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Charles Menvale's History of the Romans under the Empire, and had

got into some correspondence with the author's brother as to the

author's views about Caesar. Hence arose in my mind a tendency to

investigate the character of probably the greatest man who ever

lived, which tendency in after years produced a little book of

which I shall have to speak when its time comes,--and also a taste

generally for Latin literature, which has been one of the chief

delights of my later life. And I may say that I became at this time

as anxious about Caesar, and as desirous of reaching the truth as

to his character, as we have all been in regard to Bismarck in these

latter days. I lived in Caesar, and debated with myself constantly

whether he crossed the Rubicon as a tyrant or as a patriot. In

order that I might review Mr. Merivale's book without feeling that

I was dealing unwarrantably with a subject beyond me, I studied the

Commentaries thoroughly, and went through a mass of other reading

which the object of a magazine article hardly justified,--but which

has thoroughly justified itself in the subsequent pursuits of my

life. I did write two articles, the first mainly on Julius Caesar,

and the second on Augustus, which appeared in the Dublin University

Magazine. They were the result of very much labour, but there came

from them no pecuniary product. I had been very modest when I sent

them to the editor, as I had been when I called on John Forster,

not venturing to suggest the subject of money. After a while I did

call upon the proprietor of the magazine in Dublin, and was told

by him that such articles were generally written to oblige friends,

and that articles written to oblige friends were not usually paid

for. The Dean of Ely, as the author of the work in question now

is, was my friend; but I think I was wronged, as I certainly had

no intention of obliging him by my criticism. Afterwards, when I

returned to Ireland, I wrote other articles for the same magazine,

one of which, intended to be very savage in its denunciation, was

on an official blue-book just then brought out, preparatory to the

introduction of competitive examinations for the Civil Service. For

that and some other article, I now forget what, I was paid. Up to

the end of 1857 I had received (pounds)55 for the hard work of ten years.

It was while I was engaged on Barchester Towers that I adopted a

system of writing which, for some years afterwards, I found to be

very serviceable to me. My time was greatly occupied in travelling,

and the nature of my travelling was now changed. I could not

any longer do it on horseback. Railroads afforded me my means of

conveyance, and I found that I passed in railway-carriages very

many hours of my existence. Like others, I used to read,--though

Carlyle has since told me that a man when travelling should not

read, but "sit still and label his thoughts." But if I intended

to make a profitable business out of my writing, and, at the same

time, to do my best for the Post Office, I must turn these hours

to more account than I could do even by reading. I made for myself

therefore a little tablet, and found after a few days' exercise

that I could write as quickly in a railway-carriage as I could at

my desk. I worked with a pencil, and what I wrote my wife copied

afterwards. In this way was composed the greater part of Barchester

Towers and of the novel which succeeded it, and much also of others

subsequent to them. My only objection to the practice came from

the appearance of literary ostentation, to which I felt myself to

be subject when going to work before four or five fellow-passengers.

But I got used to it, as I had done to the amazement of the west

country farmers' wives when asking them after their letters.

In the writing of Barchester Towers I took great delight. The bishop

and Mrs. Proudie were very real to me, as were also the troubles

of the archdeacon and the loves of Mr. Slope. When it was done,

Mr. W. Longman required that it should be subjected to his reader;

and he returned the MS. to me, with a most laborious and voluminous

criticism,--coming from whom I never knew. This was accompanied

by an offer to print the novel on the half-profit system, with a

payment of (pounds)100 in advance out of my half-profits,--on condition

that I would comply with the suggestions made by his critic. One

of these suggestions required that I should cut the novel down to

two volumes. In my reply, I went through the criticisms, rejecting

one and accepting another, almost alternately, but declaring at

last that no consideration should induce me to cut out a third of

my work. I am at a loss to know how such a task could have been

performed. I could burn the MS., no doubt, and write another book

on the same story; but how two words out of six are to be withdrawn

from a written novel, I cannot conceive. I believe such tasks have

been attempted--perhaps performed; but I refused to make even the

attempt. Mr. Longman was too gracious to insist on his critic's

terms; and the book was published, certainly none the worse, and

I do not think much the better, for the care that had been taken

with it.

The work succeeded just as The Warden had succeeded. It achieved

no great reputation, but it was one of the novels which novel

readers were called upon to read. Perhaps I may be assuming upon

myself more than I have a right to do in saying now that Barchester

Towers has become one of those novels which do not die quite at once,

which live and are read for perhaps a quarter of a century; but if

that be so, its life has been so far prolonged by the vitality of

some of its younger brothers. Barchester Towers would hardly be

so well known as it is had there been no Framley Parsonage and no

Last Chronicle of Barset.

I received my (pounds)100, in advance, with profound delight. It was a

positive and most welcome increase to my income, and might probably

be regarded as a first real step on the road to substantial success.

I am well aware that there are many who think that an author in his

authorship should not regard money,--nor a painter, or sculptor, or

composer in his art. I do not know that this unnatural sacrifice

is supposed to extend itself further. A barrister, a clergyman, a

doctor, an engineer, and even actors and architects, may without

disgrace follow the bent of human nature, and endeavour to fill

their bellies and clothe their backs, and also those of their wives

and children, as comfortably as they can by the exercise of their

abilities and their crafts. They may be as rationally realistic,

as may the butchers and the bakers; but the artist and the author

forget the high glories of their calling if they condescend to make

a money return a first object. They who preach this doctrine will

be much offended by my theory, and by this book of mine, if my theory

and my book come beneath their notice. They require the practice

of a so-called virtue which is contrary to nature, and which, in

my eyes, would be no virtue if it were practised. They are like

clergymen who preach sermons against the love of money, but who

know that the love of money is so distinctive a characteristic

of humanity that such sermons are mere platitudes called for by

customary but unintelligent piety. All material progress has come