits of laughter when he waddled on to conduct the overture from Il Seraglio, and sent one of the cymbals flying with his big belly.

His jaw dropped ten minutes later when he popped in to collect Abby.

‘Dear God, child. What a smasher you are. I ought to wave a sword rather than a baton to drive them off.’

‘And you look great too,’ sighed Abby. ‘I love that black-and-silver cummerbund.’

‘Madame Harefield,’ said Rodney acidly. ‘Couldn’t think where I’d found one big enough. If that woman were bowling for England, we’d have no difficulty retaining the Ashes… Tiddle om pom pom. Don’t be nervous. Birmingham’s in for a treat.’

Although Rodney dozed off twice in the first movement, he managed to wake up and bring the orchestra in after the cadenza. The audience sat spellbound by the beauty of Abby’s sound and the sadness on her face. Abby always felt the last moments of the concerto were the saddest, as the Hungarian gypsy seemed to romp down the hill, her feet, coloured skirts, earrings and dark curls flying, then suddenly to break down like a mechanical toy, and as the whole orchestra went quiet, limp stumbling through the last two bars, before the three final thunderous chords.

Invariably when Abby played, there was a long stunned silence at the end, as though it were intrusive to interrupt such sorrow and depth of emotion. Then the audience went wild, breaking into deafening rioting applause. Rodney turned, his plump hands apart, his head on one side — ‘What can I say?’ — before enfolding her in a warm, scented bear-hug.

The audience, crazy for an encore, would have gone on clapping for ages. Abby longed to oblige them, then to unwind slowly, savouring her triumph. But Rosalie Brandon, having spent twenty-four hours humouring Hermione, was back in martinet form, waiting in Abby’s dressing-room.

‘You haven’t time for an encore, you’ve got to sign CDs in the foyer, and then I’ve arranged for an interview with the Guardian, and then we’re having supper with the Independent.’

Abby loathed Rosalie being present at interviews. It had been the same when she was a kid, and her mother had insisted on staying in the room when the doctor examined her.

‘I’m having supper with Sir Rodney,’ she said firmly, ‘Christopher never stops chewing me out for not brown-nosing conductors.’

Christopher’s right, thought Rosalie beadily, Abby was definitely getting above herself.

Rodney, steaming like a pink pig in the conductor’s room as he changed into a clean shirt for the second half, gave Abby a jaunty wave as she passed by on her way to the foyer.

‘See you later, Abbygator.’

SIX

Abby regarded Rodney as far too old and gay to try anything, so she was relieved when he suggested supper in the apartment in which the orchestra put up visiting conductors.

‘You’ve been stared at quite enough,’ he announced as he emerged from the conductor’s room, wearing a big black cloak and a beatle cap tipped rakishly over one eye. He was clutching a clanking carrier bag, ‘Just a few little extras from Tesco’s,’ and singing a snatch from La Bohème. ‘Come along Musetta, devourer of all hearts.’

As they toddled across the square arm in arm, passing cafés, boutiques, pigeons huddling in the eaves and a glittering canal, the moon, slimmer than two days ago, but still sporting a rust halo, was sailing through silvery wisps of cloud.

‘Ring round the moon means trouble,’ sighed Rodney. ‘I do hope I don’t get a tax bill in the morning.’

The apartment was blissfully warm, with a gas log-fire which Rodney immediately turned on. Looking down from the moss-green walls were portraits of music’s giants: Alfred Brendel, André Previn, Rannaldini, Giulini, Jessye Norman, Simon Rattle.

‘You’ll be up there soon,’ said Rodney, pouring her a large glass of Dom Perignon, then sitting down at the big grand piano.

‘What’s your favourite tune?’

Abby’s mind went blank.

Rodney strummed a few chords and began to sing.

‘I love Abby in the springtime,

I love Abby in the Fall,

I love Abby in the summer when it sizzles,’

then changing key and putting on a French accent:

‘Thank ‘eavens for Abigail.

For Abigail get beeger every day.

Thank heavens for Abigail.

She’s grown up in the most exciting way.’

He looked so sweet and naughty, Abby kissed him on the top of his shiny bald head.

Having installed her on a dark, gold damask sofa, with the latest copy of Classical Music, which had her picture on the front, he toddled off to rustle her up some scrambled eggs. Abby felt herself unwinding for the first time in weeks. Oh, why were all the sweetest guys gay?

When Rodney returned five minutes later, however, he was brandishing the nearly empty bottle, reeking of English Fern, and wearing nothing but a blue-and-white striped butcher’s apron. Rodney’s down beat may have been wavery, but nothing could have been more emphatic than his upbeat, which was relentlessly lifting the striped apron like a shop blind.

‘My lovely child.’ Putting the bottle on the mantelpiece, Rodney advanced briskly.

‘Omigod,’ screamed Abby.

Flight to both doors was cut off, so she took the only possible way out, and went off into peals of laughter. After a second, Rodney joined in and they collapsed on the sofa, until the tears were running down their cheeks.

‘I thought you were gay, because you kissed the leader and you were so sympatico,’ said Abby, wiping her eyes.

‘Oh my dear, four wives to vouch to the contrary. Oh well, it was worth a try. You shouldn’t be so beautiful and so tall. Those stunning breasts at eye-level are beyond all temptation.’

‘What happened to your last wife?’

‘She died, three years ago, bless her. Wonderful old girl, used to play concertos in her nightie so she could go straight to bed afterwards.’

‘You must be so lonely.’

‘Not terribly darling, one’s always had a few little friends.’

‘Well, put on a bathrobe and I’ll make the scrambled eggs.’

After that they had a riotous evening, with Rodney regaling her with stories of the Great.

‘Henry Wood gave me my first concert after I came out of the Navy, and my first cigar. He was a charmer. You should do a prom, darling. You’d love it.’

‘They asked me,’ said Abby wistfully, ‘Christopher wanted too much money.’

Rodney frowned and topped up his glass of brandy.

‘I’ve heard that concerto so often, but tonight you made me listen to it completely afresh. I felt that strange excitement we all long for. Like the first time I saw David Gower pick up a bat, or the first time I heard Jacqueline du Pré pick up a bow. You have two matchless qualities, the ability to hold an audience captive and a unique sound that can never be mistaken for anyone else’s. But you’re dreadfully unhappy, aren’t you, darling.’ Gently he massaged her aching neck.