Three ecstatic gasps shuddered on the air as three rapt young ladies dropped down on their knees beside the trunks, and prepared to rummage to their hearts’ content.
There were unimagined delights in the trunks: curled ostrich plumes of various colours; branches of artificial flowers; an ermine tippet (alas, turned sadly yellow with age, but it would serve to trim Sophy’s old pelisse!); a loo-mask; a whole package of finest thread-lace; a tiffany cloak, which set Margaret peacocking round the room; several ells of ribbon of a shade which Mama said was called in her young days opéra brulé, and quite the rage; scarves of gauze, lace, and blonde, spangled and plain; a box containing intriguing knots of ribbon, whose names Mama could not quite remember, though she rather thought that that pale blue bunch was A Sign of Hope, and the pink bow A Sigh of Venus; point-lace tuckers, and lappet-heads; a feather muff; innumerable fans; sashes; a scarlet-flowered damask mantua petticoat—what a figure Mama must have looked in it!—and a velvet cloak, miraculously lined with sable, which had been a wedding-gift to Mama, but which she had scarcely worn, “because, my loves, it was finer than anything your aunt possessed, and, after all, she was the Squire’s wife, and dreadfully inclined to take a pet, so that I always took care never to give her the least cause to be offended. But it is a beautiful fur, and will make a muff for Arabella, besides trimming a pelisse!”
It was fortunate that Mama was an indulgent parent, and so very fond of a joke, for the trunks contained, besides these treasures, such old-fashioned garments that the three Misses Tallant were obliged to laugh. Fashions had changed a great deal since Mama was a girl, and to a generation accustomed to high-waisted gowns of muslin and crape, with little puff-sleeves, and demure flounces round the hems, the stiff, voluminous silks and brocades Mama had worn, with their elaborate undergowns, and their pads, and their wired bodices, seemed not only archaic, but very ugly too. What was this funny jacket, with all the whalebones? A Caraco? Gracious! And this striped thing, for all the world like a dressing-gown? A lustring sack—well, it was certainly very like a sack, to be sure! Did Mama wear it in company? What was in this elegant box? Poudre a la Marechale! But did Mama then powder her hair, like the picture of Grandmamma Tallant, up at the Hall? Oh, not quite like that! A gray powder? Oh, Mama, no! and you without a gray hair to your head! How did you dress it? Not cut atall? Curls to the waist at the back? And all those rolls and puffs over the ears! How could Mama have had the patience to do it? So odd as it must have looked, too!
But Mama, turning over half-forgotten dresses, grew quite sentimental, remembering that she had been wearing this very gown of green Italian taffeta, over a petticoat of satin, soupir a l’etouffe (unaccountably missing), when she had first met Papa; remembering the pretty compliment paid to her by that rejected baronet when he had seen her in the white silk waist Sophia was holding up (it had had a book-muslin train, and there should be somewhere a pink silk coat, very smart, which she had worn with it); remembering how shocked her Mama had been when she had seen that rose-coloured Indian muslin underwear which Eliza—your Aunt Eliza, my loves—had brought her from London.
The girls did not know where to look when Mama sighed over a cherry-striped gown, and said how pretty it had been, for really it was quite hideous, and it made them feel almost uncomfortable to think of Mama’s being seen abroad in such a garment. It was beyond laughter, so they sat respectfully silent, and were profoundly relieved when suddenly she shook off this unaccustomed mood, and smiled, and said in her own brisk way: “Well, I daresay you think I must have looked like a dowd, but I assure you I did not! However, none of these brocades is of any use to Arabella, so we will put them up again. But that straw-coloured satin will do famously for a ball-dress, and we may trim it with some of the point-lace.”
There was a dressmaker in High Harrowgate, an elderly Frenchwoman, who had originally come to England as an émigrée from the Revolution. She had very often made dresses for Mrs. Tallant and her daughters, and since she had excellent taste, and did not charge extortionate prices, except during the short season, it was decided that she should be entrusted with the task of making all Arabella’s gowns. On the first day that the horses could be spared from the farm, Mrs. Tallant and her two elder daughters drove to High Harrowgate, taking with them three bandboxes full of the silks, velvets, and laces which had finally been selected from Mrs. Tallant’s hoard.
Harrowgate, which was situated between Heythram and the large town of Knaresborough, was a watering-place renowned more for the excellent properties of its medicinal springs than for the modishness of its visitors. It consisted of two straggling villages, more than a mile apart, and enjoyed a summer season only. Since upwards of a thousand persons, mostly of valetudinarian habits, visited it then to drink the waters, both villages and their environs boasted more hotels and boarding-houses than private residences. From May till Michaelmas, public balls were held twice a week at the new Assembly Rooms; there was a Promenade, standing in the middle of an agreeable garden; a theatre; and a lending library, much patronized by Mrs. Tallant and her daughters.
Mme. Dupont was delighted to receive a client in the middle of January, and no sooner learned the reason for the bespeaking of such an extensive wardrobe than she entered into the spirit of the adventure with Gallic enthusiasm, fell into raptures over the silks and satins in the three bandboxes, and spread fashion-plates, and rolls of cambric and muslin, and crape before the ladies’ eyes. It would be a pleasure, she said, to make for a demoiselle with such a taille asMademoiselle Tallant’s; already she perceived how Madame’s satin polonaise could be transformed into a ball-dress of the most ravishing, while as for the taffeta over-dress—alas, that the elegant toilettes of the last century were no longer in vogue!—she could assure Madame that nothing could be more comme il faut than an opera cloak fashioned out of its ample widths, and trimmed with ruched velvet ribbon. As for the cost, that would be a matter for arrangement of the most amicable.
Arabella, who in general had a decided will of her own, as well as very definite ideas on the colour and style of her dresses, was so much shocked by the number of gowns Mama and Mme. Dupont seemed to think indispensable for a sojourn in London that she scarcely opened her lips, except to agree in a faint voice with whatever was suggested to her. Even Sophia, who so often earned reproofs from Papa for chattering like a magpie, was awed into comparative silence. Not all her study of the fashion-plates in The Ladies’ Monthly Museum had prepared her for the dazzling creations sketched in La Belle Assemblee. But Mama and Mme, Dupont were agreed that only the simplest of these would be convenable for such a young lady. One or two ball-dresses of satin, or orange-blossom sarsnet, would be needed for grand occasions, but nothing could be prettier, said Madame, than crape or fine jaconet muslin for the Assemblies at Almack’s. Some silver net drapery, perhaps—she had—the very thing laid by—or a Norwich shawl, carried negligently across the elbows, would lend a cachet to the plainest gown. Then, for a morning half-dress, might she suggest a figured French muslin, with a demi-train? Or perhaps Mademoiselle would prefer a Berlin silk, trimmed with silk floss?—For carriage dresses, she would recommend fine cambric, worn with a velvet mantle, and a Waterloo hat, or even a fur bonnet, ornamented—Mademoiselle’s colouring made it permissible, even imperative!—with a bunch of cherries.