Lovell and I used to alternate in which of us brought a car (both vehicles of modest appearance) to the Studio. That night it was Lovell’s turn to give me a lift. We said good night to Feingold, who was moving Hegarty off to the pub at the end of the road. Lovell had paid twelve pounds ten for his machine; he started it up, though not without effort. I climbed in beside him. We drove towards London through the mist, blue-grey pockets of cloud drifting up ominously from the river.
‘Shall we dine together?’
‘All right. Let it be somewhere cheap.’
‘Of that I am strongly in favour,’ said Lovell. ‘Do you know a place called Foppa’s?’
‘Yes — but don’t let’s go there.’
Although things had been ‘over’ with Jean for some time by then, Foppa’s was still for some reason too reminiscent of her to be altogether comfortable; and I was firmly of the opinion that even the smallest trace of nostalgia for the immediate past was better avoided. A bracing future was required, rather than vain regrets. I congratulated myself on being able to consider the matter in such brisk terms. Lovell and I settled on some restaurant, and returned to the question whether Sheldon would be able to arrange for the job to be offered at just the right moment: the moment when Lovell’s contract with the film company terminated, not before, nor too long after.
‘I’m going to look in on an aunt of mine after making a meal,’ Lovell said, tired at last of discussing his own prospects, ‘Why not come too? There are always people there. At worst, it’s a free drink. If some lovely girls are in evidence, we can dance to the gramophone.’
‘What makes you think there will be lovely girls?’
‘You may find anything at Aunt Molly’s — even lovely girls. Are you coming?’
‘I’d like to very much.’
‘It’s in South Kensington, I’m afraid.’
‘Never mind. Tell me about your aunt.’
‘She is called Molly Jeavons. She used to be called Molly Sleaford, you know.”
‘I didn’t know.’
Confident that Lovell would enjoy giving further information, I questioned him. He had that deep appreciation of family relationships and their ramifications that is a gift of its own, like being musical, or having an instinct for the value of horses or jewels. In Lovell’s own case, he made good practical use of this grasp, although such a talent not uncommonly falls to individuals more than usually free from any desire for personal advancement: while equally often lacking in persons rightly regarded by the world as snobbish. Lovell, almost as interested in everyone else’s family as his own, could describe how the most various people were in fact quite closely related.
‘When my first Sleaford uncle died,’ said Lovell, ‘his widow, Molly, married a fellow called Jeavons. Not a bad chap at all, though of rather unglamorous background. He couldn’t be described as particularly bright either, in spite of playing quite a good game of snooker. No live wire, in fact. Molly, on the other hand, is full of go.’
‘What about her?’
‘She was an Ardglass.’
‘Any relation of Bijou Ardglass?’
‘Sister-in-law, before Jumbo Ardglass divorced Bijou — who was his second wife, of course. Do you know her — probably slept with her? Most of one’s friends have.’
‘I’ve only seen her about the place. No other privileges.’
‘Of course, you wouldn’t be rich enough for Bijou,’ said Lovell, not unkindly. ‘But, as I was saying, Bijou got through what remained of the Ardglass money, which wasn’t much, and left Jumbo, who’d really had enough himself by that time. Since then, she has been keeping company with a whole string of people — Prince Theodoric — God knows who. However, I believe she still comes to see Molly. Molly is like that. She will put up with anyone.’
‘But why do you call him your “first” Sleaford uncle?’
‘Because he died, and I still have an uncle of that name — the present one is Geoffrey — the first, John. Uncle Geoffrey was too poor to marry until he succeeded. He could only just rub along in one of the cheaper cavalry regiments. There were two other brothers between him and the title. One was killed in the war, and the other knocked down by a bus.’
‘They don’t seem much good at staying alive.’
‘The thing about the Sleafords,’ said Lovell, ‘is that they’ve always been absolutely mad on primogeniture. That’s all very well in a way, but they’ve been so bloody mean to their widows and younger children that they are going to die out. They are a splendid example of upper-class stinginess. Geoffrey got married at once, as people do when they come into a peerage, however dim. Of course, in this case — with Dogdene thrown in — it was something worth having. Unfortunately they’ve never managed to knock up an heir.’
Lovell went on to describe his ‘first Sleaford uncle’, who seems to have been a chilly, serious-minded, competent peer, a great organiser of charitable institutions, who would have done well for himself in any walk of life. For a time he had been taken up with politics and held office under Campbell-Bannerman and Asquith.
‘He resigned at the time of the Marconi scandal,’ said Lovell. ‘He hadn’t been making anything on the side himself, but he thought some of his Liberal colleagues had been a bit too liberal in the ethics of their own financial dealings. He was a selfish old man, but had what is called an exaggerated sense of honour.’
‘I think I’ve seen Isbister’s portrait of him.’
‘Wearing the robes of the Garter. He took himself pretty seriously. Molly married him from the ballroom. She was only eighteen. Never seen a man before.’
‘When did he die?’
‘Spanish ’flu in 1919,’ said Lovell. ‘Molly first met Jeavons when Dogdene was a military hospital in the war. He was rather badly wounded, you know. The extraordinary thing was they didn’t start a love affair or anything. If Uncle John hadn’t died, she would still be — in the words of an Edwardian song my father hums whenever her name is mentioned—“Molly the Marchioness.”’
‘Where did she re-meet her second husband?’
‘At the Motor Show. Went to Olympia in her widow’s weeds and saw Jeavons again. He was acting as a polisher on one of the stalls. I can’t remember which make, but not a car anyone would be proud to own. That represented just about the height of what he could rise to in civil life. They were married about six months later.’
‘How does it go?’
‘Very well. Molly never seems to regret the Dogdene days in the least. I can’t think what they use for money, because, if I know the Sleafords, she didn’t get much in the way of a jointure — and I doubt if she has a hundred a year of her own. The Ardglass family have been hopelessly insolvent since the Land Act. However, she manages to support herself — and Jeavons — somehow. And also get some fun out of life.’
‘Doesn’t Jeavons bring in anything?’
‘Not a cent. I think he feels pretty ill most of the time. He often looks like death itself. Besides, he is quite unemployable. As a matter of fact, it isn’t true to say he does nothing. Once in a way he has some appliance he is marketing — an automatic bootjack or new cure for the common cold. Something he gets a commission on, or perhaps some firm is paying him a trifle to recommend the thing.’
The description made an impression on me. The picture of Jeavons took on a more positive shape: not a particularly attractive one. ‘Realism goes with good birth,’ Lovell used to say, and he himself certainly showed this quality where his own relations were concerned. The statement might be hard to substantiate universally, but, by recognising laws of behaviour operating within the microcosm of a large, consanguineous network of families, however loosely connected, individuals born into such a world often gain an unsentimental grasp of human conduct: a grasp sometimes superior to that of apparently more perceptive persons whose minds are unattuned by early association to the constant give and take of an ancient and tenacious social organism. Of course, it does not always work that way, but Lovell, with his many limitations, was himself a good example of the principle.