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“Yeah, I do. It’s—”

“No, I mean really. Tell me the truth. Do you like this?”

Steve looked provoked, then cornered, then he marshaled himself. “Yes, Connie, I like it. It’s terse, it’s quirky, it tricks you into thinking you’re safe, and then you find yourself on the edge of a cliff.”

“Yeah, so does everything else we publish here.”

“Connie, what do you want me to say? I know you feel frustrated about what we’re publishing, but this is what Fulford likes. I don’t have a problem with it.”

“But I thought you liked the thing I showed you a few weeks ago.”

“I did like it! I liked it a lot! But Fulford didn’t.”

“He never likes anything I like. I don’t know why he hired me.”

“You don’t like many things. If you did blurbs for novels they’d read ‘Mediocre! raves Constance Weymouth.’”

“You like everything.”

“I’m ready to like things. That’s true.” He leaned back in his chair and tipped his head backward as if he were on a talk show hosted by an obnoxious crank. Then he banged his chair forward again and smiled.

They talked a little more; Steve said the quality of a text depended largely on the frame of reference you imposed on it. Connie disagreed. They made a few jokes and Connie went back to her cubicle. She sat quietly as her jaw woke up, and watched the coarsely sweatered back of an assistant move from side to side at her desk. Another assistant, a young, pretty woman who believed in what she was doing, distracted her by walking from one spot in the office to another, and Connie reflected that in a better state of mind she would be comforted by the slow, predictable sight of people engaged in meaningful activity. Now it induced ragged reverberations of her nitrous oxide experience, and she had an exhausting flashback of her haggard self carrying large chunks of her life, compressed into brightly colored packages that were marked “Constance the writer,” “Constance the social being,” “Constance as part of a couple”—all layering plain Constance alone in her apartment, waiting for Deana in the dark, under a blanket, arms wrapped around herself. She saw each marked package as a weight she carried back and forth, setting one down in a random spot so she could pick up another and stagger off in a new direction.

She put her head down on her desk.

On her way home from work she decided that she would go to Franklin’s party.

“Why?” asked Deana. “After all this talk?”

“Because I feel like I need to end a cycle or something. Maybe I can get drunk and sock Alice.”

“You’re not serious, I hope.”

“No. But I might stare her down.”

“Well, I’m afraid I can’t go with you if it’s tomorrow. I have to have dinner with my mother at nine and after that I won’t be fit for human society.”

The party had apparently reached its peak an hour or two before she came. People looked as though they were bunched according to who grabbed whose arm on their way to the bathroom, and were leaning against walls, the women nodding their heads a lot. Some of them turned toward her and smiled with vague goodwill as she walked to the center of the room. She thought she recognized the lone couple dancing in a corner, eyes lowered in benign concentration as they shifted their weight from hip to hip and jogged their hands around their waists. She did recognize the man with hysterically bright blue eyes who was aggressively pacing around with a handful of greasy peanuts, and looked the other way.

“Connie, yo!” Franklin appeared with his hair in his eyes and his pores flowering magnanimously. “You came!” They groped for each other’s hands and darted at each other’s cheeks with a lot of “mm!” sounds.

“Where’s your girlfriend?”

“Oh, she had a family obligation.” They stood close, Connie quickly scanning the back of the room while Franklin’s eyes wandered over her head. “Yo, Dave, I’ve gotta talk to you before you leave! Connie, the hooch is over there, there’s some cake and stuff in the kitchen. And don’t disappear! There’s somebody I want to introduce you to.” He squeezed her shoulder and moved away, and she penetrated more deeply into the crowd, heading for the discordant light-reflective arrangement of bottles and tumbling towers of paper cups. As she approached the table and reached for the slim neck of a vodka bottle, a woman turned around and she stood facing Alice. The neat proportions of surprise, warmth and compassion in the resulting declaration—“Connie!”—suggested that Alice had been prepared for this. She made a tentative half move with her upper body that looked like the first stage of a hug; Connie half moved in response and then stopped, so Alice stopped and they paused to look at each other, slowly recovering their distance. Connie wondered if Alice was inspecting her crow’s-feet. “So, how’ve you been?” she asked. “How’s your painting?”

“Good! I mean, I’m much more productive than I was when I knew you. I don’t spend half as much time tearing my hair out.”

“Do you still have the feelings of resentment you had about Roger’s success?” Alice’s eyes slid sideways toward her with a short burst of expression that was like the gliding movement of a bird; this was a reference to their old discussions about Roger’s commercial success and Alice’s bitter jealousy.

“Yes, I do, but I’ve dealt with it. I’m not such a bitch about it. My own productivity has made it easier.” They stood linked by a delicate membrane of remembered intimacy. “I hear your writing is going well.”

“Yeah, it is.” Connie listed the year’s accomplishments, becoming for an annoying moment the girl from out of town who was trying to impress imperious Alice. The conversation was not what she had planned; they were talking like acquaintances at a party, perhaps because they were. “The magazine was fun at first,” she finished. “But I’m not so happy there now. I don’t have the influence that I thought I would. And it pays nothing.”

“Still, it’s a good spot, right? To make connections?”

“Yeah.”

They stood looking in slightly different directions as the connective tissue began to dissolve in an anomaly of music and party chatter. Connie glanced sideways at Alice’s face; there were tiny lines and a faint dryness that made her skin look frail, but the bone structure and demeanor still had the imposing, impenetrable look of a fashion model staring down a lifetime of cameras.

“How’s your mother?” asked Connie.

Again there was the gliding appearance of open expression. “She died a few years ago. Just a little while after I talked to you last.” Another threadlike connection stretched between them, but Connie wasn’t sure what it was.

“That must’ve really been hard. I’m sorry.”

Alice turned toward her, and Connie saw another face start to surface under the composed party expression, the careful eye makeup and poise. She wasn’t sure how to define it, but it looked like the face of a young girl who had spent a lot of time studying models in fashion magazines.

“Yes, it was hard. You remember how things were. In a way I was relieved. But it was awful.”

Somebody turned up the music and it marched between them.

“How’re things with your parents?”

“Better.” Connie nodded. “They’re back together and the separation seems to have cleared the air. They actually seem to love each other again.”

“Yeah? That’s great.” Alice turned toward the table, grabbed a large potato chip and used it to shovel up a mouthful of green paste. Connie found a paper cup without anything sticky on the inside and poured vodka into it. She groped for a bright sticky carton of orange juice and a brief storm of conversation bore them apart; Connie became embroiled with a very young man who wanted to talk about the magazine she worked for, while Alice was impaled by the aquamarine stare of the peanut-eater Connie had avoided. They were relieved to come together again a few minutes later in an opposite corner of the room.