But the bald conclusion held.
At last, mulling things over, growing outwardly calm and composed, Bobo tumbled his eyes down the length of the flamingo-pink carpet, across the spun cotton-candy pattern of the kitchen floor, and up the cabinets to the Jojo-and-Juju-proofed top drawer.
Bobo sat at his wife’s vanity, his face close to the mirror.
Perfume atomizers jutted up like minarets, thin rubber tubing hanging down from them and ending in pretty pink squeezebulbs Bobo did his best to ignore.
He’d strangled the piglets first, squealing the life out of them, his large hands thrust beneath their ruffs. Patty Petunia had pistoned her trotters against his chest more vigorously and for a longer time than had Pepper, to Bobo’s surprise, she’d always seemed so much the frailer of the two. When they lay still, he took up his carving knife and sliced open their bellies, fixed on retrieving the archaic instruments of comedy. Just as his tears had shocked him, so too did the deftness of his hands—guided by instinct he’d long supposed atrophied—as they removed the bladders, cleansed them in the water trough, tied them off, inflated them, secured each one to a long thin bendy dowel. He’d left Kiki’s dead pets sprawled in the muck of their pen, flies growing ever more interested in them.
Sixty-watt lights puffed out around the perimeter of the mirror like yellow honker bulbs. Bobo opened Kiki’s cosmetics box and took out three squat shallow cylinders of color. The paint seemed like miniature seas, choppy and wet, when he unscrewed and removed the lids.
He’d taken a tin of black paint into the boys’ room—that and the carving knife. He sat beside Jojo in a sharp jag of moonlight, listening to the card-in-bike-spoke duet of their snores, watching their fat wide lips flutter like stuck bees.
Bobo dolloped one white finger with darkness, leaning in to X a cross over Jojo’s right eyelid. If only they’d stayed asleep.
But they woke. And Bobo could not help seeing them in new light. They sat up in mock-stun, living outcroppings of Kiki’s cruelty, and Bobo could not stop himself from finger-scooping thick gobs of paint and smearing their faces entirely in black.
But even that was not enough for his distracted mind, which spiraled upward into bloody revenge, even though it meant carving his way through innocence. By the time he plunged the blade into the sapphire silk of his first victim’s suit, jagging open downward a bloody furrow, he no longer knew which child he murdered. The other one led him a merry chase through the house, but Bobo scruffed him under the cellar stairs, his shoes windmilling helplessly as Bobo hoisted him up and sank the knife into him just below the second puffball.
He’d tucked them snug beneath their covers, Kiki’s brood; then he’d tied their rubber chickens together at the neck and nailed them smackdab in the center of the heartshaped headboard.
Bobo dipped a brush into the cobalt blue, outlined a tear under his left eye, filled it in. It wasn’t perfect but it would do.
As horsehair taught paint how to cry, he surveyed in his mind’s eye the lay of the living room. Everything was in readiness: the bucket of crimson confetti poised above the front door; the exploding cigar he would light and jam into the gape of her mouth; the tangerine apron he’d throw in her face, the same apron that hung loose now about his neck, its strings snipped off and spilling out of its big frilly kangaroo pouch; the Deluxe Husband-Tamer Slapstick he’d paddle her bottom with, as they did the traditional high-stepping divorce chase around the house; and the twin bladders to buffet her about the ears with, just to show her how serious things were with him. But he knew, nearly for a certainty, that none of these would stanch his blood lust, that it would grow with each antic act, not assuaged by any of them, not peaking until he plunged his hand into the elephant’s-foot umbrella stand in the hallway and drew forth the carving knife hidden among the parasols—whose handles shot up like cocktail toothpicks out of a ripple of pink chiffon—drew it out and used it to plumb Kiki’s unfathomable depths.
Another tear, a twin of the first, he painted under his right eye. He paused to survey his right cheekbone, planning where precisely to paint the third.
Bobo heard, at the front door, the rattle of Kiki’s key in the lock.
Momo watched aghast.
He’d brushed off with a dove-white handkerchief his collapsible stool in the bushes, slumped hopelessly into it, given a mock-sigh, and found the bent slat he needed for a splendid view of the front hallway and much of the living room, given the odd neck swivel. On the off-chance that their spat might end in reconciliation, Momo’d also positioned a tall rickety stepladder beside Bobo’s bedroom window. It was perilous to climb and a balancing act and a half not to fall off of, but a more leisurely glimpse of Kiki’s lovely honker in action was, he decided, well worth the risk.
What he could see of the confrontation pleased him. These were clowns in their prime, and every swoop, every duck, every tumble, tuck, and turn, was carried out with consummate skill. For all the heartache Momo had to deal with, he liked his work. His clients quite often afforded him a front row seat at the grandest entertainments ever staged: spills, chills, and thrills, high passion and low comedy, inflated bozos pin-punctured and deflated ones puffed up with triumph. Momo took deep delight—though his forlorn face cracked nary a smile—in the confetti, the exploding cigar, what he could see and hear of their slapstick chase. Even the bladder-buffeting Bobo visited upon his wife strained upward at the down-droop of Momo’s mouth, he took such fond joy in the old ways, wishing with deep soundless sighs that more clowns these days would re-embrace them.
His first thought when the carving knife flashed in Bobo’s hand was that it was rubber, or retractable. But there was no drawn-out scene played, no mock-death here; the blow came swift, the blood could not be mistaken for ketchup or karo syrup, and Momo learned more about clown anatomy than he cared to know—the gizmos, the coils, the springs that kept them ticking; the organs, more piglike than clownlike, that bled and squirted; the obscure voids glimmering within, filled with giggle power and something deeper. And above it all, Bobo’s plunging arm and Kiki’s crimped eyes and open arch of a mouth, wide with pain and drawn down at the corners by the weight of her dying.
Momo drew back from the window, shaking his head. He vanned the stool, he vanned the ladder. There would be no honker action tonight. None, anyway, he cared to witness. He reached deep into the darkness of the van, losing his balance and bellyflopping so that his legs flew up in the night air and his white shanks were exposed from ankle to knee. Righting himself, he sniffed at the red carnation in his lapel, took the inevitable faceful of water, and shouldered the pushbroom he’d retrieved.
The neighborhood was quiet. Rooftops, curved in high hyperbolas, were silvered in moonlight. So too the paved road and the cobbled walkways that led up to the homes on Bobo’s side of the street. As Momo made his way without hurry to the front door, his shadow eased back and forth, covering and uncovering the brightly lit house as if it were the dark wing of the Death Clown flapping casually, silently, overhead. He hoped Bobo would not yank open the door, knife still dripping, and fix him in the red swirl of his crazed eyes. Yet maybe that would be for the best. It occurred to Momo that a world which contained horrors like these might happily be left behind.
Indeed, from one rare glimpse at rogue-clown behavior in his youth, as well as from gruesome tales mimed by other dicks, Momo thought it likely that Bobo, by now, had had the same idea and had brought his knife-blade home.