Abuse. Into Robert's mind came the vision of Dr. Henglund, the podiatrist, the coldest man in the world. He'd sensed evil in him as soon as they had met. He thought of Astrid fingering the rubber breast, pocketing the speculum that probed the female body. How far they go into the body, how much they know, she'd said. It was the invasion she found fascinating, Robert thought, a vulnerability of the body that must have spoken to her of her own.
He thanked the therapist and, that afternoon, drove out to Long Island, to Henglund's office.
On the wall in the waiting room was a poster showing crippled and deformed feet, hammer-toed, misshapen, archless. On the opposite wall, another poster displayed happy feet, unconfined and lacking bunions, romping in a field as if they'd never once needed shoes. He ignored the nurse and walked right into the examining room, where Henglund was crouched before a woman's foot, holding it like a prince with a slipper. Seeing Robert, he straightened up and excused himself to the patient, a middle-aged woman with red lipstick and enormous hair, then led him into an office and sat down behind the desk.
“Astrid is home with us now,” he said solemnly, leaning forward with his hands clasped, his flesh sallow against his white coat. “We are taking care of her.” His air of menace was even stronger now.
“I can't prove it,” Robert said, “but I believe this is all your fault.”
“Indeed,” Dr. Henglund said. “Your response is understandable, I suppose. One always looks for others to blame when confronted with a difficult situation.”
“Fuck you,” Robert said. “What did you do to her?”
Henglund raised one white eyebrow behind his glasses. His eyes were blue and eerily pale. “This is no longer your concern,” he said.
“If she stays with you, it's the end of her,” Robert said. “You made her what she is.”
Henglund touched the tips of his long fingers together. “It's been my experience,” he said, “that we make ourselves.”
Robert left the office in disgust and drove to the Henglunds' house, parked on the street, and walked up the driveway. Through the front window he could see Astrid sitting on the living-room couch reading The New York Times. Her expression was calm. When she lifted her head, he thought she'd heard his approach; but then she said something in the direction of the kitchen, and he knew she must be talking to her mother. As he watched her he felt himself disintegrating, dissolving. He understood then why people with broken hearts killed themselves. It wasn't the pain so much as the nothingness, the formlessness of the days and months and years to come, that was unbearable.
Without her there was nothing. Yet he had no idea who she was.
As he stood there watching her through the window she turned and saw him, fixing him with eyes that were, he now realized, the same as her father's. Her hair hung limply to her shoulders, unwashed for days. He saw how tired she looked, how miserable, how bereft. Then she smiled sadly, tightly — a smile that said she knew she'd betrayed him, that in so doing she'd betrayed herself.
Without thinking, he beckoned to her, and she put down the newspaper and came outside. He didn't even know what to call her.
“Will you take me home?” she said.
He nodded. In the car, driving back, she put her hand on his knee, and he let her. After a while she moved her hand up to his thigh, and he let her do that too. He walked with her upstairs to her apartment, and in the living room she thanked him for taking her away from Babylon. Without thinking, the same as the first time, he kissed her, and she kissed him back, pushing her tongue into his mouth, running her hands up his back. He grabbed her and took off her shirt. A button popped and landed on the floor. She pulled him down on the couch, and he pulled down her pants and then his own and thrust inside her, one foot braced on the floor. “Robert,” she said.
Afterwards they took off the rest of their clothes and moved to the bedroom, where they slept for a little while, his arms around her. The room was dark when he woke up, alone in bed. He could hear her moving softly around in the kitchen, opening the fridge door, it sounded like, pouring a glass of water. The sheets smelled like her. He lay there in the dark, waiting for his love to come back.
Ghostwriting
When Marcus left home for college, he took his books, his clothes, his porn magazines (she checked), and the decrepit couch in the back room. He tried to take the dog, too, claiming the resident advisor had approved it, but Karin wouldn't let him. He said she'd never even walked the dog — which was true— and she said she'd have to start, and when he voiced some skepticism she was affronted, and they were hardly speaking by the time his father showed up to drive him to school the next morning. Fighting helped both of them get through the moment. Karin was able to hold off until it got dark that night, when she found herself sobbing in his bedroom. She felt bankrupt. She'd been cleaned out.
The dog crept hesitantly into the room. Karin lay down on Marcus's bed and tried to get her to climb up, to join her in her sorrow. Cynical about her motives, the dog refused. Instead she whined and stamped her paw until Karin let her out the back. In the kitchen she dried her tears and watched the dog standing in the yard, yellow light from the back porch glinting obliquely in her eyes.
The next morning she started a journal, having read in magazines about the cathartic powers of self-expression. Who am I? she wrote on a piece of lined paper. An ex-wife, a part-time copy editor, a mother in an empty nest. A new stage of my life is about to begin. After staring at these lines for a few minutes, she added, If I write any more of this crap I will kill myself. Then she took the dog for a walk.
Nonetheless, change was in order. She'd spent a long time taking care of Marcus, feeding and clothing and watching him through the divorce, puberty, his college application essays, and now that he wasn't around she had an unbearable amount of free time. Not time, exactly, but focus. What to look at, what to think about? She walked around carrying her grief inside her, private, growing, fed by her own energy, just as she'd once carried him. In the end she turned to work. When she was young she'd lived in New York and edited full-time, mostly cookbooks and travel guides; then she got married, moved to the suburbs, and went freelance, following the money into corporate and medical newsletters. Now she began inching her way back, wanting something more interesting than investor portfolios and trends in drug research. What she got was work for a local magazine, feature articles about neighborhood chefs and do-gooders and hometown stars with small parts in Broadway plays and TV shows. One day the managing editor told her about a local author he knew who was looking for editing help on a mystery.
Karin had never worked on fiction before, and the idea attracted her. The managing editor gave her the writer's phone number and address, and she set up an interview for the following day. On the phone the author, whose name was Donald St. John, was professional and cool, seeming to reserve judgment. Karin had never heard of him, but spent the evening before the interview at the bookstore. His books were historical mysteries, small paperbacks with lurid covers — busty maids in tight corsets discovering bodies with knives in their backs. She opened the first page of the most recent one. Annalise Gilbert had long suspected that the master of the house had a secret. As it turned out — she flipped to the back — the master of the house had a woman chained in the basement for sexual purposes, and had murdered the maid who'd discovered this secret. The master of the house had issues with women, Karin thought, and decided to wear pants to the interview.