“I’m equipment-light. I need weapons and gear. Can your asset drop that stuff off?”
“I can arrange weapons, but he won’t have a field kit. Echo Team will bring the party favors. And I’ll have Bug send you the latest disarming protocols.”
“Once last thing, Boss,” I said. “Do you think this is the return of the Seven Kings?”
“Impossible to say at this juncture,” he said. The line went dead.
In my best impersonation of Church I said, “Why, thank you, Captain Ledger, damn fine work.” Ghost gave me a look and went back to his dried goat.
I studied the picture of the bomb. Jesus. Someone wanted to nuke the entire Mideast oil fields.
Understand, I gave just about half a warm shit about the whole oil wars thing. I cared even less about the politics of it. But there were hundreds of millions of people in the region. I thought of all the people coming and going in the cafe. Their families, their kids. All of them. Working, eating, sleeping, loving, and living on top of four, maybe six, nuclear bombs. Maybe more.
I stood up, swayed for a moment, then ran like hell into the bathroom, dropped to my knees in front of the toilet and vomited. It was so immediate and desperate that I could hear myself screaming as I threw up.
My stomach spasmed on empty and I dropped the lid with a bang. Ghost was in the doorway, barking at me, scared and nervous. I pulled some toilet paper off the roll and wiped my mouth.
“It’s okay,” I gasped, reaching out with a trembling hand toward Ghost. He gave my knuckles a nervous lick. “It’s okay.”
I flushed the paper and used the sink to pull myself upright. I ran the water on cold and stuck my face down into the spray. I rinsed out my mouth and tried to spit out the taste of terror.
The shakes hit me then and I had to ball my hands into fists as I walked into the bedroom. You can only play it like Mr. Cool for so long before the realities of emotion and brain chemistry show up to kick your ass and prove to you that you’re just as human as everyone else. Maybe Mr. Church has a lock on invulnerability, but I haven’t cracked the code yet. I sat down on the edge of the bed and tried not to cry.
In the movies, Bruce Willis doesn’t cry. He’s a stoic. He’s also working off a script that he knows has a happy ending. I wasn’t. What if it came down to me to stop these things? Me and what I can do pitted against the potential loss of life that numbered several hundred million. I’m one guy. A year ago I was just a cop.
“Jesus Christ,” I said, and I could hear the raw horror in my own voice.
Chapter Sixteen
The Hangar-DMS Central HQ
Floyd Bennett Field, Brooklyn
June 15, 12:49 a.m. EST
Mr. Church typed his personal code into his laptop and brought up the Rasouli files. He scanned the index and then began viewing the files one by one. His face was relaxed, composed, without expression, as data, charts, diagrams, lists, and photographs came and went, came and went on his laptop screen.
The room was still except for music playing softly. “Smokin’ At The Half Note” by Wynton Kelly Trio with Wes Montgomery. The current track was Tadd Dameron’s “If You Could See Me Now.” Mr. Church appreciated the simple intensity of Wes Montgomery’s guitar work on the track, and he let it play through before he did anything.
Mr. Church selected a vanilla wafer from a plate, tapped crumbs off of it, and took a small bite. He munched quietly for several seconds. He was a large man, broad-shouldered, strong and blocky. It was generally believed by those who knew him that he was north of sixty, but people agreed that age did not seem to touch him. The gray in his hair was the only real mark; and the scars on his face and hands suggested that his years, no matter how many they were, had not been idle.
His eyes were half-closed behind the tinted lenses of his glasses as he looked inward, assessing what Ledger had told him, working through the implications of the information on Rasouli’s flash drive. If anyone had been in the room they would have thought he was a man lost in the subtleties of a piece of classic jazz. There was no outward sign of agitation.
A slender cell phone sat on the desk blotter next to his laptop. The image on the laptop’s screen was the one Joe Ledger had sent via e-mail. When the song ended, Mr. Church picked up his cell and opened it, punched a number, entered a code that engaged a 128-bit scrambler, and waited for the other party to answer. After three rings, a man’s voice said, “Hello?”
Mr. Church said, “Mr. President, we have a situation.”
Chapter Seventeen
The Kingdom of Shadows
Beneath the Sands
One Year Ago
The fat American sat uneasily on the edge of a metal chair that was draped with red velvet. He was not accustomed to being uneasy. For most of his life it was other people who were uneasy around him. The other man-if “man” could accurately describe the pale figure who sat opposite him-was not like other people. The American doubted this creature feared anything.
Their chairs were identical, ponderous wrought-iron monstrosities looted centuries ago from a desecrated mosque. A single small candle in a shaded sconce cast the only light, and its pale glow was far too fragile to hold back the enormous walls of darkness that closed in on them from every side. The American could only guess at the size of the chamber in which they sat. During the long and convoluted walk down here from a hidden entrance in the city above, the American could see that it had been carved out of the living rock, and was forever filled with shadows that dripped and whispered. The black mouths of tunnels trailed off into darkness all around them. The American knew that there were guards in those tunnels-creatures equally as pale and strange as this man-but he could not see them.
He could, however, feel them. And he caught glimpses of luminous red eyes staring at him with suspicion and pernicious hunger.
The American and the pale man sat in silence for long minutes. Studying each other with the frankness of butchers.
The pale man was tall and gaunt, dressed simply in black trousers and a collarless shirt the color of old rust. No shoes on his pale feet, no jewelry on his hands, and only a crystal locket on a silver chain around his neck. Long white hair was brushed back from a narrow, ascetic face. When the American had first met him, the man looked like a starving albino, but on closer inspection there was a ferocious vitality in the thin face and long-fingered hands. A lupine, predatory quality. The American adjusted his opinion: this man was not wasted by hunger, but defined by it. Made powerful by it.
When the American had been ushered into the room he had brought with him a heavy metal briefcase which he set on the bare rock floor between them, equidistant between the chair provided for him and the three-step dais on which his host sat. The pale man regarded the case but did not ask that it be opened or inspected.
“So,” said the American, “LaRoque wasn’t bullshitting me when he described you.”
The pale man said nothing.
“I believe his exact words were,” continued the fat man, “‘the King of Thorns.’ I thought it was some kind of lurid nonsense at the time. Some bit of poetry that he was using to try and spook me. But…”
“The Scriptor,” said the pale man.
“Beg pardon?”
“You will call him ‘the Scriptor.’ We do not use his daylight name.”
“You may not, chum, but I do,” laughed the American, but his smile was fragile and fleeting. “Okay, yeah. The Scriptor. Silly damn name, though.”
“So says the ‘king of fear,’” murmured the other. “Or am I mistaken about who you are, Mr. Vox?”
Hugo Vox straightened in his chair and eyed the pale man shrewdly for a few seconds. “Yeah, okay, cards on the table. Call me Hugo. What do I call you, though? ‘King of Thorns’ is a bit clumsy for a casual chat.”