Buchanan imagined the courage that Pedro and Anita had required in order to go through with their part of the bargain.
“But I do not think they are far away,” Pedro said. “I have to believe that they are nearby, watching us.”
“I think so, too,” Buchanan said. “I never believed them when they said they’d leave town. Don’t remove the microphones from your house. Do everything as usual. The two things protecting you are that they believe you don’t know anything about your daughter’s whereabouts and that they need you alive and well in case Juana tries to get in touch with you. If they harm you, they’re destroying a potential link with her. Pedro, I need to ask you a question. It might have something to do with Juana, but I want you to think carefully before you let me ask it. Because if it helps explain why Juana disappeared, you’ll be putting yourself in danger. You’ll have exactly the kind of information that whoever’s trying to find Juana needs to know.”
The line was silent for a moment.
“I don’t have a choice,” Pedro said. “If this is about my daughter, if it might help her, I must do my best to answer your question.”
Buchanan’s respect for Pedro kept increasing. “Does the name Maria Tomez mean anything to you? Did Juana ever mention her? Does Maria Tomez have anything to do with-?”
“Of course,” Pedro said. “The singer. I don’t know anything about opera, but I saw her perform. A year ago, she came to San Antonio to sing at HemisFair.” Pedro referred to one of San Antonio’s main attractions. The site of the 1968 world’s fair, it had been converted into a cultural-athletic complex, linked to the city by a canal. “I remember because that was one of the few times Juana told us anything about her work. She was hired to do the security for the performance. In fact, she gave us front-row seats. I didn’t want to go, but Anita made me, and I was surprised that I liked it. I don’t remember the name of the opera. It was about students living in slums. Maria Tomez played somebody who was dying from a disease. The words were in Italian, but Spanish is close enough to Italian that I understood. Maria Tomez sang like an angel. I was stunned. But what does this have to do with Juana and what happened to her? How would an opera singer who came here a year ago. .?”
“I don’t know yet. Listen carefully, Pedro. From time to time, I’ll phone your office to make sure no one’s bothering you. I’ll use the name Ben Clark. Can you remember that? Ben Clark. I’ll ask about a Ford you’re supposed to be repairing. If you tell me it’ll cost a lot of money to fix, I’ll know you’re in trouble, and I’ll get there as soon as I can to help you.”
“. . Ben Clark.”
“Right. Take care, Pedro.”
“Jeff Walker, whoever you are, thank you.”
Exactly, Buchanan thought as he set down the phone. Whoever I am.
When he turned, he saw Holly watching him.
“What’s the matter? Why are you looking at me like that?”
“Ben Clark? A Ford? In this room, you’re Charles Duffy. Downstairs, you’re Mike Hamilton. You mentioned something about Peter Lang. That doesn’t include. . How the hell do you keep it all straight?”
“Sometimes I wonder.” To avoid the topic, he sat down and started eating, not realizing how ravenous he was until the first bite of food hit his stomach. During his phone call, the pasta had gotten cold. It didn’t matter. He couldn’t get enough of it.
Holly set down her fork. “You’ve been constantly on the go since you left the hospital.”
Buchanan kept eating, trying to ignore his headache.
“Don’t you think it’s time you slowed down?”
“Can’t. As soon as we finish eating, I’ll get you out of the hotel. Then I have to take a trip.”
“Where?”
“It’s better if you don’t know.”
“You don’t trust me? After I proved I want to help? You said I was on the team.”
“It’s not a matter of trust. What you don’t know won’t hurt you-and it won’t hurt me if. .”
“What you’re trying not to say is if I’m questioned, I can’t give away your next move.”
Buchanan swallowed a piece of bread and stared at her. “The men watching you have nothing to do with what happened to Juana. But if they see us together, they'll assume you’re back on the story about them, and they’ll do everything they can to protect themselves.”
“Now you’ve done it.” Holly shuddered.
“What?”
“Scared me again. Just when I get to feeling normal, you remind me. .”
“Nothing is ever normal.”
“Right. I keep forgetting.”
11
Buchanan went with her down the fire stairs to the third-floor landing. Her instructions were to take the elevator from that floor down to the lobby. That way, to anyone watching the numbers above the elevator in the lobby, it would seem that Holly had been in Mike Hamilton’s third-floor room all evening. “If anybody stops you, tell them to leave you alone or you’ll call a cop. But if it gets serious, tell them a version of the truth. You’re doing a story on the Maria Tomez disappearance and whether there’s some connection between Tomez and Drummond. If they pressure you about Mike Hamilton, tell them he’s a confidential source who works for Drummond. Tell them the man contacted you, using a false name. He’s a disgruntled employee. He wants to make trouble for Drummond, but he doesn’t want the trouble to be traced to him. So far, he hasn’t been much use.”
At the third-floor fire stairs, Buchanan motioned for Holly to wait while he checked that the corridor was safe. After peering cautiously out the door, he stepped back, his expression concerned enough to make Holly frown.
He motioned for her to follow. “We have to hurry. Two men are outside Mike Hamilton’s room.”
Before leaving 512, Buchanan had packed, made sure that the books and research files were in his travel bag, and filled out an early checkout form, putting it on the bed. A note explained that Mike Hamilton was checking out, too, but that as agreed all expenses were to be on Charles Duffy’s credit card. “I don’t want any more people looking for me than necessary. Quickly. Let’s go.”
He hurried with Holly down the fire stairs to the exit for the lobby. “Wait until some people get off the elevator. Go out behind them. Where do you live?”
She told him.
“I’ll leave a minute after you. I’ll take a taxi, and if I’m not followed, I’ll have the driver go past your place. By then, your own taxi should have brought you home. Leave a light on behind an open window in front. If I see that a window’s open, I’ll know you’re okay.”
“Taxi? I brought my car.”
“Then you’ll get home faster. The elevator’s opening. Now.”
She touched his cheek. “. . Be careful.”
Buchanan felt the impression of her fingers for quite a while after she was gone.
12
“Buchanan!”
It must have been the result of fatigue.
“Buchanan!”
Or else it resulted from his conversation with Holly. Although he’d come to Washington thinking of himself as Peter Lang impersonating Charles Duffy and Mike Hamilton, he’d been distracted into talking to Holly as the core identity he’d been trying to avoid.
“Buchanan!”
So when he heard a man call his name as he walked along the rain-misted street away from the hotel, Buchanan almost turned reflexively to see who wanted him.
It was a mistake, he instantly realized, and he caught himself before he fully turned, but he did twist his head partially, and that was all the indication his hunter needed.
“Yeah, you! Buchanan!”
Buchanan kept walking, not changing his pace, not appearing to feel pressured, although he did feel pressured. A lot. Nerves quickening, he heard rapid footsteps behind him on the wet sidewalk. One person, it sounded like, but Buchanan didn’t dare look to see if he was right.
The time was nearly ten-thirty. Traffic was sparse, sporadic headlights gleaming through the beads of moisture in the gloomy air. Buchanan had glanced casually from side to side when he’d left the hotel, a natural thing to do, one that allowed him to check for any sign that Holly had been detained or that anyone was outside watching him. Seeing no problem, he had turned off Massachusetts Avenue, heading south on Twenty-first Street.