Praise for Jonathan Maberry and Bad Moon Rising
“One of the best supernatural thrillers of recent years.”
—John Connolly, author of The Unquiet
Praise for Dead Man’s Song
“This is an immensely entertaining American horror saga in the tradition of Stephen King or Robert McCammon. Just open the book and it’s Halloween.”
—Fangoria
“Maberry takes us on another chilling roller-coaster ride through the cursed town of Pine Deep. You might want to keep the night-light on for this one. Really.”
—Laura Schrock, Emmy Award–winning writer/producer
“A fabulously written novel that grips you from its first line to its last. Jonathan Maberry’s writing runs from dark and beautiful to sharp and thought-provoking, and his books should be on everyone’s must-read list.”
—Yvonne Navarro, author of Mirror Me
“What began as a classic ghost story evolves with Dead Man’s Song into something more of a classic monster tale. Ignore the curse of the second book of the trilogy. Dead Man’s Song keeps the reader rapt and moves quickly, leaving the audience hungry for the final chapter in the saga.”
—Dreadcentral.com
“New master of the macabre.”
—The Morning Call
“This is intense, creepy, and well written.”
—BookCrossing
“Jonathan Maberry roars back into the horror scene with a most worthy sequel to his Stoker winner, Ghost Road Blues.”
—Creature Feature
Praise for Ghost Road Blues Winner of the Stoker Award for Best First Novel
“Jonathan Maberry rushes headlong toward the front of the pack, proving that he has the chops to craft stories at once intimate, epic, real, and horrific.”
—Bentley Little, author of The Burning
“Reminiscent of Stephen King…Maberry supplies plenty of chills in this atmospheric novel…. This is horror on a grand scale.”
—Publishers Weekly
“Every so often, you discover an author whose writing is so lyrical that it transcends mere storytelling. Jonathan Maberry is just such an author.”
—Tess Gerritsen, New York Times bestselling author of The Mephisto Club
“It is hard to believe this is Jonathan Maberry’s debut novel because his writing is of such a high caliber and his storyline is comparable to that of a master writer of horror. Great action scenes, a growing sense of foreboding, and fine characterizations make this a one-sitting reading experience.”
—Midwest Book Review
“Jonathan Maberry writes in the grand poetic horror tradition of Poe and Robert McCammon. His novel is not just a frightening tale, but one in which the reader can truly identify with both the characters. The language and descriptions are vivid, threatening, and beautiful. Maberry belongs with the big names, including King and Koontz.”
—Stuart Kaminsky
“A chilling tale about the staying power of evil. As lyrical, melodic, and dark as the music that provides the imaginary soundtrack. Maberry breathes new life into modern horror fiction.”
—Scott Nicholson, author of The Red Church
“Maberry knows that true horror lies in the dark, hidden places in the human heart and to take this journey with him is genuinely chilling.”
—T. J. MacGregor, author of Cold As Death
“If I were asked to select only one new voice in horror fiction to read today, it would be Jonathan Maberry. Ghost Road Blues jumps so easily out of his blend of words, images, and characters you hardly realize you’re reading a novel rather than watching a movie.”
—Katherine Ramsland, author of Piercing the Darkness and The Blood Hunters
“If you think that small-town horror has nothing new to offer the reader, you have a surprise in store for you. Jonathan Maberry’s Ghost Road Blues, first in a trilogy, demonstrates that even the most haunted town in America is unprepared for the full depth of evil, either human or inhuman. A fine blend of authentic supernatural folklore and conventional villainy in a fully realized contemporary setting.”
—Don D’Ammassa, author of Haven
“Ghost Road Blues is a superbly woven, chilling tale that makes you wonder who the real monsters are—humans or the undead.”
—L.A. Banks, author of The Vampire Huntress Legends series
“As effective an opening as I’ve ever read, and the jolts just keep on coming.”
—Jeremiah Healy, author of The Only Good Lawyer
“Stunning! A fierce and new talent!”
—Ken Bruen, international bestselling author of American Skin
“A fun, fun read and creepy as hell. Jonathan Maberry serves up scares like pancakes at a church social.”
—Gregory Frost, author of Attack of the Jazz Giants and Other Stories
“I read as much horror fiction as I can get my hands on, and it’s been a LONG time since I’ve read anything that I’ve enjoyed as much as Ghost Road Blues.”
—Stephen Susco, screenwriter of The Grudge
“Ghost Road Blues rocks. From the first page to the last, Jonathan Maberry displays the sure hand of a master of the craft. I can’t wait to see what this new king of horror has in store for us next.”
—Bryan Smith, author of Deathbringer and the House of Blood books
“Jonathan Maberry writes densely layered prose full of real characters and plenty of eerie atmosphere. He’s in tune with both the dark side of human nature and the simple goodness that can redeem us all.”
—David Wellington, author of Monster Island: A Zombie Novel
“Jonathan Maberry is the big guy you’d want to back you up in a fight. Now, he’s writing big, scary books that feel just right. Ghost Road Blues is dues paid in advance: read it now so you can say you were there at the beginning of a blockbuster career.”
—Bill Kent, author of Street Legal
“With Ghost Road Blues, Jonathan Mayberry lands solidly on his feet in territory once dominated by Manly Wade Wellman and Joe Citro; this haunting, complex, terrifying, and deeply humane novel is a heady feast for those who’ve been looking for something new and lyrical in horror.”
—Gary A. Braunbeck, Bram Stoker Award winner, author of Destinations Unknown and Prodigal Blues
“Ghost Road Blues reminded me why I’m afraid of the dark.”
—Charles Gramlich, author of Cold Is the Light
“Maberry will scare the bejibbers out of you!”
—John Lutz, Shamus Award winner and author of Chill of Night
“Dark, scary, and so darn well written, one might think this book something Stephen King wrote and forgot about many years ago.”