'Walter.'
He starts and then turns to the dunes. Nothing to see, nothing moving up there, just the black humps of sand and the spikes of grass outlined against the star-dotted sky.
'Walter.'
Again, there it is. Quieter this time, as if the speaker is moving away from him with a note of insistence to her tone. It's a woman's voice, mature but soft, and makes him think of a mother who has called her child to dinner. Thinking of the perfume, Walter says, 'Who's there?'
No one answers.
'Walter.' A voice at his back. This time it's younger, but still female, and it swoops at him from above and behind. Quickly, Walter turns and raises a hand to fend off something he's sure is speeding towards him.
But there is no one on the expanse of moon-white sand. Down to the harbour wall, at the foot of the town, he sees acres of beach where the shallows scrape, white-topped, and withdraw back to the sea. The water looks inky and the horizon is lost against the sky. He can smell brine, fishy foams and the fresh slap of spray. But he sees no one.
He hears a tremor in his own voice. 'Who are you?'
Amidst the roar and swish of the surf, a far-off bell clangs on a buoy, but no voice will answer him. Sucking more of the salty air into his lungs, he takes a nervous step away from the dunes and looks, anxiously, toward the town. Returning to the flat to drink coffee, and to light a fag, and to tell someone — anyone — in the morning, is all he can think of now. But then, from a third location, close but lost to his eyes, a third woman cries, 'Walter!'
'Shit,' he whispers, and wants to push the voice back into the mouth it left. It was a command. It insisted on his attention and it was not polite. His jeans cling to weightless legs and his strength drains through his shoes and into the cold sand.
Could be a hoax. Some pranksters could be hiding in the dunes right now, who have seen him sleepwalking and have decided to give him a fright. Enough is enough.
'Cut it out!' he shouts.
Silence.
'Who's there?' he says in a voice that falters, and then he jogs away from the dunes, wanting to be in the middle of the beach where there is more light. And as he does this, there is only the melody of the waves and the distant sound of a car to accompany him. And he envies the driver, far off, as he glides between the houses, under the streetlights and past the shop fronts.
'Walter, he's here for you,' the first voice, the mother's voice, whispers through the dune grass. 'Won't be long now, sweetheart. He's here just for you.'
Not wanting to understand what she says, Walter turns and then runs across his own smeared footprints, that he could not remember taking, back toward town. But his legs refuse to pump quickly enough inside leaden jeans, and the rest of his body feels bulky and useless and slow. A glance over his shoulder cannot be resisted.
There's movement in the sand dunes. He stops running and a cry dies before it leaves his throat. It's there for only a moment. A long shape, twice the height of a man. The head is covered but cranes forward as if to probe at the air. Then, the raggedy thing folds away into shadow.
He shakes his head and in his mouth he can taste rust and phlegm. Instantly he knows any attempt at escape would be pure moon-lit slow motion. A cold wind picks up a strand of hair from his fringe. 'Please,' he says, and begins to stagger backward while his eyes scour the dunes for the silhouette that has slowed the blood inside him.
A quick and sudden motion, further down the beach, of something moving fast across the sand on all fours, catches his eye and he yanks his head around to look. But it's gone so quickly, as if it were nothing more than a shimmer at the edge of his sight. The movement occurred up in the dunes, parallel to a point on the beach he would have reached had he kept on running. It was cutting him off. Sweat turns to shivers.
How had it moved so quickly — from behind him to so far down the beach? But there's always an explanation for every strange sight. Could it be nothing more than the shadow of Venus, or the movement of matter in the eyeball's aqueous humour? 'Christ, this is not happening to me.'
'Walter. Walter. Walter.' Three voices form a chorus behind the dunes, their cries led by the younger woman who screams his name into the sky. And before the cold starry heavens, something thin rises again from the dunes to stand upright and look down at him.
Walter turns and runs for the sea.
Instinctively, he thinks it won't follow and that the long blanket of bitter water will offer a haven if only he can reach it. Now his heart is up between his ears, and there is a pain in one lung, and his knees knock together as if the cross-country race on a winter's morning has just begun. From behind he hears sharp feet flit down the side of the dunes to take up a quick and purposeful stride across the flat sand. And the flapping of whatever cloth is twisted about its length grows louder as the distance between them is closed.
Walter runs for all he is worth, losing a boot but never able to look behind again. And soon his feet skitter through the thin watery ice the sea has left after the waves retreat back into the liquid universe of splashes and sparkles and white foamy tips, and where the air is cold enough to make his ears ache inside. And he plunges through the shallows and slides to the deeps, lurching forward, until the cut of the freeze rises above his knees and into his thighs.
As he is poised to scream, the temperature of the water steals his breath and froths with quicksand tugs about his heavy hips. His arms sweep about and clutch for balance. His spine twists. Deafened by the noise of his explosive path, he wrenches his legs high but not clear of the surface, and then plunges them down, deeper, onward, out there, further into the sea.
Something ploughs through his wake. Is it the sea-spray or does it hiss? He feels its presence, its proximity, in the tips of his ears and at the ends of his hair. And before he can decide to face it and to steady his feet for the grapple, it looms up, then down, and he is covered in a heartbeat. He seems to dance with it for a second — two shadows in a drunken piggyback ride — before he plunges through the icy surface of the sea with it all about him.
CHAPTER TWO
'You're going to miss this place, mate,' Tom shouts over the judders and roar of the speeding Land Rover.
'Yeah, like toothache,' Dante replies, his concentration split between driving, thinking, and now Tom's jabber. He wants to dwell, uninterrupted, on the city where he's spent most of his adult life, the city he feels he is leaving with few regrets, besides taking his best friend along.
Birmingham dwindles behind him in the rear-view mirror and he feels it was never a city indifferent or unkind to him. They were comfortable in their squalid life. But the city of their birth and childhood and teens and early twenties wants them to remain with the other musicians, bums and losers of the rock scene, floundering in the shallows of a tide long gone out. Too late for a second start, his instincts suggest. The groaning activity in his stomach, caused by his doubts about driving four hundred miles to depend on an old man he's never met, reinforces this suspicion.
And the statistics are not good. Every other band and musician they know who attempted to leave the Midlands returned home in anything between a month and a year to scratch around again. Some came back with babies and girls with strong accents, some with suntans and new tattoos, and some even returned with short hair. But no one seemed to escape the lifestyle it was so easy to slip into at eighteen and impossible to leave once you passed twenty-five. Or perhaps this insecurity is just the result of waking early, fleeing a house you owe rent on, and then staring at your entire collection of earthly things in plastic bin liners strewn across the chipped and dusty floor of an old Land Rover. It is hard to tell.