Meanwhile Miles remained subdued and pensive, furtively attentive, but extremely humble, towards Miss Bristo, and talkative to one person only—Mrs. Parish. He was indeed, as he said, no fool. He was full of cunning and coolness, foresight and resource. He was biding his time—but for what?
XXIII
THE EFFECT OF A PHOTOGRAPH
Laurence Pinckney was a hopeless sportsman. When he realised this for himself he laid down his gun, and presently took up with Miss Bristo's camera as a weapon better suited to him.
Alice had made no use of the apparatus for weeks and weeks; it was sent down with other luggage without her knowledge, and she never thought of unpacking it until Mr. Pinckney pleaded for instruction; when—perhaps because Alice felt that without an occupation this visitor would be on her hands all day—he did not plead in vain. He did not, however, require many lessons. He knew something about it already, having given the subject some attention (in the reading room of the British Museum) before writing one of his rollicking articles. Nor were the lessons she did give him much of a nuisance to Alice, for when he forgot to talk about his work, and refrained from coruscation, there was no more sensible and polite companion than Laurence Pinckney.
When, therefore, he set out on that Friday's ramble, which produced one really good negative, and a number of quaint little Arcadian observations jotted down in his notebook, it was with the entire photographic impedimenta slung about his person, and some idea in his head of an article on "The North Yorkshire Dales," to be illustrated by the writer's own photographs.
His destination was a certain ancient abbey, set in gorgeous scenery, eight long miles from Gateby. But long before he got there a hollow of the plain country road tempted him, and he fell.
It was quite an ordinary bit of road; a tall hazel-hedge, and a pathway high above the road on the left; on the right, a fence with trees beyond it, one of them, an oak of perfect form, that stood in the foreground, being of far greater size than most of the trees in this district, and in strong contrast to its neighbours. That was really all. It never would have been picturesque, nor have taken our artist's fancy, but for the sunlight on the wet road and the fleecy pallor of the sky where it met the sharp line of distant dark blue hills far away over the hazel-hedge, to the left. But the sunlight was the thing. It came, as though expressly ordered, from, so to say, the left wing. It rested lightly on the hedge-tops. It fell in a million golden sparks on the shivering leaves of the old oak. But it cleared the deep-cut road at a bound, leaving it dark. Only a long way further on, where the bend to the right began, did his majesty deign to step down upon the road; and just there, because everything was wet from last night's rain, it was a road of silver.
No sooner, however, was the picture focussed than the sun, which made it what it was, disappeared behind a cloud—a favourite and mischievous dodge of his for the mortification of the amateur photographer.
Now, while Pinckney waited for the sun to come out again, which he saw was going to happen immediately, and while he held in his fingers the pneumatic ball connected with the instantaneous shutter, two figures appeared at the bend of the road that had been silver track a moment before. They were a man and a woman, trudging along with the width of the road between them. Pinckney watched them with painful interest. If the cloud cleared the sun at that moment they would be horribly in the way, for worse clouds were following on the heels of this one, and the opportunity must be seized. There was nothing, of course, to prevent his taking the tramps as they walked—no, it would spoil the picture. Stay, though; it would add human interest. But the cloud did not pass so rapidly after all, and the man and woman drew near the camera.
There was something peculiar in the appearance of the man that struck Pinckney at once as un-English. This peculiarity was difficult to localise. It was not in his clothes, which indeed looked new, but it was partly in his heavy face, smooth-shaven and suntanned, partly in his slow, slouching, methodical walk, and very much in his fashion of carrying his belongings. Instead of the pudding-like bundle of the English tramp he carried across his shoulders a long, neatly-strapped cylinder, the outer coating of which was a blanket. About the woman, on the other hand, there was nothing to strike the attention. Pinckney's first glance took in, perhaps, the fact that her black skirt was torn and draggled, and her black bodice in startling contrast to her white face; but that could have been all.
Back came the sun, in a hurry, to the hedge-top and the oak-tree, and the distant curve of the road. Pinckney had decided in favour of the tramps in his picture, but they were come too near. He requested them in his blandest tones to retrace a few steps. To his immense surprise he was interrupted by a sullen oath from the man, who at once quickened his steps forward, motioning to the woman to do the same.
"Thankee for nothing, and be hanged to you! Wait till we pass, will you?"
If Pinckney had wanted further assurance that the man was a foreign element, these sentences should have satisfied him; for your honest British rustic is not the man to reject the favours of the camera, be they never so promiscuous and his chance of beholding the result never so remote.
Pinckney's answer, however, was a prompt pressure of the pneumatic ball in his hand—a snap-shot at short range, the click of which did not escape the sharp ears of the strange-looking, heavily-built old man.
"Have you took us?" asked he fiercely.
"Oh no," replied the photographer, without a blush, "I'm waiting till you pass; look sharp, or I'll lose the sun again!"
The man scowled, but said no more. Next moment he passed by on one side of the camera, and the woman on the other. Pinckney looked swiftly from one to the other, and marked well the face of each. That of the man repelled him, as bull-dog jaws upon a thick, short neck and small, cruel-looking glittering eyes would repel most of us, even without this man's vile expression. The man was tall and broad, but bent, and he looked twenty years older at close quarters than at a distance. The woman, on the other hand, was young, but so worn, and pinched, and soured, and wearied that you had to look closely to find a trace of youth. She never raised her eyes from the ground as she walked; but Pinckney made sure they were dark eyes, for the well-formed eyebrows were blue-black, like a raven's feather. Her wrist-bone showed prominently—seeming to be covered by little more than skin—as she caught together the shawl at her bosom with her left hand; a plain gold hoop was on its third finger.
Pinckney watched the pair out of sight, still walking with the whole road between them.
"That brute," muttered Pinckney, "beats his wife!"
And then he exposed another plate from the same position, packed up the apparatus, and went his way.
Some hours later—towards evening, in fact—as Pinckney returned from his ruined abbey and came in sight of Gateby, the rain—which had gathered during the afternoon—came down from the leaden twilit sky in earnest. It rains violently in the dales; and the photographer, hungry though he was, and more than ready for dinner, saw no reason for getting wet to the skin when the village was within a stone's-throw, and the shooting-box half-a-mile further on. He burst into the inn for shelter; and honest Robert Rutter conducted him to the private parlour with peculiar satisfaction, having been intimate with Gateby rain many years, and knowing also a thing or two about the appetites of gentlemen from the south.