“Well, I get this call from Doc Asfourh and he wants to know if we’ve got something going and I tell him no so he says he wants to send a couple of creeps over who need a hidey hole till tomorrow morning. So I say how much and he says this much and I say it’s not enough so we jew around with each other until we make a price. So these two creeps come over about fifteen minutes later and the kid and I send them upstairs and forget about them.” He stopped talking and carefully started to pat his trouser pockets. “You gotta cigarette?” he asked Padillo.
“Give him a cigarette,” Padillo said to me. I lit one and moved over to Quesada to hand it to him. He took it, inhaled mightily, blew out the smoke, and shrugged. “What the hell,” he said.
“Go on,” Padillo said. “You’ve got them upstairs.”
“Yeah, well, they’re upstairs and being quiet and the kid and I are just fooling around down here when Doc Asfourh calls again. It was maybe fifteen, twenty minutes after they got here and the Doc says that two more guys are coming over and that they wanta see the two who’re already here and for us to let ‘em.” He shrugged again. “So we did.”
“Then what?”
“Then they got here—”
“What did they look like?” Padillo said.
“One was maybe fifty or so and had some whiskers. The other one was younger. They both looked like they knew their way around, if you know what I mean.”
“Go on,” Padillo said.
“Well, they asked where the other two was and I told them and they went upstairs and stayed maybe ten minutes. I wasn’t paying no attention. It coulda been fifteen. Then all four of them come down and leave. Just like that.”
“No guns?” Padillo said.
Quesada shook his head. “No guns. I wouldn’t say they was all buddy-buddy, but I didn’t see no guns.”
“Then Asfourh called again,” Padillo said.
Quesada nodded. “Uh-huh. He called again. He said that you three would be dropping around and that if me and the kid could keep you company until ten o’clock tomorrow morning there’d be a couple of bills in it for us. Well, what the hell. So look what happened. I don’t think you had to go and shoot the kid. You didn’t have no cause to go and do that.”
“We’ll call it an accident if it makes you feel any better,” Padillo said.
Quesada again stared at the dead man on the floor. “You can call it anything you want to, but it ain’t gonna make him feel any better.”
“Did they say anything before they left?” Padillo said.
“No,” Quesada said quickly, perhaps too quickly.
“Think hard.”
“I’m thinking.”
“Would fifty make it any easier?”
Quesada’s face seemed to brighten. Or perhaps it was just greed. “Fifty wouldn’t do much good, but a hundred would.”
Padillo glanced at me and I shook my head. “I’m tapped out unless he’ll take a credit card.”
“Point something at him,” Padillo said. I took the office .38 out of my coat pocket and pointed it at Quesada while Padillo got two fifties out of his billfold. There didn’t seem to be much left. He handed the bills to Quesada who folded them into a small square which he tucked into his trousers’ watchpocket.
“Well, I wasn’t paying much attention, y’unnerstand, because it wasn’t none of my business.”
“What did you hear that was none of your business?”
“Well, I heard the older guy, the one with the beard, you know, I heard him say something about the Criterion.”
“What’s the Criterion?”
“It used to be a picture show but it’s not anymore. But that’s still what they call the office building that it used to be in.”
Padillo glanced at me. “You know where it is?”
I nodded. “It’s south of Market. Skid row territory.”
“That would suit Kragstein.” He turned back to Quesada. “You said he said ‘something’ about the Criterion. What was the ‘something’?”
“Christ, I don’t know. I think the younger guy said where to now and the older guy, the one with the beard, said the Criterion and then I quit listening. I didn’t give a shit.”
Padillo half turned toward me and Wanda Gothar who still sat at the round table, her purse on her lap, looking totally uninterested in what was going on around her. “Let’s go,” he said.
She rose and started toward the door. I followed. When I was nearly there, Quesada said, “Hey.” I turned as did Padillo.
“What?” I said.
Quesada jerked his thumb at the body of the dead youth. “Why don’t you guys take him with you since you shot him and all?”
“No, thanks,” I said.
“What the Christ am I supposed to do with him?”
“You’ll think of something.”
Quesada moved over to the body and squatted down beside it. He seemed to have forgotten us. He poked the dead man’s shoulder, as if hoping that he were only asleep. “Why couldn’t you go and get killed somewheres else,” he said to the dead man. Then he looked up at us. “Why couldn’t he, huh?”
“I don’t really know,” I said.
22
THE OLD Criterion Theater was located near Fifth and Howard in the heart of the area that countless winos and derelicts had shuffled through in their aimless pursuit of oblivion. I noticed that a lot of the old buildings had been torn down and if you liked to look at parking lots, you might say that the neighborhood had been improved.
The Criterion long ago had showed its last fourth-run double feature and now its marquee spelled out its latest attraction in carelessly spaced black letters which read, “Crists Own Home Gospil Mission Open 6 A.M.” Whoever operated the mission either couldn’t spell too well or couldn’t locate the needed letters or just didn’t think that it mattered. It probably didn’t.
The Criterion Building itself was a seven-story brick affair that looked as if it had a long overdue date with the wrecker’s ball. There seemed to be nothing about it either architecturally or historically that would cause anyone to protest its demolition. It was one of those buildings that cities tear down every day and when you pass by after they’re gone you have to think hard to recall what had once been there.
The three of us sat at a table in the window of a cheap bar and grill across from the building and stared at it as we drank some suspicious-tasting Scotch. It was half past ten and I wondered who was working late in the lighted offices on the third and seventh floors and whether they were making any money.
“I didn’t learn anything back there,” Wanda Gothar said to Padillo. “I still think Gitner and Kragstein killed my brother.”
“Think what you like,” Padillo said.
“Who else could have?”
“McCorkle,” Padillo said, not smiling.
She almost smiled, but not quite. “Not McCorkle. Not with a garrote. He’d get the ends confused and then say to hell with it and go back to the kitchen for a drink.”
“That eliminates McCorkle. What about the people I used to work for? You remember Burmser. He didn’t have much use for your brother. But more important was that the king wouldn’t have anything to do with official protection. So Burmser has your brother killed in McCorkle’s apartment and then pressures me into signing on. That gives him a man on the scene.”
“That seems a little farfetched,” I said. “Even for Burmser.”
“I guess it does,” Padillo said.
“Well, what about the king and Scales?” I said. “They may be a little short on motive and opportunity, but if we put our minds to it, we could probably work something out.”
They both ignored me as Wanda Gothar took a sip of her Scotch, shuddered slightly, and said, “So whom does that leave?”
“It leaves you, Wanda,” Padillo said.