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They climbed the stairs together, saying little to each other, and entered the second floor. All was how he had left it. Near the desk where he'd been working, Mike spoke. 'Right here. Every time I get into my work, some idiot whispers something, and then runs down the central aisle when I investigate. And it's not the first time it's happened.' The librarian smiled and turned his back on Mike. Saying nothing, and only announcing himself by the squeak of his rubber-soled shoes, the librarian walked into the midst of the Classics section and peered about, probably bemused by the fact that Mike was working late in the library rather than drinking over at the West Port with the rest of the postgrads. When he stopped, at the end of a bay that ran thirty feet long before it joined the main concourse of the library, the librarian did something that Mike thought unusual. He rubbed the outside of his arms and moved his shoulders in the slight but perceptible way that shoulders move when bodies are cold.

With Mike in tow, the librarian then walked down the central concourse, looking left and then right into every aisle until he reached the far westerly wall, before turning and walking all the way back. 'No one up here besides you, I'm afraid. And a particularly strong draught. There must be a window open somewhere. I'll check them when we close. In about twenty minutes,' he said, as if to prompt Mike to leave and allow the staff to go home.

Immediately, he read Mike's dissatisfaction. 'I've been on the front desk for the last two hours, and you're the only person to have gone upstairs. Sorry,' he added, accompanied by the smile Mike had begun to find detestable, as if he were being pitied for getting spooked on his own, in a well-lit library, as the midnight hour drew close.

So what is wrong with him? Disturbed in the library, and now to be crouching in an underground passage beneath the castle, shivering, in just his smalls. And how the temperature drops, he thinks, the closer you get to the sea. With that thought, he turns and begins to clamber back up the tunnel, moving on the balls of his feet and the palms of his hands. It is a difficult space to move through, and impossible to make quick progress with gravity against you and the inhibitions of space preventing a man from walking upright.

But he gets no further than six or seven feet upward when something moves behind him, with a heavy sound. If he's not mistaken, something has just been dragged across the stone floor, like a thick covering, reminding him of the sound of the gym mats at boarding school, pulled by obedient boys into place behind the vaulting horse.

Turning his head, he stares back into the throat of the tunnel, toward the pit, where it opens out in a rough cavern, hewn from the sandy rock. In the base of this cavern, he knows, from his many visits to the fortifications, there is a manhole and an iron ladder descending ten feet down into another, deeper chamber: the only visible part of the mineshaft proper still open to the public. There is a cave down there, no bigger than the living room of a town house, with a low ceiling, uneven walls, and a metal grate to stop the curious and the foolhardy from walking any deeper under the town. Down there — the sound has come from down there. And whoever, or whatever, is making the sound is at it again: dragging something across the floor to the ladder that connects the mine to the tunnel he is currently cramped up inside.

A dog perhaps? Lost, seeking shelter and unable to resist the powerful scents of a dark cave, it may have fallen down the ladder to the lower annex and hurt its legs. 'Who's there?' Mike calls out, after clearing his throat, his body frozen into the undignified crab-crawl he is making back up the tunnel.

No answer.

'Are you all right?' he asks, after suddenly thinking of the possibility of a person having fallen down there: a drunk, or student on a dare. He's heard reports that such things have happened in the past. 'Can you hear me?' he asks, his voice insistent.

The dragging noise ceases, but is immediately followed by the clink of something hard against the metal of the ladder.

One of his legs starts to shake — from the cold, from this sudden plummet in temperature, he tells himself. The shakes seize hold of his jaw next and he has to swallow hard to regain the power of speech. Not moving, but taking a quick glance up the tunnel, in order to estimate how soon he can cover the ground on limbs curiously strengthless, Mike calls out again. 'Will you answer me?'

There is a momentary pause in the clinking sound — a noise that follows the pattern of hands mounting the rungs of a ladder — and a sigh is announced. A sound of air passing from a mouth, but not from exertion, from excitement. And then a rustle and the clinking of fingers on the rusty rungs recommences.

Something moves in the shadows around the manhole. 'You,' it says. And other things are muttered — too low for him to hear, and too quickly for the patterns of ordinary speech — before Mike begins his ascent in greater haste than before.

One foot slips backward as his toes fail to find purchase. His knees graze against the floor of the stone chute. His breath grows loud in his ears, and his mouth opens, ready to cry out.

He makes it no further than the neck of the tunnel, and knows with all the power of his logic that the moment he heard the scrape of bone and the flap of rags against the walls of the well, he would get no further.

But how could he have guessed his body would descend the tunnel at so great a speed? Or that whatever seized him by the ankle would be so insensitive to the cries he makes as his naked torso, with T-shirt now ruffled around his throat, is dragged across the rock floor to the pit? And then down the manhole he goes, and into the grave beneath it.

CHAPTER THIRTEEN

Running as fast as he is able, his bare feet skim across the surface of an empty field. Blades of long grass catch between his toes and then snap away. Stalks of the thicker weeds whip against his shins and around his calf muscles to leave a sting. Under a clear blue sky, he flees across this seemingly endless grass, bordered by tall trees of a dense summer green; a place he's not seen in years, but one that is instantly familiar to the vague sense of consciousness he possesses in the most harrowing of dreams. This is a place he's not run through since a child, and only then as he slept while the twitches of his eyelashes kept time with his pounding feet.

But tonight, things are as vivid as they have ever been. It is as if he can smell the pollen of midsummer, and feel the warmth of the sun on his skin, and see the whites and yellows of the butterfly wings he has startled into life and then quickly passed. And he knows where this race will lead and how it will end.

Aware it is a dream, but unable to wake himself, Dante finds himself in the grip of a terror so strong he even tries to call out to himself, to stop himself from running any further through this grass toward the centre of the pasture. He wants to shout out and warn himself that he is alone, that no one for miles can hear him, that the field is disused. But still he runs, and so fast now he begins to lose his balance, right in the middle of the field. And as his head lurches forward, his legs buckle, his knees clash together like dull cymbals, and his hands start crazy windmills in the air, he prepares for the anticipated fall.

One of his feet lands in a hollow on a patch of uneven ground beneath the sea of unmown grass. The leg straightens and jars his body from ankle to neck. But the momentum of his charge carries the rest of his body over, jack-knifed in the middle, so the top of his head faces the earth and his arms fly backward and his fingers point at the sky. Braced for the snapping of his delicate neck, he closes his eyes and puts himself in the dark. But the top of his head never strikes the earth, his neck never twists, and his body never flops over in an ungainly gambol. Instead, he carries on falling, straight as a stone dropped into a well, without his shoulders or ribs or legs touching the sides of that which he plummets down at such speed.