Momo the Dick had droopy eyes, baggy pants, a shuffle to his walk, and an office filled to brimming with towers of blank paper, precariously tilted—like gaunt placarded and stilted clowns come to dine—over his splintered desk. Momo wore a battered old derby and mock-sighed a lot, like a bloodhound waiting to die.
He’d been decades in the business and had the dust to prove it. As soon as Bobo walked in, the tramp-wise clown seated behind the desk glanced once at him, peeled off his derby, twirled it, and very slowly very deliberately moved a stiffened fist in and out of it. Then his hand opened—red nails, white fingers thrust out of burst gloves—as if to say, Am I right?
Bobo just hung his head. His clownish hands drooped like weights at the ends of his arms.
The detective set his hat back on, made sympathetic weepy movements—one hand fisted to his eye—and motioned Bobo over. An unoiled drawer squealed open, and out of it came a puff of moths and a bulging old scrapbook. As Momo turned its pages, Bobo saw lots of illicit toe hops, lots of swollen honkers, lots of rubber chickens poking where they had no business poking. There were a whole series of pictures for each case, starting with a photo of his mopey client, progressing to the flagrante delicto evidence, and ending, almost without exception, in one of two shots: a judge with a shock of pink hair and a huge gavel thrusting a paper reading DIVORCE
toward the adulterated couple, the third party handcuffed to a Kop with a tall blue hat and a big silver star on his chest; or two corpses, their floppy shoes pointing up like warped surfboards, the triumphant spouse grinning like weak tea and holding up a big pistol with a BANG! flag out its barrel, and Momo, a hand on the spouse’s shoulder, looking sad as always and not a little shocked at having closed another case with such finality.
When Bobo broke down and mock-wept, Momo pulled out one end of a checkered hanky and offered it. Bobo cried long and hard, pretending to dampen yard upon yard of the unending cloth. When he was done, Momo reached into his desk drawer, took out a sheet with the word CONTRACT at the top and two X’d lines for signatures, and dipped a goose-quill pen into a large bottle of ink. Bobo made no move to take it but the old detective just kept holding it out, the picture of patience, and drops of black ink fell to the desktop between them.
Momo tracked his client’s wife to a seedy Three-Ring Motel off the beaten path. She hadn’t been easy to tail. A sudden rain had come up and the pennies that pinged off his windshield had reduced visibility by half, which made the eager Weezo hard to keep up with. But Momo managed it. Finally, with a sharp right and a screech of tires, she turned into the motel parking lot. Momo slowed to a stop, eying her from behind the brim of his sly bowler. She parked, climbed up out of the tiny car like a soufflé rising, and rapped on the door of Room Five, halfway down from the office.
She jiggled as she waited. It didn’t surprise Momo, who’d seen lots of wives jiggle in his time. This one had a pleasingly sexy jiggle to her, as if she were shaking a cocktail with her whole body. He imagined the bulb of her honker slowly expanding, its bell beginning to flare open in anticipation of her little tryst. Momo felt his bird stir in his pants, but a soothing pat or two to his pocket and a few deep sighs put it back to sleep. There was work afoot. No time nor need for the wild flights of his long-departed youth.
After a quick reconnoiter, Momo went back to the van for his equipment. The wooden tripod lay heavy across his shoulder and the black boxy camera swayed like the head of a willing widow as he walked. The rest—unexposed plates, flash powder, squeezebulb—Momo carried in a carpetbag in his free hand. His down-drawn mouth puffed silently from the exertion, and he cursed the manufacturers for refusing to scale down their product, it made it so hard on him in the inevitable chase.
They had the blinds down but the lights up full. It made sense. Illicit lovers liked to watch themselves act naughty, in Momo’s experience, their misdoings fascinated them so. He was in luck. One wayward blind, about chest high, strayed leftward, leaving a rectangle big enough for his lens. Miming stealth, he set up the tripod, put in a plate, and sprinkled huge amounts of glittery black powder along his flashbar. He didn’t need the flashbar, he knew that, and it caused all manner of problem for him, but he had his pride in the aesthetics of picture-taking, and he was willing to blow his cover for the sake of that pride. When the flash went off, you knew you’d taken a picture; a quick bulb squeeze in the dark was a cheat and not at all in keeping with his code of ethics.
So the flash flared, and the smoke billowed through the loud report it made, and the peppery sting whipped up into Momo’s nostrils on the inhale. Then came the hurried slap of shoes on carpet and a big slatted eyelid opened in the blinds, out of which glared a raging clownface. Momo had time to register that this was one hefty punchinello, with muscle-bound eyes and lime-green hair that hung like a writhe of caterpillars about his face. And he saw the woman, Bobo’s wife, honker out, looking like the naughty fornicator she was but with an overlay of uh-oh beginning to sheen her eyes.
The old adrenaline kicked in. The usually poky Momo hugged up his tripod and made a mad dash for the van, his carpetbag shoved under one arm, his free hand pushing the derby down on his head. It was touch and go for a while, but Momo had the escape down to a science, and the beefy clown he now clouded over with a blanket of exhaust—big lumbering palooka caught off-guard in the act of chicken stuffing—proved no match for the wily Momo.
Bobo took the envelope and motioned Momo to come in, but Momo declined with a hopeless shake of the head. He tipped his bowler and went his way, sorrow slumped like a mantle about his shoulders. With calm deliberation Bobo closed the door, thinking of Jojo and Juju fast asleep in their beds.
Precious boys, flesh of his flesh, energetic pranksters, they deserved better than this.
He unzippered the envelope and pulled out the photo.
Some clown suited in scarlet was engaged in hugger-mugger toe hops with Kiki. His rubber chicken, unsanctified by papa church, was stiff-necked as a rubber chicken can get and stuffed deep inside the bell of Kiki’s honker. Bobo leaned back against the door, his shoes levering off the rug like slapsticks. He’d never seen Kiki’s pink rubber bulb swell up so grandly. He’d never seen her hand close so tightly around it nor squeeze with such ardency. He’d never ever seen the happiness that danced so brightly in her eyes, turning her painted tear to a tear of joy.
He let the photo flutter to the floor. Blessedly it fell facedown. With his right hand he reached deep into his pocket and pulled out his rubber chicken, sad purple-yellow bird, a male’s burden in this world. The sight of it brought back memories of their wedding. They’d had it performed by Father Beppo in the center ring of the Church of Saint Canio. It had been a beautiful day, balloons so thick the air felt close under the bigtop. Father Beppo had laid one hand on Bobo’s rubber chicken, one on Kiki’s honker, inserting hen into honker for the first time as he lifted his long-lashed eyes to the heavens, wrinkle lines appearing on his meringue-white forehead. He’d looked to Kiki, then to Bobo, for their solemn nods toward fidelity.
And now she’d broken that vow, thrown it to the wind, made a mockery of their marriage.
Bobo slid to the floor, put his hands to his face, and wept.
Real wet tears this time, and that astonished him, though not enough—no, not nearly enough—to divert his thoughts from Kiki’s treachery. His gloves grew soggy with weeping. When the flood subsided, he reached down and turned the photo over once more, scrutinizing the face of his wife’s lover. And then the details came together—the ears, the mouth, the chin; oh God no, the hair and the eyes—and he knew Kiki and this bulbous-nosed bastard had been carrying on for a long time, a very long time indeed. Once more he inventoried the photo, frantic with the hope that his fears were playing magic tricks with the truth.