Quite a throng had gathered in the corresponding room of the funeral parlor, for the most part people whom I knew Jacobo had despised with all his heart. Yet there they were, sobbing occasionally, inventing exploits and memories, embracing one another as and when they arrived, heading outdoors in pairs for a smoke. Whenever someone dies, a sort of public battle over grief breaks out immediately. Among the deceased’s acquaintances, there are three or four who vie with one another to see who was his truest, closest friend and, by extension, who is most entitled to feel distraught and to be on the receiving end of the most heartfelt condolences. This contest is not always fought on the surface; one must follow it between the lines, in demeanors and conversations. The candidates focus their efforts on rebuffing and clamping down on any attempt to lighten the mood, frowning on all those feeble stabs at humor that are inevitably always made among those gathered together, as a way of letting off steam, seeking solace in the thought that the one who is no longer with us would have been a thousand times happier to see us laughing than to know we are this crestfallen, or something along those lines, or proposing a toast, sometimes even going so far as to perform the time-honored farce of filling a shot glass for him, amid nervous laughter and tears, before belting out his favorite song at the top of their lungs. The candidates refuse, under any circumstances, to play along, and will if they can prevent the rest from doing so, for it turns out that they, unlike the others, are grieving for real, and are in need of consoling, a little more attention, the heartfelt kisses of the others’ girlfriends, if possible, and even for one of those girlfriends to refuse to leave them alone when night falls — you guys go ahead if you like.
Without ever saying so in quite so many words, the candidates’ quarrel essentially comes down to two things, always the same two: how close they were to their lost friend and how recent and meaningful their last encounter was. This was what three of the frontrunners were squabbling over when I made my entrance in the room.
“It’s unbelievable, not a week has passed since I last spoke with him.”
“Four days, in my case.”
“Two in mine. In fact it was he who called me. He needed to talk. He seemed, how can I put this, strange, and believe me, I know him well.”
A civil war. The dead man being dead and therefore out of the running, for the spoils that go to the deceased are a prize that belongs to a different plane, the one singled out as his closest friend will for once take his place, before a far from sparse crowd, as the protagonist of something big, something serious and even solemn, and not without a certain degree of social cachet, no matter how fleeting. I’d have liked to wander over and tell them that their quarrels were unwarranted for I knew for a fact, based on plenty of conversations with Jacobo, that he had nothing but the deepest contempt for the three of them in equal measure, without further distinction, and that the absolute, utter indifference he felt toward each of them was matched only by that he felt for the other two.
I preferred to say nothing and to leave them there, cheerful in that crestfallen huddle, now all set to broach the time-honored chapter — which could well take the name “But How In God’s Name Did We Fail To Notice”—in which their remarks had already moved on to the subject of how guilty each of them felt deep down, for perhaps they should never have allowed him to take off alone to Zaragoza under such circumstances, as despondent as he seemed, drinking more than ever (they lowered their voices at this point), his nerves shot to pieces, at war with the world. As if their opinions had ever counted for anything, as if there were ever the remotest possibility that Jacobo might at any stage have paid them the slightest heed. They say that, by all accounts, it was dreadful. They say that the whole house was filled with blood, that it must’ve been one of those gangs. They say he was a regular at the strip clubs, that he rubbed shoulders with underworld types, that he had racked up debts in almost every store on his street. They say that there’s some bleached-blond Russian girl who’s young enough to be his daughter. They say that that friend of his who came here with him did him no favors; we all know his sort, a dismal character if ever there was one, a regular ray of sunshine. They say that aside from the blood and all that, his apartment was a shithole — dust everywhere, the dirty dishes untouched, that goes without saying, the bucket where he put his dirty laundry filled to the brim and overflowing, smelling like a pirate’s lair. Filth and rum. They say that he lived like an animal, the poor guy, that that’s no way to live, although by all accounts he had his moments and he clearly sometimes realized the error of his ways, for he’d call people up in the early hours of morning, even his in-laws once in a while, only to fall silent, all you could hear was his heavy breathing on the other end of the line, before hanging up all of a sudden, without even bothering to pick up if his call was returned. They say that pride is a very bad thing, that no good can come of all that pride, that it was in fact that pride, more than anything else, that was his undoing, They say he took his medicine however he damn well pleased. They say all of that. They say he didn’t even own an iron.
9 (alone on stage)
I’m not quite sure why I went to Jacobo’s apartment or what I was looking for when I began to search his shelves and open all of the drawers, one by one. I pulled the door firmly shut behind me, donned his slippers, brewed some coffee, and got ready to stay there all afternoon long, taking my time, in the very place we had so often stayed up till dawn, discussing this, that, and the other. On my last visit, we had gotten bogged down in a conversation about the meaninglessness of it all, and he had asked me to change the subject, when, apropos of nothing in particular, we began riffing on the idea of the black infinity in which our planet floats, like a rudderless ship sailing on an ocean of anguish. He preferred more earthbound subjects and had lately been harking back to the past more than was usual in him, recounting the odd episode from his rural childhood — part picaresque, part nostalgia, and part horror — and his years spent at a Salesian boarding school, and his first brushes with love, which arrived without prior warning with all that hitherto unknown trembling, the first panic attack, an aching as incomprehensible as it was real, your skin torn off in strips by the love that has just savaged you minutes after the girl of your dreams first appeared on the scene like a carnivorous plant. The trap sprung by the pink dress, the ribbon in the hair, the gentleness that, when you least expect it, leaves your heart fraying at the edges and bearing tooth marks. Desire like a whiplash, the prie-dieu in the darkest corner of the chapel. The knees red and raw from all that kneeling and praying. The knees red and raw also from all those falls, from the thorny bushes on the flatland that looked from afar like a garden. We were discussing all this, somewhat in the abstract and without getting down to the specifics, the girls who plucked us from our childhoods without the slightest compassion, and the fear that hovered in the air, though always left unspoken, when the time came to take her hand in yours under an almond tree in bloom, and all that innocence that cuts through you like a rusty sword, the pale hands that daintily place in your chest, forevermore, a sorrow that is there to stay.
There was the battered leather armchair in which he liked to lounge and read and from which, just four days previously, he had held forth on Proust, waving airily with his glasses in one hand, and the yellow- and orange-hued checked blanket with which he covered his knees, and, on the side table, next to the ashtray still containing a fair few butts of his that no one had so far taken the trouble to empty, the pile of books he had been reading at the time: the two volumes published by Trotta of the complete works of Celan, The Anatomy of Melancholy by Robert Burton, the copy of Márai’s Diaries that I had just returned to him and which had not yet been put back in its place, L’espèce humaine by Robert Antelme, and a few notebooks containing his observations, sketches, and all manner of scribblings. He liked the two of us to read the same books more or less at the same time, for then he had someone with whom to discuss passages and exchange points of view.