“But there've been no reports of anyone unknown or suspicious coming around.”
“So maybe the killer wasn't unknown or suspicious. I wonder if we could get a surveillance team to watch the place for a couple days,” Liska mused. “Maybe the guy'll show up.”
“Better chance he's already been here and gone. He'd be taking a big risk coming back after the body had been found.”
“He took a pretty big risk lighting up that body in the park.”
Liska pulled her cell phone out of a coat pocket and dialed Kovac's number, then listened impatiently while it rang unanswered. Finally she gave up and stuffed the phone back in her pocket. “Sam must have left his coat in the car again. He oughta wear that phone on a chain like a trucker's wallet. Well, you're probably right anyway. If Smokey Joe wanted to come back here, he'd do it after he'd killed her but before her body had been discovered. And if he's been here already, maybe his prints are being run even as we speak.”
“We should get that lucky.”
Liska sighed. “I found some clothes that probably belong to a girlfriend in the second bedroom, found the name of Jillian's hair salon and a book of matches for a coffeehouse.”
“D'Cup?” Moss said. “I found one too. Should we try it on for size?”
Liska smirked. “A D cup? In my ex-husband's dreams. You know what I found in his sock drawer once?” she said as they walked down into the living room together. “One of those dirty magazines full of women with big, huge, giant, gargantuan tits. I'm talking hooters that would hang to your knees. Page after page of this. Tits, tits, tits the size of the Hindenburg. And men think we're bad because we want six inches to mean six inches.”
Moss made a sound between a groan and a giggle. “Nikki, after a day with you, I'm going to have to go to confession.”
“Well, while you're there, ask the priest what it is about boys and boobs.”
They let themselves out of the apartment and locked the place behind them. The wind blew down the river, sweeping along the scents of mud and decaying leaves and the metallic tinge of the city and the machines that inhabited it. Moss pulled her jacket tight around her. Liska shoved her hands deep in her pockets and hunched her shoulders. They walked back to the car, complaining in advance about how long winter was going to be. Winter was always too long in Minnesota.
As they backed out of the parking slot, Gil Vanlees stood looking out the door of the house he no longer lived in, watching them with a blank expression until Liska raised a hand and waved good-bye.
“WHY DON'T WE try again, Angie?” the forensic artist said gently.
His name was Oscar and he had a voice the consistency of warm caramel. Kate had seen him lull people nearly to sleep with that voice: Angie DiMarco wasn't about to be lulled.
Kate stood behind the girl and a good six feet back, near the door. She didn't want her own impatience compounding Angie's nervousness. The girl sat in her chair, squirming like a toddler in a pediatrician's waiting room, unhappy, uncomfortable, uncooperative. She looked like she hadn't slept well, though she had taken advantage of the bathroom facilities at the Phoenix and showered. Her brown hair was still limp and straight, but it was clean. She wore the same denim jacket over a different sweater and the same dirty jeans.
“I want you to close your eyes,” the artist said. “Take a slow, deep breath and let it out—”
Angie heaved an impatient sigh.
“—slooowly . . .”
Kate had to give the man credit for his tolerance. She personally felt on the verge of slapping someone, anyone. But then, Oscar hadn't had the pleasure of picking up Angie from Phoenix House, where Toni Urskine had yet again unleashed her frustration with the Cremator cases on Kate.
“Two women brutally murdered and nothing gets done because they were prostitutes. My God, the police even went so far as to say there was no threat to the general public—as if these women didn't count as citizens of this city! It's outrageous!”
Kate had refrained from attempting to explain the concept of high-risk and low-risk victim pools. She knew too well what the reaction would be—emotional, visceral, without logic.
“The police couldn't care less about women who are driven by desperation into prostitution and drugs. What's another dead hooker to them—one less problem off the street. A millionaire's daughter is murdered and suddenly we have a crisis! My God, a real person has been victimized!” she had ranted sarcastically.
Kate made an effort to loosen the clenching muscles in her jaw even now. She had never liked Toni Urskine. Urskine worked around the clock to keep her indignation cooking at a slow burn. If she or her ideals or “her victims,” as she called the women at the Phoenix, hadn't been slighted outright, she would find some way of perceiving an insult so she could climb up on her soapbox and shriek at anyone within hearing distance. The Cremator murders would give her fuel for her own fire for a long time to come.
Urskine had a certain amount of justification for her outrage, Kate admitted. Similar cynical thoughts about these cases had run through Kate's own mind. But she knew the cops had been working those first two murders, doing the best they could with the limited manpower and budget the brass allowed for the average violent death.
Still, the only thing she'd wanted to say to Toni Urskine that morning was “Life's a bitch. Get over it.” Her tongue still hurt from biting it. Instead, she'd offered, “I'm not a cop, I'm an advocate. I'm on your side.”
A lot of people didn't want to hear that either. She worked with the police and was considered guilty by association. And there were plenty of times when the cops looked at her and saw her as an enemy because she worked with a lot of bleeding-heart liberals who spent too much time bad-mouthing the police. Stuck in the middle.
Good thing I love this job, or I'd hate it.
“You're in the park, but you're safe,” Oscar said gently. “The danger is past, Angie. He can't hurt you now. Open your mind's eye and look at his face. Take a good long look.”
Kate moved slowly to a chair a few feet from her witness and eased herself down. Angie caught Kate's steady gaze and shifted the other way to find Oscar watching her too, his kindly eyes twinkling like polished onyx in a face that was drowning in hair—a full beard and mustache and a bushy lion's mane worn loose around his thick shoulders.
“You can't see if you won't look, Angie,” he said wisely.
“Maybe I don't want to see,” the girl challenged.
Oscar looked sad for her. “He can't hurt you here, Angie. And all you have to look at is his face. You don't have to look inside his mind or his heart. All you have to see is his face.”
Oscar had sat across from a lot of witnesses in his time, all of them afraid of the same two things: retribution by the criminal sometime in the vague future, and the more immediate fear of having to relive the crime over and over. Kate knew a memory or a nightmare could cause as much psychological stress as an event taking place in real time. As evolved as people liked to believe the human race had become, the mind still had difficulty differentiating between actual reality and perceived reality.
The silence went on. Oscar looked at Kate.
“Angie, you told me you'd do this,” she said.
The girl scowled harder. “Yeah, well, maybe I changed my mind. I mean, what the hell's in it for me?”
“Keeping safe and taking a killer off the street.”
“No, I mean really,” she said, suddenly all business. “What's in it for me? I hear there's a reward. You never said anything about a reward.”
“I haven't had time to talk to anyone about it.”