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I had a definite purpose, besides, in wishing to assume the direction of Margaret's studies. Whenever the secret of my marriage was revealed, my pride was concerned in being able to show my wife to every one, as the all-sufficient excuse for any imprudence I might have committed for her sake. I was determined that my father, especially, should have no other argument against her than the one ungracious argument of her birth—that he should see her, fitted by the beauty of her mind, as well as by all her other beauties, for the highest station that society could offer. The thought of this gave me fresh ardour in my project; I assumed my new duties without delay, and continued them with a happiness which never once suffered even a momentary decrease.

Of all the pleasures which a man finds in the society of a woman whom he loves, are there any superior, are there many equal, to the pleasure of reading out of the same book with her? On what other occasion do the sweet familiarities of the sweetest of all companionships last so long without cloying, and pass and re-pass so naturally, so delicately, so inexhaustibly between you and her? When is your face so constantly close to hers as it is then?—when can your hair mingle with hers, your cheek touch hers, your eyes meet hers, so often as they can then? That is, of all times, the only time when you can breathe with her breath for hours together; feel every little warming of the colour on her cheek marking its own changes on the temperature of yours; follow every slight fluttering of her bosom, every faint gradation of her sighs, as if her heart was beating, her life glowing, within yours. Surely it is then—if ever—that we realize, almost revive, in ourselves, the love of the first two of our race, when angels walked with them on the same garden paths, and their hearts were pure from the pollution of the fatal tree!

Evening after evening passed away—one more happily than another—in what Margaret and I called our lessons. Never were lessons of literature so like lessons of love We read oftenest the lighter Italian poets—we studied the poetry of love, written in the language of love. But, as for the steady, utilitarian purpose I had proposed to myself of practically improving Margaret's intellect, that was a purpose which insensibly and deceitfully abandoned me as completely as if it had never existed. The little serious teaching I tried with her at first, led to very poor results. Perhaps, the lover interfered too much with the tutor; perhaps, I had over-estimated the fertility of the faculties I designed to cultivate—but I cared not, and thought not to inquire where the fault lay, then. I gave myself up unreservedly to the exquisite sensations which the mere act of looking on the same page with Margaret procured for me; and neither detected, nor wished to detect, that it was I who read the difficult passages, and left only a few even of the very easiest to be attempted by her.

Happily for my patience under the trial imposed on me by the terms on which Mr. Sherwin's restrictions, and my promise to obey them, obliged me to live with Margaret, it was Mrs. Sherwin who was generally selected to remain in the room with us. By no one could such ungrateful duties of supervision as those imposed on her, have been more delicately and more considerately performed.

She always kept far enough away to be out of hearing when we whispered to each other. We rarely detected her even in looking at us. She had a way of sitting for hours together in the same part of the room, without ever changing her position, without occupation of any kind, without uttering a word, or breathing a sigh. I soon discovered that she was not lost in thought, at these periods (as I had at first supposed): but lost in a strange lethargy of body and mind; a comfortless, waking trance, into which she fell from sheer physical weakness—it was like the vacancy and feebleness of a first convalescence, after a long illness. She never changed: never looked better, never worse. I often spoke to her: I tried hard to show my sympathy, and win her confidence and friendship. The poor lady was always thankful, always spoke to me gratefully and kindly, but very briefly. She never told me what were her sufferings or her sorrows. The story of that lonely, lingering life was an impenetrable mystery for her own family—for her husband and her daughter, as well as for me. It was a secret between her and God.

With Mrs. Sherwin as the guardian to watch over Margaret, it may easily be imagined that I felt none of the heavier oppressions of restraint. Her presence, as the third person appointed to remain with us, was not enough to repress the little endearments to which each evening's lesson gave rise; but was just sufficiently perceptible to invest them with the character of stolen endearments, and to make them all the more precious on that very account. Mrs. Sherwin never knew, I never thoroughly knew myself till later, how much of the secret of my patience under my year's probation lay in her conduct, while she was sitting in the room with Margaret and me.

In this solitude where I now write—in the change of life and of all life's hopes and enjoyments which has come over me—when I look back to those evenings at North Villa, I shudder as I look. At this moment, I see the room again—as in a dream—with the little round table, the reading lamp, and the open books. Margaret and I are sitting together: her hand is in mine; my heart is with hers. Love, and Youth, and Beauty—the mortal Trinity of this world's worship—are there, in that quiet softly-lit room; but not alone. Away in the dim light behind, is a solitary figure, ever mournful and ever still. It is a woman's form; but how wasted and how weak!—a woman's face; but how ghastly and changeless, with those eyes that are vacant, those lips that are motionless, those cheeks that the blood never tinges, that the freshness of health and happiness shall never visit again! Woeful, warning figure of dumb sorrow and patient pain, to fill the background of a picture of Love, and Beauty, and Youth!

I am straying from my task. Let me return to my narrative: its course begins to darken before me apace, while I now write.

The partial restraint and embarrassment, caused at first by the strange terms on which my wife and I were living together, gradually vanished before the frequency of my visits to North Villa. We soon began to speak with all the ease, all the unpremeditated frankness of a long intimacy. Margaret's powers of conversation were generally only employed to lead me to exert mine. She was never tired of inducing me to speak of my family. She listened with every appearance of interest, while I talked of my father, my sister, or my elder brother; but whenever she questioned me directly about any of them, her inquiries invariably led away from their characters and dispositions, to their personal appearance, their every-day habits, their dress, their intercourse with the gay world, the things they spent their money on, and other topics of a similar nature.

For instance; she always listened, and listened attentively, to what I told her of my father's character, and of the principles which regulated his life. She showed every disposition to profit by the instructions I gave her beforehand, about how she should treat his peculiarities when she was introduced to him. But, on all these occasions, what really interested her most, was to hear how many servants waited on him; how often he went to Court; how many lords and ladies he knew; what he said or did to his servants, when they committed mistakes; whether he was ever angry with his children for asking him for money; and whether he limited my sister to any given number of dresses in the course of the year?

Again; whenever our conversation turned on Clara, if I began by describing her kindness, her gentleness and goodness, her simple winning manners—I was sure to be led insensibly into a digression about her height, figure, complexion, and style of dress. The latter subject especially interested Margaret; she could question me on it, over and over again. What was Clara's usual morning dress? How did she wear her hair? What was her evening dress? Did she make a difference between a dinner party and a ball? What colours did she prefer? What dressmaker did she employ? Did she wear much jewellery? Which did she like best in her hair, and which were most fashionable, flowers or pearls? How many new dresses did she have in a year; and was there more than one maid especially to attend on her?