PART ONE
RYDRA WONG
Here is the hub of ambiguity.
Electric spectrums splash across the street.
Equivocation knots the shadowed features of boys who are not boys; a quirk of darkness shrivels a full mouth to senility or pares it to a razor-edge, pours acid across the amber cheek . . .
. . . or smashes in the pelvic arch and wells a dark clot oozing on a chest dispelled with motion or a flare of light that swells the lips and dribbles them with blood . . .
They say the same crowd surges up the street and surges down again, like driftwood borne tidewise ashore and sucked away with backwash, only to slap into the sand again, only to be jerked out and spun away.
Driftwood; me narrow hips, and liquid eyes, the wideflung shoulders and the rough-cast hands, the gray-faced jackals kneeling to their prey.
The colors disappear at break of day when stragglers toward the west riverdocks meet young sailors ambling shipward on the street . . .
I
IT'S A PORT CITY. Here fumes mist the sky, the General thought. Industrial gases flushed the evening with oranges, salmons, purples with too much red. West, ascending and descending transports, shuttling cargoes to stellar centers and satellites, lacerated the clouds. It's a rotten poor city too, thought the General, turning the corner by the garbage-strewn curb.
Since the Invasion six ruinous embargoes for months apiece had strangled this city whose lifeline must pulse with interstellar commerce to survive. Sequestered, how could this city exist? Six times in twenty years he'd asked himself that. Answer? It couldn't.
Panics, riots, burnings, twice cannibalism—
The General looked front the silhouetted loading towers that jutted behind the rickety monorail to the grimy buildings. The streets were smaller here, cluttered with transport workers, loaders, a few stellarmen in green uniforms, and the hoard of pale, proper men and women who managed the intricate sprawl of customs operations. They are quiet now, intent on home or work, the General thought. Yet all of these people have lived for two decades under the Invasion. They've starved during the embargoes, broken windows, looted, run screaming before fire-hoses, torn flesh from a corpse's arm with decalcified teeth.
Who is this animal man? He asked himself the abstract question to blur the lines of memory. It was easier, being a general, to ask about the 'animal man' than about the woman who had sat in the middle of the sidewalk during the last embargo holding her skeletal baby by one leg, or the three scrawny teen-age girls who had attacked him on the street with razors (—she had hissed through brown teeth, the bar of metal glistening toward his chest, "Come here. Beefsteak! Come get me Lunchmeat. . ." He had used karate—) or the blind man who had walked up the avenue screaming.
Pale and proper men and women now, who spoke softly, who always hesitated before they let an expression fix their faces, with pale, proper patriotic ideas: work for victory over the Invaders; Alona Star and Kip Rhyak were great in "Stellar Holiday" but Ronald Quar was the best serious actor around. They listened to Hi Lite's music (or did they listen, wondered the General, during those slow dances where no one touched). A position in Customs was a good secure job—working directly in Transport was probably more exciting and fun to watch in the movies; but really, such strange people—
Those with more intelligence and sophistication discussed Rydra Wong's poetry.
They spoke of the Invasion often, with some hundred phrases consecrated by twenty years' repetition on newscasts and in the papers. They referred to the embargoes seldom, only by the one word.
Take any of them, take any million. Who are they? What do they want? What would they say if given a chance to say anything?
Rydra Wong has become this age's voice. The General recalled the glib line from a hyperbolic review. Paradoxicaclass="underline" a military leader with a military goal, he was going to meet Rydra Wong now.
The street lights came on and his image glazed suddenly on the plate glass window of the bar. That's right, I'm not wearing my uniform now. He saw a tall, muscular man with the authority of half a century in his craggy face. He was uncomfortable in the gray civilian suit. Till age thirty, the physical impression he had left with people was 'big and bumbling'. Afterwards—the change had coincided with the Invasion—it was 'massive and authoritarian'.
Had Rydra Wong come to see him at Administrative Alliance Headquarters, he would have felt secure. But he was in civvies, not in stellarman-green. The bar was new to him. And she was the most famous poet in five explored galaxies. For the first time in a long while he felt bumbling again.
He went inside.
And whispered, "My God, she's beautiful, without even having to pick her from among the few other women. I didn't know she was so beautiful, not from the pictures. . . .
She turned to him (as the figure in the mirror behind the counter caught sight of him and turned away), stood up from the stool, smiled.
He walked forward, took her hand, the words Good evening, Miss Wong tumbling on his tongue till he swallowed them unspoken. And now she was about to speak. She wore copper lipstick, and the pupils of her eyes were like beaten disks of copper—"Babel-17," she said. "I haven't solved it yet, General Forester."
A knitted indigo dress, and her hair like fast water at night spilling over one shoulder; he said, "That doesn't really surprise me. Miss Wong."
Surprise, he thought. She puts her hand on the bar, she leans back on the stool, hip moving in knitted blue, and with each movement, I am amazed, surprised, bewildered. Can I be this off guard, or can she really be that—
"But I've gotten further than you people at Military have been able to." The gentle line of her mouth bowed with gentler laughter.
"From what I've been led to expect of you. Miss Wong, that doesn't surprise me either." Who is she? He thought. He had asked the question of the abstract population. He had asked it of his own reflected image, He asked it of her now, thinking. No one else matters, but I must know about her— That's important. I have to know.
“First of all. General," she was saying, "Babel-17 isn't a code."
His mind skidded back to the subject and arrived teetering. "Not a code? But I thought Cryptography had at least established—" He stopped, because he wasn't sure what Cryptography had established, and because he needed another moment to haul himself down from the ledges of her high cheekbones, to retreat from the caves of her eyes. Tightening the muscles of his face, he marshaled his thoughts to Babel-17. The Invasion: Babel-17 might be one key to ending this twenty-year scourge. "You mean we've just been trying to decipher a lot of nonsense?"
"It's not a code," she repeated. "It's a language." The General frowned. "Well, whatever you call it, code or language, we still have to figure out what it says. As long as we don't understand it, we're a hell of a way from where we should be." The exhaustion and pressure of the last months homed in his belly, a secret beast to strike the back of his tongue, harshening his words.
Her smile had left, and both hands were on the counter. He wanted to retract the harshness. She said, "You're not directly connected with the Cryptography Department." The voice was even, calming.
He shook his head.
"Then let me tell you this. Basically. General Forester, there are two types of codes. In the first, letters, or symbols that stand for letters, are shuffled and juggled according to a pattern. In the second, letters, words, or groups of words are replaced by other letters, symbols, or words. A code can be one type or the other, or a combination. But both have this in common: once you find the key, you just plug it in and out come logical sentences. A language, however, has its own internal logic, its own grammar, its own way of putting thoughts together with words that span various spectra of meaning. There is no key you can plug in to unlock the exact meaning. At best you can get a close approximation."