Don Julio glanced up at me. I had inadvertently spoken in my polished Spanish rather than deliberately mispronouncing words as I had done with Sancho.
He tossed me a half-reale. "Run to a cloth seller. Get me a piece of clean white cotton."
I returned quickly with the piece of cloth. I did not offer the change.
After he removed the arrow, Don Julio dressed the open wound, cutting pieces of the cloth to create a cover for it.
"This man cannot walk or even ride a mule," he told the indio's friend. "He has to lie still until the bleeding stops." He took aside the man's friend. "He has only a small chance of survival, but he will not survive at all if you move him. He can't be moved for at least a week."
I saw the friend exchange looks with another man. Neither of the two men appeared to be indio farmers. They had the look of léperos, perhaps men hired from the streets by merchants to bring merchandise to or from the fair. The chances of them staying around until the man could travel were not good. As soon as the fair broke up, they would throw dice for his boots and clothes, smash his skull, and drag him into the woods for wild animals to dispose of.
As the crowd around the man moved away, I heard a man look in the direction of Don Julio and whisper contemptuously to another, "Converso."
I knew this word from discussions with Fray Antonio. A converso was a Jew who had converted to Christianity rather than leave Spain or Portugal. Sometimes the conversion had taken place generations before, but the blood taint was still there.
The fact that this wealthy doctor, which is what I took him to be, also had a blood taint naturally endeared him to me.
I left the fair and walked toward a mound that had once been a small temple for a military outpost or a merchant's rendezvous. I sat for a while deep in thought about the predicament I was in with Sancho and Mateo. I was less worried about myself than I was of any harm coming to the Healer. I had of course lied when I told Sancho that the Healer was my father, but in a way there was truth to it since I thought of both him and Fray Antonio like a father.
I had no illusions about what my reward would be once I had completed the task for Sancho. Both the Healer and I would be killed. Ay, it was not a happy situation. The Healer moved very slowly and would go nowhere without his dog and his donkey. My only recourse was to await the opportunity to stick a knife in Sancho's fat gut and hope that Mateo would not harm the Healer even if he cut off my head.
I spotted Aztec picture writing engraved in stone on the side of the wall of the ruins, and I moved aside brush to read it. I had learned to read Aztec picture writing from the Healer, who showed me pieces of paper with writing on it that was done before the conquest. He told me that the empire centered at Tenochtitlan required a vast amount of paper to run, for its army, merchants, government administration, and that hundreds of thousands of sheets of blank paper were received each year as tribute from vassal states.
The fray had also been interested in Aztec picture writing and paper. He had been excited once when another fray showed him a piece of it. Paper was made by soaking the bark of certain fig trees in water until the fiber separated from the pulp. The fiber was pounded on a flat surface, folded over with a sticky substance in between, flattened more, and then smoothed and dried. Good quality paper had a whitish substance spread over it.
A bundle of these papers bound together was called a codex by the Spanish, being a Latin word for a type of book. Only a few indio codices had survived the fanatical zeal of the Christian priests, Fray Antonio told me. Picture drawings were done in bright colors—red, green, blue, and yellow—and having seen a few pages possessed by the Healer, I can only envision that the codices saved from the ravages of the priests must be works of great beauty.
Aztec writing itself was nonalphabetical, picture writing much like the Egyptians used. A series of pictures had to be read together to reveal the message or story. Some objects were represented by a miniature of the object, but most situations required something more complex: a black sky and closed eye was night, a wrapped mummy figure was a symbol of death, seeing was expressed by an eye drawn away from the viewer.
The picture writing inscribed on the wall near the fair showed an Aztec warrior in full battle dress pulling the hair of a warrior from another city—thus war and battle were raging. An Aztec king or noble whom I could not identify, although I knew that each Revered Speaker had a personal symbol, was speaking. This was indicated by a little scroll coming from the mouth of the speaker. I had also seen it expressed as a wagging tongue. After he spoke, Aztec warriors marched, shown by footprints, toward a temple atop a mountain. The temple was burning, indicating that the tribe that owned the temple had been conquered.
As I read the tale aloud in Spanish, which was the language I thought in, I was startled when I caught another presence out of the comer of my eye. Don Julio was standing nearby watching me.
"You can read Aztec sign language?"
Pride loosened my tongue. "A little. The inscription is a boast—and a warning. Probably put here by the Aztecs to impress upon traveling merchants of other tribes what happens to towns that don't pay their tribute."
"Very good. I also can read the pictures, but it's almost a lost art." He shook his head. "My God, the history, the knowledge, that was lost when the frays burned them. The library at Texcoco was enriched with literary treasures gathered by the great king, Nezahualcoyotl. It was the New World equivalent of the great library of antiquity at Alexandria. And it was destroyed."
"My Aztec name is Nezahualcoyotl."
"An honorable name, even if it labels you a hungry coyote. Your namesake was not just a king, but a poet and writer of songs. But Like so many kings, he also had human vices. Lusting for the wife of one of his nobles, he sent the man into battle with secret orders to his captains to see that the man was killed."
"Ah, the crime the Comendador Ocana tried to commit against Peribanez."
"You know Vega's comedia?"
"I—I heard it described once by a priest."
"A priest interested in any drama but a passion play? I must meet this man. What is your Spanish name?"
"Sancho," I said, without hesitation.
"Sancho, how do you, as an indio, feel about the fact that the Spanish have come and the indios' culture and monuments were destroyed or abandoned?"
He called me an indio. That made me comfortable talking to him again.
"The Spanish god was more powerful than the gods of the Aztecs."
"Are the Aztec gods all dead now?"
"No, there are many Aztec gods. Some were vanquished, but others merely went into hiding to wait until they regain their strength," I said, mimicking what the Healer had told me.
"And what will they do when they regain their strength? Drive the Spanish from New Spain?"
"There will be another great battle, like the wars in Revelations where fire and death and famine stalked the earth."
"Who told you that?"
"The priests in church. Everyone knows that there will be a great war between good and evil someday, and only the good will survive."
Don Julio chuckled and walked along the ruins. I followed along. I knew I was supposed to avoid being around gachupins, but the man had a depth of knowledge and wisdom not unlike that which I had sensed about the Healer and Fray Antonio.
It had been several years since I had been around people with the European-type knowledge that the fray had possessed. Like the fray, this man was a scholar. I bubbled over with enthusiasm to display my own knowledge.