'Jesus, Fluke,' called Adelman, cheerfully, 'you look just awfuL'
Kelso raised a fragile hand in acknowledgement. He could see a huddle of taxi drivers in quilted jackets stamping their feet against the cold. Workmen were struggling to lift a roll of tin off the back of a lorry One Korean businessman in a fur hat was photographing a group of twenty others, similarly dressed. But of Papu Rapava: no sign.
'Doctor Kelso, please, we are waiting again.' The umbrella wagged at him in reproof. He transferred the cigarette to the corner of his mouth, hitched his bag up on to his shoulder and moved towards the bus.
'A battered Byron' was how one Sunday newspaper had described him when he had resigned his Oxford lectureship and moved to New York, and the description wasn't a bad one - curly black hair too long and thick for neatness, a moist, expressive mouth, pale cheeks and the glow of a certain reputation - if Byron hadn't died on Missolonghi but had spent the next ten years drinking whisky, smoking, staying indoors and resolutely avoiding all exercise, he, too, might have come to look a little like Fluke Kelso.
He was wearing what he always wore: a faded dark blue shirt of heavy cotton with the top button undone, a loosely knotted and vaguely stained dark tie, a black corduroy suit with a black leather belt over which his stomach bulged slightly, red cotton handkerchief in his breast pocket, scuffed boots of brown suede, an old blue raincoat. This was Kelso's uniform, unvaried for twenty years.
'Boy,' Rapava had called him, and the word was both absurd for a middle-aged man and yet oddly accurate. Boy.
The heater was going full blast. Nobody was saying much. He sat on his own near the back of the bus and rubbed at the Wet glass as they jolted up the slip-road to join the traffic on the bridge. Across the aisle, Saunders made an ostentatious display of batting Kelso's smoke away. Beneath them, in the filthy waters of the Moskva, a dredger with a crane mounted on its aft deck beat sluggishly upstream.
He nearly hadn't come to Russia. That was the joke of it. He knew well enough what it would be like: the bad food, the stale gossip, the sheer bloody tedium of academic life - of more and more being said about less and less - that was one reason why he had chucked in Oxford and gone to live in New York. But somehow the books he was supposed to write had not quite materialised. And besides, he never could resist the lure of Moscow. Even now, sitting on a stale bus in the Wednesday rush-hour, he could feel the charge of history beyond the muddy glass: in the dark and renamed streets, the vast apartment blocks, the toppled statues. It was stronger here than anywhere he knew; stronger even than in Berlin. That was what always drew him back to Moscow - the way history hung in the air between the blackened buildings like sulphur after a lightning-strike.
'You think you know it all about Comrade Stalin, don't you boy? Well, let me tel/you: you don't know fuck.'
Kelso had already delivered his short paper.,,on Stalin and the archives, at the end of the previous day: delivered it in his trademark style - without notes, with one hand in his pocket, extempore, provocative. His Russian hosts had looked gratifyingly shifty. A couple of people had even walked out. So, all in all, a triumph. Afterwards, finding himself predictably alone, he had decided to walk back to the Ukraina. It was a long walk, and it was getting dark, but he needed the air. And at some point - he couldn't remember where: maybe it was in one of the back streets behind the Institute, or maybe it was later, along the Noviy Arbat - but at some point he had realised he was being followed. It was nothing tangible, just a fleeting impression of something seen too often - the flash of a coat, perhaps, or the shape of a head - but Kelso had been in Moscow often enough in the bad old days to know that you were seldom wrong about these things. You always knew if a film was out of synch, however fractionally; you always knew if someone fancied you, however improbably; and you always knew when someone was on your tail.
He had just stepped into his hotel room and was contemplating some primary research in the mini-bar when the front desk had called up to say there was a man in the lobby who wanted to see him. Who? He wouldn't give his name, sir. But he was most insistent and he wouldn't leave. So Kelso had gone down, reluctantly, and found Papu Rapava sitting on one of the Ukraina's imitation leather sofas, staring straight ahead, in his papery blue suit, his wrists and ankles sticking out as thin as broomsticks.
'You think you know it all about Comrade Stalin, don't you, boy... ?'Those had been his opening words.
And that was the moment that Kelso had realised where he had first seen the old man: at the symposium, in the front row of the public seats, listening intently to the simultaneous translation over his headphones, muttering in violent disagreement at any hostile mention of J. V. Stalin.
Who are you? thought Kelso, staring out of the grimy window. Fantasist? Con man? The answer to a prayer?
THE symposium was only scheduled to last one more day -for which relief, in Kelso's view, much thanks. It was being held in the Institute of Marxism-Leninism, an orthodox temple of grey concrete, consecrated in the Brezhnev years, with Marx, Engels and Lenin in gigantic bas-relief above the pillared entrance. The ground floor had been leased to a private bank, since gone bust, which added to the air of dereliction.
On the opposite side of the street, watched by a couple of bored-looking militia men, a small demonstration was in progress - maybe a hundred people, mostly elderly, but with a few youths in black berets and leather jackets. It was the usual mixture of fanatics and grudge-holders - Marxists, nationalists, anti-semites. Crimson flags bearing the hammer and sickle hung beside black flags embroidered with the tsarist eagle. One old lady carried a picture of Stalin; another sold cassettes of SS marching songs. An elderly man with an umbrella held over him was addressing the crowd through a bullhorn, his voice a distorted, metallic rant. Stewards were handing out a free newspaper called Aurora.
'Take no notice,' instructed Olga Komarova, standing up beside the driver. She tapped the side of her head. 'These are crazy people. Red fascists.~
'What's he saying?' demanded Duberstein, who was considered a world authority on Soviet communism even though he had never quite got round to learning Russian.
'He's talking about how the Hoover Institution tried to buy the Party archive for five million bucks,' said Adelman. 'He says we're trying to steal their history.
Duberstein sniggered. 'Who'd want to steal their goddamned history?' He tapped on the window with his signet ring. 'Say, isn't that a TV crew?'
The sight of a camera caused a predictable, wistful stir among the academics.
'I believe so..
'How very flattering...
'What's the name,' said Adelman, 'of the fellow who runs Aurora? Is it still the same one?' He twisted round in his seat and called up the aisle. 'Fluke - you should know. What's his name? Old KGB -,
'Mamantov,' said Kelso. The driver braked hard and he had to swallow to stop himself being sick. 'Vladimir Mamantov.'
'Crazy people,' repeated Olga, bracing herself as they came to a stop. 'I apologise on behalf of Rosarkhiv. They are not representative. Follow me, please. Ignore them.'
They filed off the bus and a television cameraman filmed them as they trudged across the asphalt forecourt, past a couple of drooping, silvery fir trees, pursued by jeers.
Fluke Kelso moved delicately at the rear of the column, nursing his hangover, holding his head at a careful angle, as if he was balancing a pitcher of water. A pimply youth in wire spectacles thrust a copy of Aurora at him and Kelso got a quick glimpse of the front page - a cartoon caricature of Zionist conspirators and a weird cabalistic symbol that was something between a swastika and a red cross - before he rammed it back in the young man's chest. The demonstrators jeered.