In addition Rombaden/Romstein has been traded, sold or bartered to consolidate royal marriages, peace treaties, etc., a dozen times.
A detailed history shows that this district has been in over 600 different alliances.
A never ending series of disasters has marked German history. Rombaden has rebuilt itself after each catastrophe with typical German energy.
GENERAL DATA:
ROMBADEN (Roman Baths) Population 90,000. With Romstein District, 150,000. 85% Roman Catholic. The city was named for the Roman bath antiquities found in the thermal springs in the environs. It is distinctly Schwaben in its tradition, singsong dialect, dress, etc. A great provincial pride exists. However, there are unmistakable influences of nearby Bavaria, particularly in Rombaden’s architecture.
Rombaden stretches along the northern bank of the Landau. Two bridges cross into the Romstein District on the south bank. Between these two bridges is an enormous Rathaus Platz (City Hall Square) which is about a half mile in length.
The square is surrounded by dominating buildings. On the east side is Marienkirche (Mary’s Church) of cathedral proportions. The single onion-dome tower is only slightly shorter than Munich’s Marienkirche. The baroque interior is considered the most magnificent example of the period in all of Germany. The church was rebuilt in 1670. On the west end of the square opposite the cathedral is the Rathaus (City Hall), a square Renaissance-type structure from the seventeenth century. Under the Rathaus is the Ratskeller (City Hall Cellar or Restaurant), which is a customary meeting place in German towns. This particular Ratskeller was the scene of early-day Nazi rallies. The half-mile long northern boundary of the square is lined with a series of buildings: the Rombaden Medical College and Research Institute and Hospital; the Roman Kunsthalle (museum); the famous puppet theater and the Opera House. The museum, incidentally, holds innumerable treasures of German masterpieces ranging from Dürer to the modernist Paul Klee.
There are three statues on the square. The statue of the Virgin Mary stands before the cathedral. Before the Opera House is the second statue—Hinterseer, the poet, and Rombaden’s most famous son. It was he who wrote the Legend of Rombaden. The third statue stands before the City Hall, depicting two characters from the Legend of Rombaden, the mythical god Berwin and the goddess Helga.
This mammoth square, capable of holding most of Rombaden’s population, was the scene of much Nazi pageantry.
The central business district fans out behind the northern edge of the square.
The industrial section is along the river bank. There is the big Romstein Machine Works owned by the ruling family. It is actually a complex of a half-dozen factories and is the economic backbone of the area. Since the Hitler era it has been engaged in arms manufacture and aircraft motors. Much of the factory has been moved underground since the war. It is believed to be manufacturing V-2 rocket parts. It is believed, further, that almost all of the labor consists of slaves imported from occupied lands.
There are other factories, mostly of a light-industry nature, on the river front: A brewery, a small barge-construction yard and a leather works. There are a number of the generation to generation shops in crystal cutting, the manufacture of the famous Rombaden puppets, a toy factory, etc.
Rombaden is known for its gay life. A large source of the town’s income comes from the fact that it has been an overnight stopping place for Landau river-barge pilots. To facilitate their entertainment there is a three-block-long street of beer halls, bars, small hotels and brothels known as Princess Allee, which has a reputation of being a “little Hamburg Reeperbahn.”
The pre-lenten ball of the Medical College Students is a riotous affair drawing artists from all over Schwaben and Bavaria for a week of unabashed revelry. No less bombastic is the November Beer Fest in which the city Hall Square is covered by several enormous tents. A half-million liters of beer are consumed along with staggering amounts of wine, schnaps, and Schweinwürstchen.
To counterbalance these various orgies there is a splendid opera and symphony season, puppet theater, innumerable scientific seminars at the Institute and other cultural affairs.
Rombaden has its own unique pageant based on the Legend of Rombaden, which is a thousand years old. In medieval costume there is a re-enactment of the story of the legend. The climax is the reading, by a dozen actors, of Hinterseer’s epic poem. This takes place before his statue, for upwards of a hundred thousand listeners.
ROMSTEIN DISTRICT (Roman Stone)
Upon crossing the two bridges you enter the District. It is dominated by the Von Romstein family, the Von Romstein estates and the Von Romstein castle. The area has been under such domination for eight centuries.
The family’s personal estate covers nearly 100 square miles and includes its own private forest for hunting.
There are three main farming villages named after leading Von Romsteins; Ludwigsdorf, Sigmundsdorf and Ottosdorf.
The castle is an exquisite structure of seventy rooms and holds an untold wealth in art treasures. It sits back six miles from the river on the first of the rolling hills in the proximity of Ludwigsdorf.
Ludwigsdorf is also the entrance village to the Schwabenwald Forest, which has gained notoriety as the site of the Schwabenwald Concentration Camp. It was one of the first political prisons opened by the Nazis in 1934. The entire forest area is controlled by fanatical Waffen SS. (At the time the writer of this report was an inmate, 1936–37, there were some 6000 political prisoners, several priests and pastors included. The most famous inmate at the time was the old Social Democrat, Ulrich Falkenstein. It is not known if he is still alive.)
Also on the south bank of the river, somewhat removed from Rombaden, are some forty or fifty medium to large estates belonging to the wealthy and upper crust of the area. In this area are also a dozen hotels built around the natural hot springs. The Germans are ritualistic in their belief of the great curative powers of the spas. The center of this upper-class activity on the south bank is the Kurhaus, a gambling casino and rather muted version of the bawdy Princess Allee across the river.
Rombaden/Romstein has many “typical” German characteristics.
There is idol worship, tribalism, revelry and mysticism.
There is the pagan ritual of the Nazis.
As a contradiction there is strong Catholicism, a cultural and educational life and a modern industrial complex.
This tug of war, this paradox, runs deeply in the German character. It is particularly easy to see in Rombaden/Romstein. Rombaden, indeed, is representative of the eternal German, who is looking for himself and is an enigma to himself as well as to the outside world.
CURRENT POLITICAL DATA:
The Von Romstein family dynasty has been the absolute power for eight centuries. The current family head, Graf Ludwig Von Romstein, ascended to the hierarchy after a distinguished flying career in World War I. He is an intimate of Hermann Goering. The middle brother, Baron Sigmund Von Romstein, has been Oberburgermeister (Mayor) of Rombaden for nearly two decades. Count Ludwig himself is the Chancellor of the District so between the two of them they control the political apparatus. A younger brother, Kurt Von Romstein, is the Nazi Gauleiter (District Leader) but it is not certain that the older two are actual Nazis.
Graf Ludwig Von Romstein, like many Germans, was bitter and disillusioned by the Versailles Treaty. His “class” had little faith in the strength of the Weimar Republic. His district, like most of Germany, was not self-sustaining in food and had to manufacture to live. The depression, inflation, lack of food and restrictions of the Versailles Treaty wreaked havoc in the district and gave rise to a strong Communist Party.