'Connie, what if someone you knew and loved were to die. And afterwards that person made contact with you, spoke to you, told you something only you knew, some chance intimate detail which could not have been discovered through anyone's trickery?'
'Arthur, I think that is another bridge I shall cross if ever I come to it.'
'Connie, you English Connie. Wait and see, wait and see what turns up. Not for me. I'm all for action now.'
'You always have been, Arthur.'
'We shall be laughed at. It is a great cause, but it will not be a fair fight. You must expect to see your brother laughed at. Still, always remember: one case is all we need. One case and the whole thing is proven. Proven beyond all reasonable doubt. Proven beyond all scientific refutation. Think of that, Connie.'
'Arthur, your tea is now quite cold.'
And so, gradually, the years accrue. It is ten years since Touie fell ill, six since he met Jean. It is eleven years since Touie fell ill, seven since he met Jean. It is twelve years since Touie fell ill, eight since he met Jean. Touie remains cheerful, free of pain, and ignorant, he is sure, of the gentle conspiracy surrounding her. Jean remains in her flat, practises her voice, rides to hounds, makes chaperoned visits to Undershaw and unchaperoned ones to Masongill; she never swerves from insisting that what she has is enough because it is all her heart desires, and she leaves one safe child-bearing year behind her after another. The Mam remains his rock, his confessor, his reassurance. Nothing moves. Perhaps nothing ever will move, until one day the strain attacks his heart and he simply explodes and expires. There is no way out, that is the beastliness of his position; or rather, each beckoning exit is marked Misery. In Lasker's Chess Magazine he reads of a position called Zugzwang, in which the player is unable to move any piece in any direction to any square without making his already imperilled state worse. This is what Arthur's life feels like.
Sir Arthur's life, on the other hand, which is all most people see, is in royal shape. Knight of the realm, friend of the King, champion of the Empire, and Deputy Lieutenant of Surrey. A man constantly in public demand. One year he is asked to judge a Strong Man competition organized by Mr Sandow the bodybuilder at the Albert Hall. He and Lawes the sculptor are the two assessors, with Sandow himself as referee. Eighty competitors display their muscles to a packed hall in batches of ten. Eighty bursting leopardskins are whittled down to twenty-four, to twelve, to six, and then a final three. Those remaining are wonderful specimens, but one is a little short, and another a little clumsy, so they award the title, and with it a valuable gold statue, to a man from Lancashire called Murray. The judges and some chosen company are then rewarded with a late champagne supper. Emerging into the midnight streets, Sir Arthur notices Murray walking ahead of him, the statuette tucked casually beneath one powerful arm. Sir Arthur joins him, congratulates him anew, and, perceiving that he is a very simple country fellow, asks where he is intending to stay the night. Murray confides that he has no money at all, merely his return ticket to Blackburn, and is planning to walk the deserted streets until his train leaves in the morning. So Arthur takes him to Morley's Hotel, and instructs the staff to look after him. The next morning he finds Murray cheerfully holding court from his bed to awed maids and waiters, his award glinting on the pillow beside him. It looks the very picture of a happy outcome, but this is not the image that stays in Sir Arthur's mind. It is that of a man walking ahead of him alone; a man who has won a great prize and been acclaimed, a man with a statuette of gold under his arm and yet no money in his pocket, a man planning to walk the gas-lit streets in solitude until daybreak.
Then there is Conan Doyle's life, which is also in fine fettle. He is too professional and too energetic ever to suffer from writer's block for more than a day or two. He identifies a story, researches and plans it, then writes it out. He is quite clear about the writer's responsibilities: they are firstly, to be intelligible, secondly, to be interesting, and thirdly, to be clever. He knows his own abilities, and he also knows that in the end the reader is king. That is why Mr Sherlock Holmes was brought back to life, allowed to have escaped the Reichenbach Falls thanks to a knowledge of esoteric Japanese wrestling holds and an ability to scramble up sheer rock faces. If the Americans insist on offering five thousand dollars for a mere half-dozen new stories – and in return only for American rights – then what can Dr Conan Doyle do except raise his hands in surrender and allow himself to be manacled to the consulting detective for the foreseeable future? And the fellow has brought other rewards: the University of Edinburgh has made him an Honorary Doctor of Letters. He may never be a big man like Kipling, but as he walked in parade through the city of his birth, he felt at ease in those academic robes; more so, he has to admit, than in the quaint garb of a Deputy Lieutenant of Surrey.
And then there is his fourth life, the one where he is neither Arthur, nor Sir Arthur, nor Dr Conan Doyle; the life in which name is irrelevant, as is wealth and rank and outward display and bodily carapace; the world of the spirit. The sense that he has been born for something else grows with each year. It is not easy; it will never be easy. It is not like signing up for one of the established religions. It is new, and dangerous, and utterly important. If you were to become a Hindoo, it would be regarded by society as an eccentricity rather than a derangement. But if you are prepared to open yourself to the world of Spiritism, then you must also be prepared to endure the jocosities and shallow paradoxes with which the Press misleads the public. Yet what are the scoffers and cynics and penny-a-liners when set beside Crookes and Myers and Lodge and Alfred Russel Wallace?
Science is leading the way, and will bring the scoffers low as it always does. For who would have believed in radio waves? Who would have believed in X-rays? Who would have believed in argon and helium and neon and xenon, all of which have been discovered in the last years? The invisible and the impalpable, which lie just below the surface of the real, just beneath the skin of things, are increasingly being made visible and palpable. The world and its purblind inhabitants are at last learning to see.
Take Crookes. What does Crookes say? 'It is incredible but it is true.' The man whose work in physics and chemistry is everywhere admired for its precision and truth. The man who discovered thallium, who spent years investigating the properties of rarefied gases and rare earths. Who better to pronounce on this equally rarefied world, this new territory inaccessible to duller minds and cabined spirits? It is incredible, but it is true.
And then Touie dies. It is thirteen years since she fell ill, nine since he met Jean. Now, in the springtime of the year 1906, she begins to lapse into mild delirium. Sir Douglas Powell is immediately in attendance; paler, balder, but still the courtliest messenger of death. This time, there is no chance of reprieve, and Arthur must prepare himself for what has been so long foretold. The vigil begins. Undershaw's clattering monorail is stilled, the rifle range placed out of bounds, the tennis net taken down for the season. Touie remains without pain, and easy in her mind, as the spring flowers in her room change to those of early summer. Gradually, she slips into longer periods of delirium. The tubercle has gone to her brain; there is partial paralysis of her left side and half her face. The Imitation of Christ lies unopened; Arthur is in constant attendance.
To the end, she recognizes him. She says, 'Bless you,' and 'Thank you, dear,' and when he raises her in the bed, she murmurs, 'That's the ticket.' As June turns to July, she is clearly dying. On the day itself, Arthur is at her side; Mary and Kingsley watch in awkward fear, half-embarrassed by their mother's paralysed face. In silence they wait. At three in the morning, Touie dies holding Arthur's hand. She is forty-nine, Arthur forty-seven. He is much in her room after her death; standing by her body, he tells himself that he has done his best. He also knows that this abandoned husk, laid out on the bed, is not all there remains of Touie. This white and waxen thing is just something she has left behind.