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Concentrating on the white toes of his new golf shoes, he tries to calm down, and pats his trouser pocket for the reassuring rattle of the bottle of angina pills. Slowly, the pain dims from his arms and the steel band relaxes its tourniquet from around the hard pipes of his heart. In silence, he makes a solemn oath to see the doctor in the afternoon.

He feels the sweat dry between his shoulders and under his hat. Cold now, he begins to wander around in hesitant circles, breathing through his nose. The movement helps and warmth returns to his skin as his heart kick-starts his circulation back into motion. In his mind, he sees his heart as a small lump of gristle, its stiff valves barely able to open so the thin blood can pass through and sustain the rest of his meagre frame. 'Damn you', he says to the failing organ, allowing a spurt of relief to reactivate his determination to find the ball. No, a golf ball won't kill him. The brief spasm has passed. Just got too excited, that was all — something to be avoided at all costs, the doctor said. But the golf ball will be found. It means nothing as a physical entity, but he will seek it on the principle that trifles cannot be allowed to undermine a man. Some sense of order has to be maintained or you may as well be dead. The ball is there to entertain and relax him, not to defy him. It must know its place. Even if it takes all day, he will find the ball. Maybe when it is back in his hand he'll spit on it for nearly killing him before throwing it away, to show the bloody thing he's beaten it but cared not a jot for it. Madness, his wife would think, but she doesn't understand.

The ball could be anywhere, though. Has the momentum of his slice sent it through the grass to find a dark and secret place in the scrub or in a sandy hollow? Maybe it is peering out right now from one of the squat clumps of weed that grow like cacti from the sand dunes — peering out and laughing at him. 'I'll have you,' he swears. 'Cut you in half with a hacksaw and bury you in a dustbin. You shan't take me down.'

To summon the concentration required to conduct a thorough search, Colin shuffles forward through the first set of dunes and glances at the sea. The tide is out and the surface of the distant water is flat. That is how calm he wants to feel. But with the ball at large it will be impossible.

As he turns to inspect a hillock his foot slips a few inches forward. Regaining his balance, Colin peers down at his feet. Anger smoulders again. Dog shit — all he needs on a pair of new calfskin shoes. Reluctantly, as if scared of what he might find hanging from his sole, he turns his foot sideways to inspect the mess. Something glistens. A dark brown smear between his cleats and in the grass where he stands. After taking a step back, he bends further over to glare at the stain. Whatever it is sticking the grass together, it doesn't look like excrement. It looks like oil. Heavy sump oil, only it is reddish and brown in turn at the edges — the colour of hard fried bacon. Colin steps away, one hand windmilling for balance, not liking the texture or shine to the stuff he realises is blood.

He stamps his foot on the ground and then scrapes it backward to remove the blood and whatever it is that has collected to thicken the spill. After rechecking his sole to satisfy himself that the sticky fluid has been wiped free from his shoe, Colin ventures forward to inspect the wet and matted area of sand and verdure.

Immediately, he notices something odd about the grass: it has been flattened down around the dark smears to form a trail, the width of a man's shoulders, that leads over a small ridge and down into a crevice between two sandy hillocks. He's developed an aversion to blood after the last war, and any visit to a hospital still tightens him up inside: too many mates gone in and not come out. Perhaps a dog has caught a rabbit here. He hopes it won't be too messy.

Carefully, he moves up the side of the trail where the grass is long, and then peers down into the little sandy valley that slopes away to join the beach. But it is not the sight of a dead rabbit that greets his eyes.

After the initial double take, he twists away and falls onto all fours. Clarity of thought and vision disperse as he scrabbles back across the dune. Murmurs in his heart turn to rapid palpitations and then to quakes of crippling pain. Urgent breaths die in his parchment mouth. He crawls back through the trail of blood, soiling his trousers with bright streaks. It is blood from that wretched thing on the beach, propped up beside his golf ball.

Forced to stop crawling by the lightning in his ribcage, he rolls onto his back and releases his grip on the golf club. Staring at the sky, with his useless legs splayed in the mire of clotted sand, he moves his head from side to side and mouths the word 'No'.

There are no flies: it is a fresh kill.

Is he in danger? Is the killer still nearby? He must get up and find a phone box. Stay calm, he tells himself, don't push your ticker, let it settle down and then find someone.

But his attempts to remain calm fail. Back into his mind bursts the horror of what he tried to crawl away from. He's never seen such a tortured statement of a human body, not even on a beach in Normandy. The thing in the sand was once a woman, of that he is sure. Scattered items of clothing didn't give the gender away, but what was left of the breasts did.

There was no sign of hair on her head, or even skin on the silhouette of her thin body. Peeled wet, she looked like a sculpture made from red clay, still moist from the touch of an artist's watery hands. And perhaps it was the curious animation about the thing down there in the sand that brought the fresh attack of searing cramps to Colin's heart — the manner in which it was sitting bolt upright on the beach with crossed legs. Or maybe it was the grin on the taut face staring back at him, beneath eyes that would never blink again.

Little pinpricks of light cluster before Colin's eyes, and he turns his head to retch on the ground. So as not to choke, he raises his head and spits a long tendril of mucus off his bottom lip, but he lacks the strength to spit properly and the bile clings to the front of his Pringle sweater. With only the grinning thing for company, chest pains make sure he is unable to move from where he lies in the dunes. And only when he hears the sound of something lifeless being dragged through the long grass does his heart stop in its struggle to beat.

CHAPTER TEN

Dante sits cross-legged on the floor of the lounge with a collection of books laid before him: books, cumbersome in size and hardbound, that Eliot gave him in an old leather satchel following their walk on the pier. There are so many, and each looks as indigestible as tough meat.

A second cup of tea fails to revive him after sleeping so late. His nerves are still jangling after so many joints the night before. And after that awful scream, they stayed awake until five, speculating, until the night gave way to a dawn the colour of orange-peel marmalade. Oddly, not since childhood can he remember feeling so grateful for the birth of a new day.

Sunlight gives the flat a nourishing yellow warmth, and the distant sound of the sea makes him eager for the outside world. Towers, ruins, mysterious alleys made out of stone and cooled by the shade, wait beyond their front door. He hopes to explore the town for at least a few days before going to Edinburgh — a place neither of them has ever seen — and the thought of a jam with Tom also appeals. The sentinel of Eliot's old books, however, anchors him to the spot. He will have to make a start amidst the enticing smell of the salty bacon Tom cooks. There was an impatience in Eliot the previous day as he hastily selected the books from around his desk. Saying little, besides murmured assurances of their importance to his studies, Eliot insisted he read them all thoroughly. And, as he is due to meet Eliot at the Orientation on Friday, where he'll be accompanied by Beth, it will be smart to create a better impression than the one he made at their introduction. He needs to gain a feel for Eliot's references, a broader grasp of Eliot's academic field, to inspire confidence in the man he's been asked to assist. Power reading, accelerated learning, discipline, a new sense of order — maybe these things will undermine his drinking, smoking, late sleeping, and notion of damning personal ignorance. He'll learn about history, religion and philosophy. The perpetual cycle of aimless guitar practice, drug taking and unhealthy introspection will be broken. He'll be saved by knowledge. He should be grateful. Can't he see that? After making the effort, the first aperture of enlightenment concerning the mystery of Eliot Coldwell will open. Lyrics, concepts for songs and melodies will then flow, before he sweats for perfection on the acoustic project, like he did with the first album. He just has to make a start: the rest will follow.