"Where is my brother?" she had asked.
She was with him. She saw Marinette in the snake-light.
"John-Paul?"
"Little sister," said John-Paul.
She felt great sadness and cried. She carried the two govi that held their two souls to the wall of the hounfor. Michael was beside her.
"Lara," he asked, "what do you think they'll do? Are they going to let us go?"
But she was past such questions, dancing now with an old woman in stained silk and lace who held a lit cigar in her mouth. The dance was a whirl, and as the old woman performed its turns, she made a noise between her clenched teeth. The noise sounded like the rage of a child, but it was a louder and more savage sound than any child could make. Her eyes were not dull like those of the other dancers, but keen and charged with an anger as fierce as her scream. Lara, trying to imitate her, to match her moves, in her own exhausted state could not get close.
The old woman, or man, whichever it was, took the cigar out of her mouth and flicked the ash like a comedian. She threw back her head and screamed louder. What followed might have been composed of words or mere sounds, he had no way of knowing. Instinctively he moved away.
"Marinette!" Lara shouted.
Then Marinette seemed to find Michael and to laugh at him. She pointed and screamed and then planed out her arms in imitation wings and circled Michael as though she were pretending to be an insect. Lara was laughing.
Marinette embraced him; he stood stock-still, choked by the smell of her sweat-drenched silk and lavender perfume. There was a gray wig on her head, a painted beauty spot on her cheekbone. Her clothes seemed genuinely old, taken out of a chest, and her with them, out of the same chest or the same grave. He followed her gestures and saw that she was holding a pair of rusted gardening shears. She swung the shears over his head, screaming into his face. Lara was screaming too, kneeling. The other serviteurs pressed around her, holding red cloths to her head, kerchiefs and bandanas. Then Marinette swung out of sight, into the darkness.
Michael knelt and brought Lara to her feet. She had stopped screaming. She rested her head against his shoulder. He thought she looked more beautiful than he had ever seen her.
All at once a plane passed overhead. From its lights, he thought it was a medium-sized passenger plane, a DC-7. It flew at an altitude that seemed to him no more than a few hundred feet. Looking after its passage, Michael saw that more milicianos had gathered at the edge of the lighted hounfor. There were a dozen or so, looking easy, rifles slung. It seemed to him that there were more islanders as well, swaying to the quiet drumming that had followed the departure of Marinette, clapping their hands gently. Lara clung to him. The mambo, smiling, gave her some of the colorless rum to drink. Lara put the stuff away like water. When Michael tried the bottle, he gagged on less than a mouthful.
He tried to take Lara in his arms, to comfort her. Give her a moment's rest. Somehow she had the soiled-rag smell about her. He looked into her face and saw that he was holding Marinette. She laughed at him, her eyes were sly, bright with triumph. She began to scream, a kind of yodeling ululation, in mockery of him. She spat and he saw her hatred. She waved the shears in front of his face.
"Lara," he said.
Someone shouted in Creole.
"Kiss the blades," someone said evenly.
He tried. He would think afterward that he had tried. He could not close his eyes on the hateful stinking figure that whirled in front of him.
"Hag," he said. He screamed it. People shouted. He began to fall; by the time he righted himself, he saw Lara again. She had turned away from him.
"Lara!"
It was Lara, no longer Marinette. It was his Lara, he thought, returned to him, beautiful and wise, her legs steady beneath her, her moves that of the athlete he remembered. She carried two of the small decorated jars that stood on shelves along the temple wall. She turned, facing him across the hounfor.
He thought he heard shots in the dark forest around them, in the direction of the ocean. But now a tall man stood in front of him, a man in a bent stovepipe hat. He wore an old frock coat and red vest decorated with knitted vevers.
"Michael," Lara said to him. "This is Ghede. See what he has for you." The serviteurs came to Michael as they had to Lara, pressing their red bandanas and kerchiefs against his head. He heard the drums beat. "This is for you, Michael," Lara said.
Then he wondered if she was the same Lara after all.
In front of him was the tall man in the top hat, smiling.
"Michael," Ghede said. "Michael. Mickey boy."
"He's Ghede, Michael," the mambo said, offering him rum.
"Drink it, Michael, mate," said Ghede. Then he was gone.
Listening, Michael knew immediately the drums were speaking to him. It was so obvious, he thought; they had been playing out his fortunes from the first moment he had heard them, so many hours before. They had never left him. They were filled with fragments of his life's time, encoding voices he knew. In the rhythm of the seconde he could hear his own breathing against the respirator, as it must have sounded under the ocean.
"Oh, Michael," Lara said. "Our Ghede. Papa Ghede. Our great Baron. Baron Samedi."
He wondered if he had ever realized how sweet her voice was, how strange and lovely were the little touches of island music in her speech. He looked at her beside him. Whatever love meant, he thought, was here.
Now Baron Samedi came again, out of the darkness, around the poto mitan where the spirit of Dambala held power. Baron Samedi pushed a wheelbarrow. The wheelbarrow had a rivet that made it look flexible. In it, its red strangled tongue brighter than anything else in the flames, was a goat.
"Hi ho, Michael," said Baron Samedi. "Hey, look here what I have got for you."
He began to back away. Lara went with him, after him. The mambo came, and the great Baron, the Baron Samedi.
"Who are you, for Christ's sake?" Michael asked. He was backing away fast, moving so quickly that Lara had begun to hurry to keep up with him. "Who the fuck can you possibly be?"
Baron Samedi began to laugh, a false hearty laugh like a clown's or a clergyman's. He shook the wheelbarrow and the goat in it. The drums beat for them.
"When the man has his life between living and dying he got to know me. Ho ho. Such a rogue, Michael. Don't know what lies between."
"And it's where he's at," Lara said. Or someone using Lara's voice, because she would never say "where he's at."
"Hey, Michael," Baron Samedi called. "Live for Sunday or go to the graveyard. What for Michael — am I Baron Samedi?"
"Listen to him, Michael," Lara called. She sounded some distance away. There were fewer fires. The crowd was milling close.
"Yes, I say!" shouted Baron Samedi. "I am the Baron Samedi. Without Friday, I can't be. Without Sunday, ain't no me. In that space…"and the Baron drew a long breath, pronouncing a word that Michael was not born to hear.
"Who are you, man?" Michael asked him.
For an answer he got clown laughter and ho ho ho and the shaking of the wheelbarrow. Suddenly he was at close quarters with Roger Hyde.
"If I were you," Roger said, "I wouldn't try to play these games."
"What?"
"If I were you," Roger said, "I should save my life."
When he ran into the darkness, the drums seemed to be keeping after him. He was running before he knew it, himself taken by surprise. He had started somehow, and thereafter it had been impossible to stop, impossible to do anything but increase speed. Waist-high scrub kept tripping him up, throwing him against the stony ground and stripping his skin as though he were being dragged the distance he covered. Then he was running in shallow water with a firm rocky bottom. He saw fires ahead and turned to get his bearings. He had covered a great distance from the lodge. Its ceremonial fires were still burning and he could see figures outlined against them.