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Julian DiGeorge looked up at him and said, "Shoot me," in a voice that could not be much longer for this world.

"I wouldn't think of it," Bolan muttered. He stepped away from the dying and went back the way he'd come, across the lawn of death, through the French doors, and into the Capo's study.

Andrea D'Agosta was there also, struggling in the grip of one Benny Peaceful, No. 2 Man of Franky Lucky Bolan's new crime empire. Tears were streaming across her cheeks and she screamed out her hate and rage for the man who had brought them there.

Bolan listened to her until her breath ran out, then he said to Benny Peaceful, "You run a sweet hit. Now get on back out there and clean up the garbage. If cops show, and I doubt it, tell 'em Bolan was trying to hit on th' place."

"Sure, Franky," Benny replied. He went to the door, then turned back with an afterthought. "Oh, by the way," he said, "do I move into the villa?"

"Sure," Bolan said wearily. "You take Philip Honey's suite."

Benny Peaceful went out beaming. Bolan stared at the sobbing girl for a moment, then reached for the phone and dialed Carl Lyons.

"I'm glad you called," Lyons said tightly. "I was thinking of trying to contact you. You asked me to check the death of Charles D'Agosta. There's more than a dozen letters from him on file with a congressional committee on organized crime, all of them relating to the financial empire and underworld involvements of Julian DiGeorge. Now Lou Pena was the guy who . . ."

"Hold it," Bolan said tiredly. "Give it to someone who needs it."

He carried the telephone over to Andrea and held the receiver to her ear. "Tell the man to start over," he instructed her.

"Start over," she whispered mechanically. Seconds later she began holding the instrument for herself. Bolan lit a cigarette and smoked while she listened to the policeman's recital. Then she returned the phone to Bolan, said, "Thank you," smoothed her clothing, pushed at her hair, and walked out.

Bolan carried the phone to the desk and sat in DiGeorge's chair. "What's going on out there?" Lyons asked him.

"Just a little house cleaning," Bolan replied, his voice still wearied. "Tell, uh, what's his name — Brognola? — tell him to forget about that portfolio. I've blown it."

"Your cover?" Lyons asked anxiously.

Bolan sighed. "That and everything else. DiGeorge is dead and his family is a shambles. They're running around shooting at each other now. I suggest you post a couple of platoons of infantry to watch this place. The fireworks will really start when they all wake up and find out what they've done. Maybe you can pick up a few extra pieces in the process."

The detective whistled to cover an embarrassing loss for words, then murmured, "I don't suppose there's any chance for squaring up your cover. I mean . . ."

"No chance," Bolan tiredly replied. "You can fool some of the fools some of the time, but — no, I'm going to gather up some stuff from DiGeorge's desk, my final package, and then I'm going to pull a quick fade. Uh, Lyons — thanks, eh."

"Drop the stuff in a locker somewhere and send me the key," Lyons suggested. "Some of us are thanking you, Bolan. But just some of us."

"I get the message," Bolan said. He hung up, pulled a briefcase from a bottom drawer of the desk, and began filling it with assorted tidbits from the records of the late Julian DiGeorge. Then he went to the door, took a final look at the Capo's control center, and went out through the familiar corridor.

He found Andrea standing beside the pool, staring dazedly into the water. A fully-clothed body floated there, partially submerged.

"You want to leave with me?" Bolan asked her.

"Where to?" she replied, smiling woodenly.

Bolan shrugged. "Does it matter?" he asked.

She shook her head and placed a hand in his. He led her to the new Mercedes, put her inside, then climbed in and cranked the motor. They spun across to the gate. The man whom Bolan had tagged "Andrew Hardy" glanced at her and showed Bolan a smug grin. A bloodstained handkerchief was wound tightly about one of his hands. He leaned against the Mercedes with his good hand and said, "Quite a show, Franky."

"Yeah," Bolan said. "Tell Benny Peaceful I'm taking care of the kid. Tell 'im I said to watch things until I get back."

"Don't you worry none about Benny," Andrew Hardy reassured him.

Bolan nodded curtly and released the clutch. They cleared the gate with a screech of tires and powered down the lane to the main road. Benny Peaceful did not know it yet, Bolan was thinking, but he needed everyone's worry. A family reckoning was coming for this day's work. Bolan knew a momentary twinge of sympathy for the insurgents, but clamped it back, seeing the hired guns in their true light: as budding Lou Penas. The world could get along without them.

Andrea looked back briefly as they swung out of the lane. She shuddered, then straightened and moved closer to Bolan. "Whoever you are," she said quietly, "you've just delivered me from purgatory."

Bolan smiled. "There are two ways out of purgatory, you know," he reminded her.

"Which way are we taking?" Andrea murmured.

Bolan could not answer the girl, but he had a pretty good idea of his own route. It would be a familiar one. A shadow life in a shadow world, taking on three dimensions only when someone's blood flowed. Bolan knew his route. He squared his shoulders, encircled her with an arm, and drew her closer. "Just keep looking at that horizon up there," he told her.

"What will that do?" she quiety inquired.

"It will remind you that you're still alive, that the world is still turning, and that just about anything could happen next."

The girl sighed and moved her head onto his shoulder. They had reached the junction of the main east-west highway. Bolan looked to the west and into the blood-red of a desert sunset. "Oh no," he muttered, swinging east, "I'm not heading into that."

But the Executioner did not need a symbolically red sky to overshadow his future. The red of blood was etched into his very shadow, and all compass points would lead inevitably to the same horizon. If there had been reason for the Mafia to hate and fear Mack Bolan in the past, the time was fast approaching when they would rise up with all their wrath and power to crush this greatest of all threats to their continued existence. Pat and Mike lay just across the Executioner's next horizon. In Bolan's shadow world of the immediate future, all skies were bloody red.

For the moment, however, there was another victory which was not quite a victory, a good car under him, a straight road ahead, and a warm woman in his arms. Andrea sighed, "Wherever you're heading, just take me with you."

"No hard feelings?" Bolan asked her.

"My Poppa died before I was born, Mack," she said.

"What'd you call me?"

"I'll call you anything you'd like," she whispered.

Bolan sighed through his battle mask. "Just don't call me Lucky," he said, and kissed her, and realized that the mask did not have to be all battle.