“Chilling . . . Patricia Cornwell wrote thrillers that had readers turning the pages until 3 a.m. Now Hoag is keeping readers up all hours.” —Sun-Sentinel (Fort Lauderdale, FL)
“If ‘page turner' is a term too easily used, Ms. Hoag has restored its legitimacy. Her stories shock us, shake us, take us to the darkest edges of criminal conduct.” —The Cincinnati Enquirer
“We who know a little about Tami Hoag's novels lock the doors, grab a bowl of popcorn, and settle down for an often unsettling read. With Ashes, we need to look over our shoulders every chapter or so because the evil therein gathers momentum with every move a serial killer makes.” —The Detroit News
“This is a winning psychological thriller that will attract fans of Thomas Harris.” —Booklist
A THIN DARK LINE
“A Thin Dark Line is chilling, it's atmospheric, it's even romantic; but the novel's best achievement is its making readers constantly interrogate their ideas about justice and revenge, their own presumptions of guilt and innocence.” —US magazine
“This mystery defies you to put it down, and when you're done you're damn glad you didn't.” —Detroit News & Free Press
“Hoag deftly demonstrates that the search for truth is rarely straightforward. Important clues are cunningly buried, and the book's tension is as sustained as it is palpable.” —Chicago Tribune
“With a flair for dialect and regional atmosphere, Hoag captures the essence of the Cajun family and working relationships while injecting suspense and heart-pounding terror into a violent tangle of justice, innocence, treachery, and public opinion. A thoroughly engrossing read.” —Booklist
“Hoag has evolved into a fine thriller writer. [She] displays a firm grasp on locale [and] there's plenty of suspense in waiting to see how it will all resolve. Psychopathic villains are common enough, but Hoag has managed to endow hers with a scarred entourage that provides a tragic note.” —Publishers Weekly
“Hoag is always a good gritty read.” —Kirkus Reviews
“Hoag writes big, full stories with complex characters and situations. She doesn't shrink from the raw side of crime and the dark side of human nature.” —The Cincinnati Post
Look for
TAMI HOAG'S
exciting novels of suspense
DARK HORSE
available in June 2004
in paperback
and
KILL THE
MESSENGER
available in July 2004
in hardcover
Read on for previews.
DARK HORSE
by TAMI HOAG
On sale June 2004
LIFE CAN CHANGE in a heartbeat.
I've always known that. I've lived the truth of that statement literally from the day I was born. I sometimes see those moments coming, sense them, anticipate them, as if they have an aura that precedes their arrival. I see one coming now. Adrenaline runs through my bloodstream like rocket fuel. My heart pounds like a piston. I'm ready to launch.
I've been told to stay put, to wait, but I know that's not the right decision. If I go in first, if I go in now, I've got the Golam brothers dead-bang. They think they know me. Their guard will be down. I've worked this case three months. I know what I'm doing. I know that I'm right. I know the Golam brothers are already twitching. I know I want this bust and deserve it. I know Lieutenant Sikes is here for the show, to put a feather in his cap when the news vans arrive and to make the public think they should vote for him in the next election for sheriff.
He stuck me on the side of the trailer and told me to wait. He doesn't know his ass. He doesn't even know the side door is the door the brothers use most. While Sikes and Ramirez are watching the front, the brothers are dumping their money into duffel bags and getting ready to bolt out the side. Billy Golam's four-by-four is parked ten feet away, covered in mud. If they run, they'll take the truck, not the Corvette parked in front. The truck can go off-road.
Sikes is wasting precious time. The Golam brothers have two girls in the trailer with them. This could easily turn into a hostage situation. But if I go in now, while their guard is down . . .
Screw Sikes. I'm going in before these twitches freak.
It's my case. I know what I'm doing.
I key my radio. “This is stupid. They're going to break for the truck. I'm going in.”
“Goddammit, Estes—” Sikes.
I click the radio off and drop it into the weeds growing beside the trailer. It's my case. It's my bust. I know what I'm doing.
I go to the side door and knock the way all the Golam brothers' customers knock: two knocks, one knock, two knocks. “Hey, Billy, it's Elle. I need some.”
Billy Golam jerks open the door, wild-eyed, high on his own home cooking—crystal meth. He's breathing hard. He's got a gun in his hand.
Shit.
The front door explodes inward.
One of the girls screams.
Buddy Golam shouts: “Cops!”
Billy Golam swings the .357 up in my face. I suck in my last breath.
And then I opened my eyes and felt sick at the knowledge that I was still alive.
This was the way I had greeted every day for the past two years. I had relived that memory so many times, it was like replaying a movie over and over and over. No part of it changed, not a word, not an image. I wouldn't allow it.
I lay in the bed and thought about slitting my wrists. Not in an abstract way. Specifically. I looked at my wrists in the soft lamplight—delicate, as fine-boned as the wing of a bird, skin as thin as tissue, blue-lined with veins—and thought about how I would do it. I looked at those thin blue lines and thought of them as lines of demarcation. Guidelines. Cut here.
I pictured the needle-nose point of a boning knife. The lamplight would catch on the blade. Blood would rise to the surface in its wake as the blade skated along the vein. Red. My favorite color.
The image didn't frighten me. That truth frightened me most of all.
I looked at the clock: 4:38 a.m. I'd had my usual fitful four and a half hours of sleep. Trying for more was an exercise in futility.
Trembling, I forced my legs over the edge of the bed and got up, pulling a deep blue chenille throw around my shoulders. The fabric was soft, luxurious, warm. I made special note of the sensations. You're always more intensely alive the closer you come to looking death in the face.
I wondered if Hector Ramirez had realized that the split second before he died.
I wondered that every day.
I dropped the throw and went into the bathroom.
“Good morning, Elena. You look like shit.”
Too thin. Hair a wild black tangle. Eyes too large, too dark, as if there was nothing within to shine outward. The crux of my problem: lack of substance. There was—is—a vague asymmetry to my face, like a porcelain vase that has been broken, then painstakingly restored. The same vase it was before, yet not the same. The same face I was born with, yet not the same. Slightly skewed and strangely expressionless.