It can't be real, Holly. It can only be canvas. Put a knife to it and the canvas will rip. There must be another picture behind the paint.
Crap, Holly, it's real. And the bullets in the gun in the watch-tower above, they're real… and the cold, and the sentence of the court which has fourteen years to run, and the worst luck that the Consul had ever heard of… they're real.
He had completed another revolution of the prescribed path, and the man still stood and stared at the fences, and his shoulders were not hunched as if the cold no longer concerned him.
Where did it begin?
Where was the start of the story that brought Mikhail Holovich, who was to become Michael Holly, to this place of wire and snow, of dogs and guns?
The town called Bazar in the heart of the'Ukraine was found on the fringes of thick forestland to the north of the Kiev to Zhitomir railway. In its way the town possessed a certain prosperity that was based on the quality of the nearby timber, the richness of the black soil, and the failure of central government's collectivization policy to reach with any great thoroughness into the self-sufficiency of the few thousands who lived there.
The Ukraine is not Russia. The Ukraine had struggled to preserve its identity of language, heritage, and literature.
Moscow was a distant capital, a foreign overlord handing out its satraps and commissars. In spite of, and because of, the Stalinist purges of the Thirties, the uniqueness of the Ukraine had not been dislodged. And where better to remember that individuality than in the town of Bazar. On the lips of every child of that town was the story of the day-long battle fought there on November 21st 1921 between the men loyal to George Tiutiunnyk and the fledgling Red Army. A gunfight that stretched from dawn until night as the group who believed themselves to be Ukrainian patriots held out, without hope of rescue or reinforcement, against the encircling advance of Moscow's soldiers. It was an epic fight. Old rifles against mortars and machine-guns and howitzers. It was followed, after the ammunition pouches of the defenders had been emptied, by total slaugh-ter as the last line on the summit of an open hill was breached.
The sacrifice of Tiutiunnyk and his men, because sacrifice was how it was seen in Bazar, lingered for twenty years as a whispered obsession in the minds of the townspeople. From the time they could read and write and understand, Stepan Holovich and Ilya, who was to become his wife, had known of the battle.
And then in November 1941 the unimaginable happened.
The Militia were gone from Bazar. The Party offices were closed and its workers speeding East in open lorries. Straggling, beaten columns of troops marched without equipment into the town and out along the main road to Kiev.
And a day after them the Panzer convoys took the same road, and some of the girls and women of Bazar with great daring threw flowers onto the mud-spattered armour of the Panther heavy tanks, and some of the men cheered and the headmaster of the secondary school said that evening in the cafe on Lenin Street that this was a moment of deliverance.
The people of Bazar could not differentiate between the front line forces of the Wehrmacht and the garrison troops of the SS divisions. Nor could those people know that after the combat generals had moved further East into Russia that their authority over the civilian population would fall to the hands of Erich Koch, drafted to Kiev to head the Reichskommissariat.
On the afternoon of November 21st the townspeople flocked to the hill site of Tiutiunnyk's battle. They came in their best clothes as if it were a Sunday from the days before the church was closed. The headmaster made the first speech, flags flew, the town band played a medley of the tunes of the old Ukraine, a hymn was sung. In the evening the SS troops came to the homes of those who had organized such a happy day. In the morning the SS firing squads shot dead twenty-four of Bazar's most prominent citizens. The following week the train took all the young men and women of Bazar to the war factories of the Ruhr.
Stepan and Ilya Holovich were amongst those transported in the sealed wagons through Lvov and Krakow and Prague to Essen. They were the Ostarbeiters, intelligent and educated, and set to work as labourers, made to wear a badge.
Three and a half years later, the Panthers that had stormed through Bazar and the Ukraine came home in defeat.
Emaciated, servile, exhausted, Stepan and Ilya Holovich found themselves herded with a hundred thousand others into the Displacement Camps. The majority, the huge majority, were to be shipped back in the same closed trains to the Motherland of Russia. The minority, the tiny minority, succeeded in persuading the American authorities that they should not be returned.
In 1947 Stepan and Ilya Holovich arrived with no money and no luggage at London's Tilbury docks on a freighter from Bremen. Stepan Holovich had sunk to his knees to kiss the rain-soaked paving of the quayside. From a single room in Kingston-upon-Thames which he rented and where he lived with Ilya, he repaired watches and clocks. When the local doctor, confounded by the sparrow size of his patients, informed the couple that they were to become parents, Ilya Holovich had dropped her lined and weary face to her chest and wept, and Stepan Holovich had jumped up from his chair and then scratched between his thin grey hair and laughed. A fortnight later the buff OHMS envelope had been delivered which announced the granting of the natur-alization papers. They were British citizens by the time that Ilya Holovich entered Kingston General Hospital for a difficult confinement. That it was difficult was of no surprise to the duty obstetrician. A woman of that physique had no business producing 8 lb 7 oz babies.
They called the boy Mikhail.
In the year that the child first went to a nursery school his father anglicized the family name. It was his hope that whereas an essentially Ukrainian background would rule behind the front door of their home, his son could become assimilated into the society that had adopted his flotsam parents.
Michael Holly was an unremarkable boy growing up in the suburbs of south-west London.
That is perhaps the start of the road to the perimeter path of ZhKh 385/3/1.
A man stood, rakish and upright, and stared at the fences.
The night pressed down on the flood of the arc lights, the line of lamp clusters rested on the outer fence of wood planks.
The snow gathered in a thin cloak on his tunic's shoulders and he made no attempt to scatter the fall. Those who walked the perimeter path went behind him, and no one spoke to the man who gazed at the wall that held him. He communed in a solitude, and much of his face was hidden by the quilted balaclava, and his mind was blocked to those who passed him. When the bell sounded and the ghost figures pitched from the huts to form the lines at the Kitchen, he remained, his attention held all the time by the upper strands of wire and the topmost line of the wooden fence.
From the corner of the compound the raised machine-gun and its minder watched and bided their time.
In the dining area of the bare brick Kitchen there was a stirring in the pool of lethargy. This was Sunday evening, the end of the one day of the week when the Factory was idle. The zeks had rested, they had reinforced their strength by spending the daylight hours on their bunks. They had written the letters that would be read during the week by the camp censors, that would be passed or slashed or shredded.
They had read from the paltry choice of books in the Library. They had dreamed of somewhere that was beyond the fence. They have been revived. Sunday is a hypodermic dose to the zeks.
There was a spatter of life and talks in the queue that Holly joined and that stretched twice around the inside walls of the Kitchen. For the first time in the day he heard men laugh freely.