It took ten minutes to calm her, five more to pick our way through the woods, and one second to swing up onto her back. I had used the time in the woods to check for cuts or scrapes, and amazingly, she had none. I pointed her in the direction of the meadow and nearly laughed when I spotted the cause for her concern.
Deer were browsing among the thick grass and scattered saplings that grew by the river's edge. They noticed us immediately but seemed undisturbed by our presence. I stroked Jet's neck and made her stand until I felt her muscles relax and saw the lines of tension around her eyes soften. When she was thoroughly bored, I reined her to the north, away from the deer.
Wooded hills sloped upward on both sides of the river, and except for a faint gurgling, where fast-moving water tumbled over a natural dam, the meadow was quiet. I might have found it peaceful except for the night's objective. I looked at my watch. Seven-fifty-five. I had two hours before the last lesson was over, before Karen would check to see if we'd made it back.
When we came to a stretch of meadow where the footing was safe, I bridged the reins together over the crest of her neck-to act as a brace in case she stumbled-then crouched low over the saddle. She automatically lengthened into a ground-covering canter, the instinct for speed there for the asking. Her body rocked beneath me, her muscles straining, footfalls muffled, breath coming faster, louder, filling my ears. I pressed my knuckles into her mane and relaxed into her stride. The brisk air stung my face and pulled tears from the corners of my eyes. The ground beneath us was a blur, the speed intoxicating for both of us.
Where the meadow narrowed into a track not much wider than one of the old logging roads, with trees thick on both sides, I brought her back to a walk. Jet swiveled her ears and tossed her head in irritation.
"Sorry, girl. Can't run here." I patted her neck. Steam eddied through her coat, curling upward in tendrils, and I could smell her sweat, stirringly primitive. A link to the past. The result of countless years of man and horse working together.
It took me half an hour to find the trail, but when I did, I had no doubt I'd found the right one. Corey's directions had been dead on. "Right at a wide fork, go two-hundred yards to another fork, make a left. The trail rises sharply, then follows the crest of a narrow ridge that runs north to south with a fence line just visible on the western slope." We followed the trail for several miles, and it was there, where the trees thinned, that I saw the trailer.
I reined Jet to a stop. Fifty feet down slope, the woods gave way to pasture land that backed up to an old, white farm house and dilapidated bank barn. A trailer that looked remarkably like the one I'd had my ride in was parked behind the barn in a rickety-looking corral out of sight from the road. I studied the house. Lights were on downstairs, casting yellow squares across the grass, but the back porch light was dark.
I spent all of five minutes making up my mind.
I slid off the mare, tied her to a tree, and squeezed between strands of rusty barbed wire. It was only 600 feet to the trailer. Six hundred feet of open ground under a full moon. But if no one was looking, it wouldn't matter.
I took off at a dead run. Midway between the woods and corral, a drainage ditch I hadn't noticed stretched blackly through the tangled grass.
I vaulted over it, landed on my knees and scrambled up the other side, wondering what else I might have missed.
By the time I got to the old split-rail fence, my lungs were burning. I reached out to grab the top rail and brushed my hand against an electric wire. Inhaling sharply, I jerked my hand back, then wasted precious seconds looking for a place where I could squeeze between the rails. I slipped through where one of the rails had sagged and crossed the rough ground to the trailer.
Standing with my back against the trailer, I tried to catch my breath and listened for distant voices, barking dogs, anything that would indicate I'd been seen. All I could hear was my own breathing. The escape door was on the side closest to the barn. I pushed myself off the cool metal, moved to the front of the trailer, and peered around the corner. The barn was dark and silent and blocked my view of the house. I crouched down and crossed under the nose of the trailer, between the trailer's body and hitch. As I inched my way down to the escape door, I curled my fingers around the flashlight.
I flicked on the light. The sheet metal was smooth and straight, not misshapen and dented. The workmanlike hinges were free of rust. The escape door, on the whole, was in much better repair than the rest of the trailer. I ducked down and peered at the lower edge of the door. The thin strip of metal, hidden from casual view, was blue not green.
A tingle went up my spine.
The door had been painted.
But I wouldn't know for sure unless I looked inside. I flicked off my light and edged around to the side door used for loading the horses. Thinking that I didn't want my fingerprints plastered all over the trailer, I slipped my hand under my T-shirt and unlatched the heavy ramp. I lowered it toward the ground, letting the springs do most of the work. They twanged and hummed under the stress, and the rusty hinges screeched until the lower lip of the ramp settled into the grass.
I nearly lost my nerve then, but the barn would muffle most of the sound, and the house was a good fifty yards beyond. I swallowed.
Heavy plywood partitions lay folded across the ramp. Normally, they would be raised on either side of the ramp, then slotted and bolted into place to form sidewalls for guiding the horses, but I didn't bother with the ramp. I stepped around the ramp, grabbed the edge of the door frame, and scrambled into the darkened trailer.
The air was chillier inside than out and smelled strongly of cows. I switched on the flashlight. Someone had removed the stall dividers and stacked them against the back wall. I looked at the window placement, at the shape and size of the storage space over the gooseneck, at the design and positioning of the overhead lights, and was certain I was standing in the trailer. Details I hadn't remembered came flooding back-the missing bar in the left-hand window, the six-inch crack in the yellowed light fixture over the back stalls, the tufts of torn baling twine that stuck out like a bad hairdo from the tie ring in the central aisle, the way the rubber matting under the escape door curled at the edge.
I examined the interior surface of the escape door. It, too, had received a paint job, but not as thorough. The original color was evident in the crease along the hinges and in the lower right-hand corner. I thought about how I'd escaped from the trailer and searched the floor. The old bolt was lying in a crevice where the fibers in the rubber matting had separated. Three links of chain still hung from one end. I bent down to pick it up, then hesitated.
I left it where it was, scrambled out of the trailer, and raised the ramp. I slid the latch home, spun around, and walked straight into the business end of a double-barreled shotgun.
The barrel jerked upward, and I felt my scalp contract.
"What'n the hell are you doin'?" He held the gun at the ready, pointing straight at my chest. "Well?"
I tried to work some saliva into my mouth, but all I could do was stare at the gun, at his hand steadying the barrel, at his finger fidgeting over the trigger guard.
As he stepped back, I heard a deep, guttural sound that rose into a menacing growl. I glanced down. A huge, broad-shouldered Rottweiler crouched in the grass next to the man's legs. His lips were pulled back from razor white teeth, his hot gaze locked on mine. The fur from the nape of his neck to the base of his tail stood on end, and I was sure, given half the chance, he would tear me to shreds.
"Well, boy, speak up. What're ya doin' lookin' in there?"
"I… I was looking for my dog, and I thought I heard something down here, and-"