‘A comfortable room,’ said von Igelfeld, noting with pleasure that the furniture was distinctly more worn than his own. ‘No bathroom, I’m afraid. But then these old buildings don’t take too well to modern plumbing.’
‘No bathroom!’ exclaimed Mr Gurewitsch. ‘Even the crypt on the set of Aida has hot and cold running water these days!’
‘Well, that is opera,’ said von Igelfeld. ‘This is Cambridge. And it seems that there’s no bathroom.’
‘But what do I do?’ asked Mr Gurewitsch.
‘There’s a bathroom over on the other side of the Court,’ said von Igelfeld. ‘It’s attached to the Senior Common Room. I think that you will have to use that one.’
‘You don’t have one upstairs?’ asked Matthew Gurewitsch hopefully.
Von Igelfeld was silent for a moment. If he told this new visitor about the bathroom that he shared with Professor Waterfield, then that would mean that there would be three people sharing, rather than two. Two was bad enough, of course – look what had happened that morning – but if there were three people using the one bathroom, that would be even worse. It did not matter that Mr Matthew Gurewitsch appeared to be an extremely agreeable man, it was purely a question of practicality. The bathroom issue was a problem which the College should face, and it was not up to visitors like von Igelfeld to have to shoulder the responsibility of everyone’s bathroom needs. No, that would be to expect too much. He had no locus standi in bathroom matters in Cambridge and there was no moral obligation on his part to draw the attention of others to the existence of such bathroom facilities as there were.
At the same time, it was clear to von Igelfeld that he could not tell a lie. The motto of the von Igelfeld family was Truth Always, and he could not ignore this. It was true that he had deviated from it in that unfortunate encounter with Dr Max Augustus Hubertoffel, the psychoanalyst, but he had dealt with the moral sequelae of that lapse in as honourable a way as he could. But the incident had reminded him of the need for strict truthfulness. So his words would have to be chosen carefully, and here they were, forming themselves with no particular effort on his part: ‘I do not have a bathroom in my rooms,’ he said.
Although quite spontaneous, the words were well-chosen. It was indeed true that von Igelfeld did not have a bathroom in his rooms. There was a bathroom in the vicinity – on the landing to be precise – but this did not belong to von Igelfeld and therefore the precise terms of Matthew Gurewitsch’s question did not require it to be disclosed. He felt sorry for Matthew Gurewitsch, and for the many others like him in Cambridge who presumably had no bathroom, and this prompted him to invite the new visitor to join him for coffee in the Senior Common Room.
‘I could introduce you to some of the Fellows,’ he said expansively. ‘Dr C. A. D. Wood, Mr Wilkinson . . . ’ He tailed off. Perhaps it was not a good idea. Poor Matthew Gurewitsch, no doubt exhausted after his journey, would hardly wish to be plunged into the unfathomable intrigues of mathematicians. ‘Or we could talk just by ourselves,’ he added. ‘That might be better.’
Matthew Gurewitsch was happy to do either, and after he had found a place for his suitcase on a rather rickety table near the window, he and von Igelfeld made their way across the Court towards the Senior Common Room. Their conversation as they walked was easy, and von Igelfeld felt delighted that he should have made the acquaintance of this interesting man before people like Dr Hall, Dr C. A. D. Wood and the Senior Tutor could buttonhole him and effectively put him off Cambridge forever. Here was a man who really knew about his subject, and von Igelfeld revelled in the snippets of information – inside information – which studded his conversation. Had von Igelfeld seen the La Scala production of Il Trovatore last season? No? Well, did he know that the conductor had caused an uproar by playing the tenor’s showstopper in the original key of C, rather than down half a step (anglice, tone) as is usually done so that tenors can more safely interpolate a climactic high note that Verdi never wrote? ‘Of course,’ Matthew Gurewitsch added, ‘the inauthentic high note was omitted, too. That’s what Italian musicologists call philology.’
Von Igelfeld expressed surprise, and remarked that in future one would have to watch that roles of counter-tenors were not taken down for the convenience of basses. Or even the Queen of the Night could be transcribed for basso profondo, thus removing all those troublesome moments for sopranos. Would that not make it easier? Matthew Gurewitsch had laughed.
‘Everything is possible in opera these days,’ he said. ‘That is what I wish to talk about in my lecture. I want to look at what has happened to Trovatore recently. I want to issue a warning.’
‘That is very wise,’ said von Igelfeld. ‘People must be warned.’
They entered the Senior Common Room, to find six or seven dons sitting in the various chairs which dotted the room. Dr C. A. D. Wood was present, and waved in a friendly fashion to von Igelfeld, and Dr Hall, who had decided against lunch in the refectory in favour of Stilton and biscuits in the Common Room, was sitting at a small table by himself, lost in quiet contentment.
Von Igelfeld took Matthew Gurewitsch over to Dr C. A. D. Wood and introduced them. She, in turn, made introductions to a rather mild-looking man who was sitting beside her, but who had stood up when the guests came to join them.
‘This is Dr Plank,’ she said.
Plank shook hands with von Igelfeld and then with Matthew Gurewitsch.
‘I should warn you that you will not find Dr Plank’s name in any College lists should you try to look for it,’ remarked Dr C. A. D. Wood. ‘And that is not because he is not a member of the College.’
This Delphic remark caused von Igelfeld to turn and look at Dr Plank, who had now sat down and had folded his hands over his stomach in a relaxed way. If this man were in disgrace of some sort, and had been excluded from the lists, then it did not appear to distress him. This was very strange, and there was something in Dr C. A. D. Wood’s voice, an edge perhaps, which gave von Igelfeld the impression that she did not like Plank and was only sitting next to him on sufferance.
For a few moments, nothing was said. Matthew Gurewitsch glanced at Plank and then at von Igelfeld. Then he looked at Dr C. A. D. Wood. Dr C. A. D. Wood looked at Matthew Gurewitsch, and then at von Igelfeld. She did not look at Plank. Plank looked down at his shoes, and then across the room at Dr Hall, who looked back at him for a moment and then transferred his gaze to his Stilton.
Then Plank spoke. ‘The reason why there’s no Plank in the lists is not because there’s no Plank – there is – but because Plank is not spelled Plank. That is why.’
Von Igelfeld looked puzzled. This was another English idiosyncrasy. How many ways were there of spelling Plank? Planc? Planque?
Plank appeared to be enjoying the guests’ confusion. ‘You may be aware,’ he said, ‘that there are various English surnames which are spelled and pronounced in quite different ways. One of the best-known examples is Featherstonehaugh, which is pronounced Fanshawe. Then there is Cholmondeley, which is simply pronounced Chumley, and of course anybody called Beauchamp is usually Beecham.’
Von Igelfeld nodded. ‘I have noticed that,’ he said. ‘There was a Professor Chumley at a conference once and he pointed out that the spelling of his name was rather different. That would not happen in Germany.’