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I saw other dogs, too, of various shapes and sizes and unfierce mien, though one could hardly believe that they are related to the pudgy little techíchi dogs that we of The One World had for ages been breeding for no other use than as emergency rations. Indeed, there were no more techíchime to be found in the City of Mexíco, because all of the native citizens had become so fond of puerco meat and there was such an abundance of it here, and the Spaniards never wouldeat techíchi meat. There were other animals here that were totally new to me, though I assume they must be Old Spain's peculiar variety of our jaguar, cuguar and océlotl. They are ever so much smaller than those cats, however, and tame and gentle and soft of voice. And as only the cuguar, of all our cats, can do, these miniature versions even purr.

The elbow-to-elbow buildings on the narrower side streets were both working and living quarters for their occupants, all of them white. At ground level might be a shop selling some kind of merchandise, a smithy, a stable for horses or an eating establishment open to the public—the white public. The one or two or three floors above would be where the proprietors and their families lived.

Except for those I have mentioned, the dark-skinned persons I saw on those streets and avenues were mostly swift-messengers going somewhere at a trot or tamémime trudging along under yokes or tumplines bearing bales and bundles. Those men were dressed as I was, in tilmatl mantle, máxtlatl loincloth and cactli sandals. But there were some others who had to be servants of white families, because they were dressed like Spaniards, in tunics and tight-fitting breeches and boots and hats of one shape or another. Some of the older of those men had curious scars on their cheeks. The first such man that I saw I assumed had come by his scar in some war or duel, because its shape—like this: G—conveyed nothing to me. But then I saw several more men whose cheeks were marked with that same figure. And I saw others, younger men, similarly scarred but with different symbols. It was clear that all of them had deliberately been so marked. Whether any of the city's women had been treated the same, I could not determine, because I saw on those streets no women at all, neither white nor dark.

I learned later that this portion of the city through which I was plodding was called the Traza,a vast rectangle comprising many streets and avenues in extent, the entire center of the City of Mexíco. The Traza was reserved for the residences, churches, commercial establishments and official buildings of the white men and their families. There were exceptions. The copper-skinned men in clerical garb lived in the church residences along with their white fellow churchmen. And a few of the white families' native servants ate and slept in the houses where they worked. But all other native citizens—even those who worked for the governing functionaries—had to go home at night to the colaciones,the several parts of the city that extended out from the Traza to the edges of the island. And those sections ranged in quality and appearance and cleanliness from respectable to tolerable to vile.

Just looking at the fine, large buildings that composed the Traza, I wondered if the Spaniards were ignorant of the natural disasters that this city was prone to, and which were well known to everybody else in The One World. Tenochtítlan had frequently been inundated by floods of the surrounding lake waters, and two or three times had been all but washed away. I supposed that there was no longer much danger of floods, with Lake Texcóco's being now so diminished.

However, the entire island, because it was simply an upcropping of the lake's unstable bed, had often also been racked by what we called the tlalolíni—the terremotoin Spanish. On some of those occasions, just one or a few of Tenochtítlan's structures had shifted position slightly or had leaned sideways or had sunk below ground level to some degree. On other occasions, the whole island had violently shaken and heaved, making buildings fall down as suddenly as did the people on the streets. That was why, by the time my Uncle Mixtzin first saw Tenochtítlan, its major buildings were all firmly broad-based, and the lesser ones were built on pilings that would merely sway or give a little, to compensate for the island's settling or quaking.

Another thing that I learned later was that the Spaniards werebeginning to realize this propensity of the island, and from experience. The looming Cathedral Church of San Francisco, the biggest, therefore the heaviest, structure yet attempted by the white builders—and not even completed yet—was already perceptibly and lopsidedly sinking. Its stone walls were cracking in places, its marble floors buckling.

"It is the spiteful doing of the pagan demons," declared the priests who inhabited the place. "We should never have built this house of God on the site of the red heathens' monstrous temple, and even used that temple's stones in the process. We must start again, and rebuild elsewhere."

So the Cathedral's architects were frantically putting wedges under the building, and buttresses about it, trying every means to keep it upright and intact at least until it was finished. At the same time, they were drawing plans for a whole newCathedral to be erected some distance away, with an extensive underground foundation that they hoped would hold it up.

I knew none of that on the day, still carrying the empty jar on my shoulder, I crossed the immense open square beside which the Cathedral stood. I set the jar down beside the big main door, so that I might look less like an itinerant laborer and more like an estimable caller. I waited while several clerically gowned white men went in or came out, addressing each of them and asking if I might enter their temple. (I also knew nothing then of the rules regarding respectful entrance; for instance, whether I should kiss the ground before or after going through the door.) What soon became evident was that not a one of these white priests, friars, whatever they were—and some had been resident in New Spain for as long as ten years—could speak or comprehend a word of Náhuatl. And none of our people-turned-Crixtanóyotl came by. So I tried repeating over and over, as best I could pronounce the words, "notarius" and "Alonso" and "Molina."

Finally one of the men snapped his fingers in recognition of what I was asking, and led me through the portal—no kissing the ground at all, by either of us, though he did give a sort of reverential little dip at one point—through the cavernous interior and along aisles and corridors and up stairways. Inside the church, I noticed, all the churchmen removed their hats—they wore quite an assortment, from small and round to large and puffy—and every one of them had a circle of his hair shaved bald at the crown of his head.

My guide stopped at an open door and motioned for me to enter, and in that small room sat the notarius Alonso at a table. He was smoking picíetl, but not in the way we do, with the dried, shredded herb rolled in a tube of reed or paper. He held between his lips a long, stiff, thin thing of white clay, the far end of which was bent upward and packed with the slow-burning picíetl, and he inhaled the smoke from the other, narrower end.

The notarius had one of our native pleated bark-paper books before him, and was copying from its many colored word-pictures. I should say translating from it, because the copy he was writing on another paper was not in word-pictures. He was doing it with a sharpened duck quill that he dipped in a small jar of black liquid, and then scribbled on his paper only wiggly lines of that one color—what I know now, of course, is the Spanish style of writing. He finished a line and looked up, and looked pleased, but had to fumble for my name: