Kelso grabbed the door handle nearest him. It was locked. But the second handle turned and he almost fell into the empty compartment, locking the door after him. Inside it was shaded, the curtains closed, the berths unmade, a stale smell of cold, male sweat - whoever had occupied it must have got off at Vologda. He tried to open the window but it was stuck. The Aurora man was battering at the door, shouting at him to open up. The handle rattled furiously. Kelso unfastened the satchel and tipped out the contents and had his lighter in his hand as the lock gave way.
THE blinds of Zinaida Rapava's apartment were drawn. The lights were off. The television screen flickered in the corner of her tiny flat like a cold blue hearth.
There had been a plainclothes guard outside on the landing all night - Bunin to start with, and then a different man - and a militia car parked ostentatiously opposite the entrance to the apartment block. It was Bunin who had told her to keep the blinds closed and not to go out. She didn't like Bunin and she could tell he didn't like her. When she asked him how long she would have to stay like this, he had shrugged. Was she a prisoner, then? He had shrugged again.
She had lain in a foetal curl on her bed for the best part of twenty hours, listening to her neighbours coming home from work, then some of them going out for the evening. Later, she heard them preparing for bed. And she had discovered, lying in the darkness, that as long as something occupied her eye, she could prevent herself seeing her father:
she could block out the images of the broken figure on the trolley. So she had watched television all night. And at one point, hopping between a game show and a black-and-white American movie, she had lighted on the pictures from the forest. Freedom alone is not enough, by far ... It is very difficult, comrades, to live on freedom alone...'
She had watched, hypnotised, as the night went on, how the story had spread like a stain across the networks, until she could recite it by heart. There was her father's lock-up, and the notebook, and Kelso turning the pages ('it's genuine - I'd stake my life on it'). There was the old woman pointing at a map. There was the strange man walking across the forest clearing and staring into the camera as he spoke. He ranted part of a hate-filled speech and that had nagged at her memory for a while in the early hours, until she remembered that her father had sometimes played a record of it when she was a child.
('You should listen to this, girl -you might learn something.)
He was frightening, this man, comic and sinister -Aike Zhirinovsky, or Hitler - and when it was reported that he had been seen on the Moscow train, heading south, she felt almost as if he were coming for her. She could imagine him stamping down the halls of the big hotels, his boots hammering on the marble, his coat flying behind him, smashing the windows of the expensive boutiques, hurling the foreigners out on to the pavements, looking for her. She could see him in Robotnik, overturning the bar, calling the girls whores and shouting at them to cover themselves. He would paint out the western signs, shatter the neon, empty the streets, shut down the airport -She knew they should have burned that notebook.
It was later, when she was in the bathroom, naked from the waist up, splashing cold water into her red eyes, that she heard from the television the name of Mamantov. And her first thought was, naively, that he had been arrested. After all, that was what Suvorin had promised her, wasn't it?
'We're going to find the man who did this terrible thing to your father. and we're going to lock him up.'
She grabbed a towel and darted back to the screen, hastily drying her face, and scrutinised him, and, oh yes, she knew it was him right enough, she could believe it of him - he looked a pitiless, cold bastard, with his wire-framed glasses and his thin, hard lips, and his Soviet-style hat and coat. He looked capable of anything.
He was saying something about 'the fascist usurper in the Kremlin' and it took her a minute to realise that actually he wasn't being arrested. On the contrary: he was being treated with respect. He was moving towards the train. He was boarding it. Nobody was stopping him. She could even see a couple of militia men, watching him. He turned on the step to the carriage and raised his hand. Lights flickered. He flashed his hangman's smile and disappeared inside.
Zinaida stared at the screen.
She searched through the pockets of her jacket until she found the telephone number Suvorin had given her.
It rang, unanswered.
She replaced the receiver calmly enough, wrapped the towel around her torso and unlocked her door.
Nobody was on the landing.
She went back into the flat and lifted the blind.
No sign of any militia car. Just the normal Saturday morning traffic beginning to build for the Izmaylovo market.
Afterwards, several witnesses came forward who claimed to have heard the sound of her cry, even above the noises of the busy street.
KELSO was overpowered with humiliating ease. He was pushed back on to the banquette, the satchel and the papers were taken from him, the door was wedged shut, and the young man in the black leather jacket took the seat opposite him, stretching one leg across the narrow aisle to prevent his prisoner from moving.
He unzipped the jacket just .far enough to show Kelso a shoulder holster, and Kelso recognised him then:
Mamantov's personal bodyguard from the Moscow apartment. He was a big, baby-faced lad, with a drooping left eyelid and a blubbery lower lip, and there was something about the way he let his boot rest against Kelso's thigh, cramming him against the window, that suggested hurting people might be his pleasure in life: that he needed violence as a swimmer requires water.
Kelso remembered Papu Rapav&s slowly twisting body and began to sweat.
'It's Viktor, isn't it?'
No reply.
'How long am I supposed to stay here, Viktor?'
Again, no answer, and after a couple more half-hearted attempts to demand his release, Kelso gave up. He could hear the sound of boots in the corridor and he had the impression that the whole of the train was being secured.
After that, not much happened for several hours.
At 10.20 they stopped as scheduled at Danilov and more of Mamantov's people poured aboard.
Kelso asked if he could at least go to the lavatory.
No answer.
Later, outside the city of Yaroslavl, they passed a derelict factory with a rusting Order of Lenin pinned to its windowless side. On its roof, a line of youths was silhouetted, their arms raised high in a fascist salute.
Viktor looked at Kelso and smiled, and Kelso looked away.
IN Moscow, Zinaida Rapava's apartment was empty.
The Klims who lived in the flat beneath afterwards swore they had heard her go out soon after eleven. But old man Amosov, who was fixing his car in the street directly across from the block, insisted it was some time after that: more like noon, he thought. She went straight by him without uttering a word, which wasn't unusual for her - she had her head down, he said, and was wearing dark glasses, a leather jacket, jeans and boots - and she was heading in the direction of the Semyonovskaya metro station.
She didn't have her car: that was still parked outside her father's apartment.
The next authenticated sighting came an hour later, at one o'clock, when she turned up at the back of Robotnik. A cleaner, Vera Yanukova, recognised her and let her in and she went directly to the cloakroom where she retrieved a leather shoulder bag (she showed her ticket; there was no mistake). The cleaner opened up the front entrance for her to leave, but she preferred to go out the way she had come, thus avoiding the metal detectors which were switched on automatically whenever the door was unlocked.
According to the cleaner, she was nervous when she arrived, but once she had the bag she seemed in good spirits, calm and self-possessed.