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He reaches for the mug and downs the second half. Some of it escapes from the side of his wet mouth and splashes onto his mouse mat. Now there is a peaty smell of Scotch in the office, mixed with an odour of sour sweat, and the cloying fumes of the rainwater evaporating off his clothes and skin. Arthur reaches for the phone and tries Marcia's home number. It rings four times, and then he hears Jeff's voice. It gives him a start. His head is cleared by a sudden anxiety, until he realises it is only the answering machine. He exhales and replaces the receiver. A clicking sound begins from inside the little heater beside his desk and his eyelids feel heavy. He swallows another draught of whisky, deciding it will be the last, and then turns his desk lamp off. He closes his eyes to rest them, just for a minute.

At the sound of a knock, Arthur opens bleary eyes and stands up quickly. The floor seems to rise like a wave to tip him backward, over his chair. He thrusts his hands out and seizes the top of his desk. He swallows but still can't find his voice.

'Arthur. Arthur, are you all right? The door's locked.' It is Marcia. What is she doing here so late?

The office is dark now, and insufferably hot. The only light creeps from beneath the pale-green square of the blinds covering the windows that look down upon North Street. From the heater comes a whirring sound, that will soon become the whine of a machine trying to cool down. He checks his watch; the numbers and hands are luminous in the dark. He's slept for no more than ten minutes.

'Are you in there?' Marcia calls, from beyond the door.

'Jussa minute,' he says, and then struggles around the desk, knocking his fumey coffee cup to the floor as he scrabbles for the light switch. 'Jesus Christ,' he whispers, rubbing his forehead and squinting his eyes against the lightning that crackles in his head when the desk light snaps on. She can't see him like this, drunk, sleepy, stinking of rain and an anxious sweat. He stumbles across to the door. A pale-blue shirt hangs from a hook on the top of the door. 'Hang on,' he calls out, his voice sounding deep and unnatural as he fights to control the slur.

With the shirt draped around his shoulders, standing in his damp socks, he unlocks the door and opens it a fraction. 'Marcia. I'm not feeling too great. I phoned you just now.'

The lights are off outside, and from the dark comes the glint of her spectacles. 'You're drunk,' she whispers.

'Been a terrible day,' he says, slurring his words, and blinking his eyes in a feeble attempt to stop the suggestion of Marcia jolting before his eyes.

'Let me in.' Marcia pushes at the door handle. Arthur presses his shoulder against the edge of the door. 'Ummm. I'm not… Oh, I'm not decent right now. Let me put a shirt on.'

'Don't be a silly. Let me in. What on earth are you doing?' she says, her voice softening with amusement. He moves away from the door, back toward his desk, frantically trying to button his shirt over his belly. Marcia turns the main lights on with a quick downward sweep of one hand. She blinks once in the light, spots the whisky bottle, looks at his red face, and then closes the door behind her.

'Got caught in the rain like a fool after my appointment,' he says, his voice stronger, his composure returning. 'Just drying out before popping over to you, and I fell asleep.'

'Not surprised after drinking that,' she says, smiling, beside him now. 'Bet you haven't eaten. Come on, let's get you sorted out.'

'But your celebration. The collection,' he says.

'Still early. I did a little shopping first. Bought some wine and a dessert. And I had an inkling you'd end up back here.' She looks upset now. 'I want to help, Arthur. Don't you think I've noticed how strange you've been behaving? If you need help, you know I'm always here. Is it Elaine?' Arthur shakes his head at the mention of his wife.

He tries to smile but it dies on his mouth. 'Is it your heart?' she whispers.

'No. Nothing like that. Something else. A professional matter. It's difficult.'

'That young man, isn't it? With all the hair. He's been making a nuisance of himself. Has he been bothering you too?'

'No, no. Look, it's hard to say.'

'He's been threatening you, hasn't he?'

Arthur licks his lips. 'It's not that straightforward.'

'Well, hiding in the dark won't solve a thing. Let's go home.'

'It's better you don't know. It really is.'

'Eliot, then. We all know about him.' She raises her eyebrow. 'You'd be surprised how much we all know.'

'We?' he says, straightening a cuff.

'Oh, you know. People talk.'

The thought of Eliot makes him want to sink back into the warmth and dark where he's been sleeping. 'In a manner of speaking, yes. Yes, he has something to do with it.'

She smiles, knowingly, pleased with her deduction. 'Come on, let's go and eat. You'll feel better. We'll get you dry. We'll get you ready. And no more of this,' she says, capping the Laphroaig. By the time his shirt is buttoned to the top, the mug has been replaced on the tray above his filing cabinet, his drawer shut, the heater switched off, and his damp jacket has been assessed, swatted, pulled back into shape and draped over her arm; he wants to kiss her. She walks to the blinds and raises them. Tilting her head downward, she stares into the street.

'What is it?' he says.

For a moment she stays quiet, as if distracted by something. And then she speaks, quickly. 'Maybe I should air the office now? No. Better not. In the morning, then, when the rain stops.' She turns and walks to the door of his office, the sound of her heels loud and decisive in his ears. They both try to open the door at the same time. Their hands touch. A moment of silence falls between them. Arthur has no idea what to say.

'It's all right, Arthur. When you're sober, you can go home. So don't look so worried.' She giggles. 'I won't pounce. Not my style. I leave that to others. But you need a bath and a hot meal.'

'Are you sure you don't mind?'

'Not at all. But do tuck your shirt in, or people really will have something to talk about.'

He laughs, and slithers into his waterproof. 'You're a treasure.'

CHAPTER THIRTY-SIX

Sipping coffee, Arthur reclines into plump cushions, and stretches his legs to a footstool. He feels regal, lounging on the crushed velvet seat, propped up with his drink, spoiled by a good dinner and open fire. Beneath his clothes, his skin is pink and freshly scrubbed after the hot bath Marcia ran for him before preparing the food. A faint scent of pine needles escapes from the collar of his shirt. Again his eyes grow heavy as the mulch that is chicken, steamed broccoli and roast potato is digested by his stomach. He ate quickly, having neglected lunch and eaten only a small breakfast before leaving for work that morning. And what with all the shocks the day heaped upon him, and the bitter turn in the weather, and all that lies so weighty on his mind, hasn't he the right to such an appetite and the attentions his secretary has lavished on him out of hours? It is a foolish notion, but the small deceit of him idling at the house of a handsome woman, who assists him in his professional life, pleases him. At least this is a secret, in a town full of secrets, that endangers no one. He will rest here while Marcia assembles her collection for him to see — her secret, her mystery — and then he will go home, replenished and strengthened, with a mind ready to cope with Eliot the following day.

Arthur puts the coffee mug down on a silver star-shaped coaster and looks at the patio doors his seat is angled toward. Perhaps the sofa has been arranged this way to offer Marcia a view of the garden and the hills beyond. Does she look out there for inspiration? He'd rather be closer to the fire, with the rain lashing against the panes of glass and nothing to see out there of the garden now, save for a few branches and fronds that hang wet and limp from the bushes and trees that grow close to the house, occasionally tapping the glass.