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As it was, whenever I was not occupied writing the secret story of my days, or thinking—and worrying—about Eléna, I fantasized about how I would deal with Fray Osorio from Veracruz, who had tortured me with his devilish instruments. Of special interest to me was a device that I had heard the capitán of the dungeon guard boast about, one that he said existed in Madrid's Saladero, that infamous of all prisons, and that he has asked the viceroy to obtain. The capitán called this demonic contrivance the "Bull of Phalaris," and claims that it tickled the fiendish fancy of every torturer who used it.

The bull is said to be a great hollow, bronze statue. Torture victims were shoved into it through a trapdoor and roasted by a fire built underneath. Their shrieks were heard from the bull's mouth, making it seem that the bull was bellowing. The capitán claimed that Perilaus, the designer of this fiend's delight, was the first person to experience his own creation and that Phalaris, it's commissioner, was ultimately roasted in it.

Many a night as vermin ate at my wounds and sores, in the privacy of my mind I put Fray Osorio into the bronze bull and built a fire beneath. I would not build a large fire, but a small one, just enough to roast the fray slowly as I listened to the sweet music of his screams.

Are these not grand thoughts for a dungeon rat, who does not know what day it is? I had been unconscious so often that I had lost all track of time. By my estimate it was more than a month after my incarceration that I received my first visitor, other than torturers. No doubt the visitor had paid a bribe for the privilege of visiting the colony's most notorious criminal, coming caped and hooded to hide his identity.

When I first saw the dark figure approaching my cell, my immediate reaction was that it was Mateo. I had been writing when the person approached. I leaped from my stone bench to meet him at the bars, my quill still in hand. But it was not my compadre come to rescue me.

"Are you enjoying your stay with your brother rats and cucaraches?" Luis asked.

"Very much. Unlike my two-legged brother, they are not consumed with hate and greed."

"Don't call me your brother. My blood is pure."

"Perhaps someday I shall see the color of it, I suspect it is yellow."

"I don't think you will live long enough to spill my blood."

"Did you come here for a reason, brother?"

His face was a map of hate. His eyes were meaner than a cornered rat's, his lips pulled back with contempt.

"The marriage bans are being published. While you rot in this dungeon, or trade it for a grave, I will be married to Eléna."

"You can force her into marriage but never to love you. No one could love you, no one except that evil old woman who bloodied her hands with the lives of anyone who stood between her and her greed."

"Eléna will love me. You don't think she could really love a mestizo, do you, a lady of pure blood loving a thing with tainted blood, a creature like you who is hardly human?"

"Eh, my brother, it cuts deep, doesn't it? You know she loves me and that you can only possess her through her uncle's coercion. Is that what you want, brother? To possess a woman by fraud and force? Is rape your idea of love?"

He visibly trembled from the rage toward me that boiled in him.

"How does it feel to know you have to buy her from her uncle because she cannot stand you. What is the viceroy's share of your maize scheme? How many children will die of starvation because of your greed?"

"I came here to tell you how much I hate you. You have been a black shadow in my life since I was a boy. My grandmother told me of my father's folly, that he had put a stain on one of the proudest families of Spain by marrying an india girl."

A bolt of shock hit me. ¡Santa Maria! Don Eduardo had married my mother! I understood now, I was not a bastard. The marriage legitimized me. No wonder Luis and his grandmother had always feared me. Eduardo, dreamer and poet that he was, had not taken advantage of my mother but had married her, creating a mestizo who was legally heir to a noble house with ties to royalty.

"You fear me because I'm the eldest son," I said. "By law I'm heir to the title when Eduardo dies." I threw back my head and howled with laugher. "I possess everything you ever wanted, the grand titles, the houses, and haciendas, everything that you take pride in—even the woman you desire!"

"You possess nothing but the mierda you lie in and the vermin that eats your flesh."

He said nothing for a moment and then took a piece of paper out of his pocket.

"As a peace offering to my bride-to-be, I agreed to come here and deliver a message to you. She is still grateful for the services you performed in Veracruz."

I stepped close to the bars, sticking my hand through, eager to take the note. He dropped the paper and grabbed my arm, pulling me against the bars. At the same time his other hand came through the bars and shoved a dagger in my gut.

For a long moment we stared at each other, barely a breath apart. He twisted the dagger into my gut. I screamed with rage and swung my other hand through the bars, the hand holding my writing quill. He let go of me and jerked back but the obsidian-sharp goose quill caught him in the face, slicing his cheek.

We stood staring at each other for a moment. Ink and blood ran down his cheek. I touched the scar on my own cheek.

"A scar is on my face because I bear the mark of a mine slave. Now you carry my mark."

He continued to stare at me, his eyes on my abdomen. I pulled open my shirt. The packet of paper I had hidden inside my shirt bore the cut left by his blade.

ONE HUNDRED AND TWENTY-SIX

For a long time after Luis left, I gave thought to what he had inadvertently revealed. It unraveled the twisted mysteries of my past. I had been forced in life to live many lies. What I never realized was that the biggest lie of all had been foisted upon me at my birth.

Don Eduardo never mentioned to me that he had married my mother. That was how I thought of him, as Don Eduardo, not as my father.

Perhaps he assumed that I knew or that Fray Antonio had told me the truth. But Fray Antonio's great hope was that ignorance would protect me. He had been wrong of course. There was too much at stake to rely upon the truth remaining buried.

I tried to imagine how the tragic play of family honor and family heritage came about. The old matrona had sent the young Don Eduardo to the hacienda managed by Ramon to be taught the traits of a knight.

Eh, amigos, what marks a caballero as a man? His woman, his sword, and his horse, and not always in that order. Ramon must have been elated when his young protégé selected a pretty india to lie with. Perhaps he even reported it to the old woman, telling her that her son was acting like a true Spanish gentleman.

Ramon, of course, while not of noble blood himself, had spent his entire life in the service of nobility, and he knew them well. What he did not realize is that not all nobles are like Count Roberto's coins, all bearing the same face. Eduardo, like Eléna, had been molded differently than others of their class. God had put thoughts in their hearts that they were impelled to write down and share with the world. And those thoughts did not always agree with what others demanded.

Eduardo's mother—it is not in me to think of her as my grandmother—arrived for a visit at the hacienda, perhaps to see firsthand what progress Ramon had made in molding Eduardo. No doubt Fates played a hand here, timing the visit with my birth.

I tried to imagine what went on in Eduardo's mind as to my mother. My first instinct was that he had married my mother to defy his own mother, but my heart told me that was not true. His voice in the carriage carried true feeling for my mother. I believed that he had truly loved her. Perhaps, like so many poets and those who have led their lives guided by their words, he thought that love would conquer all. In that he has misjudged the old matrona. She was a product of her place in society. On the death of her husband, perhaps even much sooner, since her husband had some of the traits she found so noxious in her son, she took the reins of the noble house of the Marqués de la Cerda and struggled to keep it from fading.