Orson laughed.
“Decisions, decisions,” Lucy said, reaching for the lithotome.
“It’s sad how he keep passing out,” Lucy said.
Luther was holding a bottle of smelling salts under Bryson’s nose.
“Yeah, you’ve got to be careful,” Orson said. “The biggest buzz-kill is when they lose too much blood. They just go into shock and die, and that’s it. Superficial cuts are key.”
Richard jerked back into consciousness and started to scream again through the ball-gag.
“These aren’t ideal conditions,” Orson said. “Of course, no matter what, we can’t take the ball-gag out of his mouth. What I’m afraid is going to happen is he’s going to throw up and choke to death.”
“I wish I could hear him scream.”
“Me, too. It adds so much more.”
Six hours later, they washed Luther’s surgical tools, left the remains of Bryson hanging in the shower, and walked out of 1428 for the last time.
It was almost nine o’clock and many of the conference attendees had already left, the lobby much quieter now.
Orson bought Luther and Lucy dinner in the restaurant downstairs, everyone happy for the moment, a quiet contentment settling over the meal.
“When do you guys leave?” Lucy asked.
“First thing tomorrow.”
“Can I come with you?”
“No.”
Lucy felt a lump swelling in her throat. “Don’t you like me?”
“Of course,” Orson said. “But I can’t take you with me, I’m sorry.”
“What am I supposed to do?”
“That’s for you to figure out. Are you going home?”
“No. And my car’s booted. I only have a hundred and fifty dollars and my guitar case.”
Orson reached into his pocket, opened his wallet, pulled out a roll of bills. “Here,” he said. “This should get you started.”
Lucy thumbed through the money. Almost five hundred dollars.
“Thank you,” she said, but the sadness was still there. “How am I supposed to get anywhere? I don’t have a car.”
“You could hitchhike,” Luther said.
“That’s dangerous.”
“You’ll have to be careful,” Orson said. “Although, I have a feeling, it’s the poor people who pick you up that we should be more concerned for.”
Luther laughed. “You need to get your hands on some painkillers. Oxycodone. Something hard-hitting that you can drug people with. That’s the only way you’ll be able to overpower someone bigger than yourself. And let’s face it. Everyone’s bigger than you.”
“Seriously.” Orson reached across the table and touched Lucy’s hand. “You have to be careful. You have to learn to read people. One day, you’re going to meet someone out there like me and Luther, only they may not be so hot to take you under their wing. They might rather hang you up in a shower.”
“I’ll be careful.”
“How?”
“I won’t trust anybody.”
“Good.”
Lucy squeezed his hand. “Thank you, Orson,” she said. “I’m glad I met you. You too, Luther.”
Luther smiled. It was still scary, but for the first time, he didn’t look like he was thinking about killing her.
They walked Lucy through the lobby and out the revolving doors of the hotel. Bellhops were stacking suitcases on luggage carts and hailing cabs.
“You could stay one more night,” Orson said.
“Thanks, but I’m ready to go.” She wrapped her arms around Orson and squeezed him. “I’ll never forget you.”
He knelt down in front of her. “You’re a special girl, Lucy. You know what you are, and you’re not afraid of it, and I admire that. I admire the hell out of it.”
She turned to Luther and shook his hand, then lifted her guitar case and walked away from the hotel, out onto the sidewalk into the night.
Lucy had walked ten blocks before the first pair of headlights appeared in the distance.
She dropped her guitar case on the pavement, a small pit of nerves tightening in her stomach.
The car was getting closer.
She could hear its engine, and for the first time in her life, but certainly not the last, she stuck out her thumb.
A minivan pulled over to the curb and the front passenger window rolled down, a thirty-something woman smiling under the dome light.
“You need a ride, sweetie?” she asked.
Lucy conjured up a smile. “If it’s not too much trouble. It’s really cold out here.”
“I’ve got groceries in the front seat, but you’re welcome to climb in the back.”
Lucy pulled open the side door and stepped into the minivan, stowing her guitar case on the floor and sitting down beside a car seat, where an infant slept.
The woman looked back between the seats at Lucy.
“Just try to keep it down, if you don’t mind,” she said quietly. “As you can see, my little angel is sleeping.”
“No problem,” Lucy whispered, staring down at the baby, thinking, No Luther, not everyone’s bigger than me.
For the continuing adventures of Lucy, read Serial and Serial Uncut, by Blake Crouch, Jack Kilborn, and J.A. Konrath.
For the continuing adventures of Orson and Luther, read Desert Places and Locked Doors by Blake Crouch.
Read on for an interview with Blake Crouch, plus excerpts from all four of his books, Desert Places, Locked Doors, Abandon, and Snowbound…
An Interview with Blake Crouch by Hank Wagner
Originally Published in Crimespree, July 2009
According to his website, Blake Crouch grew up in Statesville, a small town in the piedmont of North Carolina. He graduated from the University of North Carolina at Chapel Hill in 2000, where he studied literature and creative writing. He currently resides in the San Juan Mountains of southwestern Colorado. Crouch’s first book, Desert Places, was published in 2003. Pat Conroy called it “Harrowing, terrific, a whacked-out combination of Stephen King and Cormac McCarthy.” Val McDermid described it as “An ingenious, diabolical debut that calls into question all our easy moral assumptions. Desert Places is a genuine thriller that pulses with adrenaline from start to finish.” His second novel, Locked Doors, was published in July 2005. A sequel to Desert Places, it created a similar buzz. His third novel, Abandon, was published on July 7, 2009.
HANK WAGNER: Your writing career began in college?
BLAKE CROUCH: I started writing seriously in college. I had tinkered before, but the summer after my freshman year, I decided that I wanted to try to make a living at being a writer. Spring semester of 1999, I was in an intro creative writing class and I wrote the short story (called “Ginsu Tony”) that would grow into Desert Places. Once I started my first novel, it became an obsession.
HW: Where did the original premise for Desert Places come from?