He went on, "The Utopia envisioned by Tomás Moro was to be an ideal community whose inhabitants would exist under perfect conditions. Where the evils bred by society—poverty, hunger, misery, crime, sin, war—would all have been done away with."
I forbore from commenting that there would be some people, even in an ideal community, who might wish to retain the right to enjoy sinning or waging war.
"So I have repopulated this pleasant piece of New Galicia with colonist families. Besides instructing them in the tenets of Christianity, I and my friars show them how to use European tools and how to employ the most modern methods of agriculture and husbandry. Beyond that, we strive not to direct or meddle in the colonists' lives. True, it was our Brother Agustín who taught them how to make guitarras. But we found elderly Purémpe men who could be persuaded to lay aside old rivalries and teach the colonists the age-old Purémpe handicrafts. Now each village devotes itself to perfecting one of those arts—woodwork, ceramics, weaving and so on—in the finest tradition of the Purémpecha. Any colonists incapable of learning such artisanry make their contribution to Utopia by farming or fishing or raising pigs, goats, chickens and such."
"But, Padre Vasco," I said. "What use have your settlers for such things as guitarras? That Erasmo to whom I spoke, he did not even know how to play music on it."
"Why, those are sold to merchants in the City of Mexíco, my son. The guitarras and the other crafted objects. Many of them are bought by brokers who, in turn, export them all the way back to Europe. We get handsome prices for them, too. The bulk of our farmers' and herders' produce also is sold. Of the money received, I pay a portion to the village families, equally divided among them. But most of our income is spent on new tools, seeds, breeding stock—whatever will improve and benefit Utopia as a whole."
"It all sounds most practical and laudable, padre," I said, and sincerely meant it. "Especially since, as Erasmo said, you do not make your people drudge like slaves."
"¡Válgame Dios, no!" he exclaimed. "I have seen the infernal obrajes in the city and elsewhere. Our colonists may be of an inferior race, but they are human beings. And now they are Christians, so they are not brute animals without souls. No, my son. The rule here in Utopia is that the people work communally for just six hours a day, six days a week. Sundays, of course, are for devotions. All the rest of the people's time is theirs to spend as they like. Tending their own home gardens, private doings, socializing with their fellows. Were I a hypocrite, I could say that I am simply being Christian in being no tyrannical master. But the truth is that our people work harder and more productively than any whip-driven slaves or obraje laborers."
I said, "Another thing Erasmo told me is that you allow only men and women already married to settle in this Utopia. Would you not get even more work out of single men and women, unburdened with children?"
He looked slightly uncomfortable. "Well, now, you have broached a rather indelicate subject. We do not presume to have re-created Eden here, but we do have to contend with both Eve and the serpent. Or with Eve as the serpent, I might better say."
"Ayya, forgive my having asked, padre. You must mean the Purémpe women."
"Exactly so. Bereft of their own menfolk, and learning that there were young, strong men here in Utopia, they have frequently descended on us to—how shall I say?—entice our men into performing at stud. They were absolutely pestiferous when we first settled here, and still to this day we get the occasional female visiting and importuning. I fear our family men are not all—or always—able to resist the temptation, but I am sure that unmarried ones would be much more easily seduced. And such debaucheries could lead to the ruin of Utopia."
I said approvingly, "It appears to me, Padre Vasco, that you have everything well thought out and well in hand. I shall be pleased to report that to the bishop's notarius."
"But not solely on my unsupported word, son Juan. Go all the way around the lake. Visit every village. You will need no guide. Anyway, I would not want you to suspect that you were being shown only the exemplary aspects of our community. Go alone. See things plain and unvarnished. When you return here, I shall be gratified if then you can say, as San Diego once said, that by works a man is justified, and not by faith only."
XIV
So I went on westward, stopping for at least a night in each village I came to, and then northward, eastward, southward, until I had circled the entire Lake of Rushes and come westward again to the very first village I had visited, San Marcos Churítzio, that one where Erasmo Mártir resided.
I found it to be true, what Padre Vasco had said, that the lakeside people all lived in amity and prosperity and conviviality, and were understandably content to live so. And they had indeed mastered the ancient crafts of the Purémpecha. One village produced hammered copperware: dishes and platters and pitchers of graceful design and dimpled finish. Another village produced similar utensils, but of a kind of pottery to be seen nowhere else, colored a lustrous black by an admixture of powdered lead in the clay. Another made the long-famous Purémpe lacquerware: trays, tables, huge folding screens, all of a rich, shiny black, inset with gold and many vivid colors. Another made mats and pallets and baskets of braided rushes from the lake; they were, I had to admit, even more elegant than those woven by my lost Citláli. Another village made intricate jewelry of silver wire; another did jewelry of amber; another with the pearly nacre of mussel shells. And so on and on around the lake. Between and about the villages were the tilled fields, growing the newcome sweet cane and a sweet grass called sorgo, as well as the more familiar crops like maize and beans. All the fields were bearing far more lushly than any known in former times, before our farmers had the advantages of Spanish-imported tools and ideas.
There was no denying that these Mexíca colonists had benefited hugely from their association with the Spaniards. I asked myself: did the virtues of their winsome Utopia, then, counterbalance the miseries and degradations being suffered by their fellow Mexíca in the abominable obrajes? I thought they did not, for the latter Mexíca numbered in the many thousands. No doubt there existed other white men like Padre Vasco de Quiroga, who took the word Christianity to mean "loving kindness." But I knew that any men of his kind were vastly outnumbered by the vicious, greedy, deceitful, coldhearted white men who likewise called themselves Christians and even priests.
At the time, I admit, I was being as deceitful as any white man. I was not, as Padre Vasco supposed, touring the villages of his Utopia just to assess or admire them; I was combing them for any inhabitants who might collaborate in my planned sedition. To every village smith who worked with metals, I showed my arcabuz and inquired whether he could make a copy of such a contrivance. They all, of course, recognized a thunder-stick—and made loud praise of the Mexícatl who had crafted mine. But all were unanimous in saying that even if they were inclined to imitate that talented artisan, they had not the necessary tools. And the replies I got when I asked all the men whether any would rally to me in rebellion against the Spanish oppressors could be summed up in the response I got from Erasmo Mártir, the last one I queried.
"No," he said flatly.
We were sitting together on the bench before his house door, where, this time, he was not shaping a woman-formed piece of guitarra. He went on:
"Do you take me for a raving tlahuéle? I am one of the fortunate few Mexíca who have ample food, secure shelter, freedom from any master's abuse, freedom to come and go as I please. I have even real prosperity and a promising future for my family."