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She had destroyed his eyes. She must not do it twice. She owed him that.

There seemed some necessity to wait for dawn, out of love or respect or fear of the dark. When she could no longer drink, she kept plastering her face with crystal. That way her mind might become entombed in it, like one of those captives of the plains they candied with honey and earth and roasted, and there remained hardly a man but only a bear-shaped thing, eyeless, mouthless, blazing away, blackening like pottery, burning alive in a glazed silence. Crystal could do it.

When she went out of the trailer; the sky was growing light. Somewhere out on the flats she heard the cough of a coyote. And overhead Venus was at its western elongation. Phosphorus, Lucifer, the Morning Star.

On her way to the Temple, she holstered the revolver she had cradled all night long. She carried the wine bottle in her left hand; the envelope of crystal was in her uniform breast pocket. At the door of the Temple she paused to look at the pure early morning. Moment by moment, it was beautiful. Things could only be beautiful that way.

She let herself into the Temple and walked past the columns, licking the last of the speed from the envelope, washing it down with wine. It made her impatient to be gone. When she came to the stone of sacrifice she stood beside it. She had brought the Caddoans, the Pawnee maidens, clear across the plains from Nebraska to die on it. All in her imagination, and that of the pilgrim children to whom she told the story. But real Pawnee maidens had died under the Morning Star, as she would. For a while she thought of lying down on the stone and doing it and being found that way.

But I’m only the dead poet’s speed freak bastard daughter; she thought. She went into the little utility room beside the cavern entrance and pulled free the yellow felt marker that was held fast to the door by a piece of string. There was a public bathroom next door and she went in and relieved herself so that things would be as clean as they could be. Then she washed her hands and dropped the wine and her empty envelope of speed into the trash can along with the paper towel.

She sat down beside the trash can with the revolver beside her on the tile floor and felt along her chest for her heartbeat. She was EMS-qualified. If she stretched her arms up and leaned her head back, it would part her ribs a little, which might make it easier. When she was satisfied she had found her heart, she held the cloth of her uniform shirt taut and marked a cross over it with the marker.

Let them anatomize Rowan, she thought. Not on the stone of sacrifice, thanks, just up against the shithouse wall. But she wouldn’t hurt his eyes again, not blind the bear again.

Sitting propped up against the cold wall, she leaned her head back and raised her left arm in the air as far as it would stretch, fingers extended. She put the barrel of the Lawman against the X on her chest and said her own name and her father’s and pulled the trigger.

Max Peterson came out around six-thirty, alone, as soon as John Hears the Sun Come Up called him. John had called him at home instead of through the dispatcher. Together they walked over the grounds, from the trailer to the Temple.

“I don’t suppose you killed them, did you, John?”

“Nope,” John said.

They were standing in the ladies’ room where dead Rowan sat, her father’s eyes preserved in blank surprise, slowly losing their luster. Peterson punched the swinging hinge of the covered trash can, where they had found the envelope.

“That fucking pervert Communist son of a bitch. It was his fault. He fucking killed her. That’s the way it really went.” “Fuck” was a word Peterson rarely used.

“It was the speed,” John said. “It always made her crazy. She was a little crazy anyway.”

“He probably brought it.”

“No, she had it.”

“Well, what the hell did you let her have it for?”

“If I’d’ve found it,” John said, “I’d have got rid of it. She had it at work. Then I couldn’t take it off her; short of tying her up.”

“You should have tried.”

“Maybe,” John said.

They walked back to the trailer and stood over Smart’s body and Peterson looked down at what was left of him.

“Goddamn him, the filthy bastard,” Peterson said.

“Well,” John said, “she loved him.”

Peterson stared at John Hears the Sun Come Up as though he had taken leave of his senses.

“He was her father, for Christ’s sake. The scumbag.”

“He wasn’t a bad guy,” John said. “He was a good poet.”

“What the hell is your problem?” Peterson shouted. “Every goddamn thing I say you gotta contradict it? The fucking man was her father, John. The relationship was perverted. Who the hell cares about good poet or such shit?”

“He wrote a poem about salmon I liked,” John said.

Peterson sighed. “You’re a crazy Indian son of a bitch, John. I’m truly impatient with you.” He looked around the trailer a last time. “Jeez, she had every kind of queer satanic book. He bring her up that way?”

“I don’t know,” John said. “I guess.” There was no point in making Peterson angrier.

Peterson went out to his car to call the dispatcher’s office. Presently the park people would be coining out and the photographers and twelve kinds of cop and probably the press and even television.

Smart’s poem about the salmon had been folded away in Rowan’s Dictionary of Classical Mythology, and a few pages beyond it was another poem, about a bunch of American tourists falling out of the sky on a Japanese mountain. John Hears the Sun Come Up particularly liked the one about the salmon. It made him able to see very clearly the fish and the buffalo and the place Smart was writing about. It reminded him a little of Robert Frost, his favorite white poet.

He went outside and watched the dawn swell over the low mountains to the east. He thought he would sell the trailer but keep her books. It was not that he needed them for her memory — he could take care of that — but they were good books and interesting. As for the rest, there was no point in keeping any of it. People disappeared. There, in the country of the Ghost Dance, people disappeared and their songs with them. They became ghosts and their songs ghost songs. Teenagers in the Indian high school got drunk and died, disappeared forever knowing hardly anything to sustain them in the ghost world.

The powder the crystal, was death; as soon as he had seen it shining on her finger glistening with that death glow it had, under her nose, bringing the heart’s blood to her cheeks, he had known the two of them would die. Smart the poet would go to the place he had seen the salmon; people passing through might find his ghost there and hear his songs.

“Will?” he asked the silence. “Mr. Smart?” He had Smart’s manuscript in front of him. He read the first line of Smart’s salmon song.

“Like elephants, swaying.”

He might try singing it one day. Singing it in the Shoshone-Paiute language. No word for elephant, just say “elephant.”

“Rowan?”

Her, she would be out in the greasewood with the thousand poems she knew, her songs and all the stories she made up. Well set up out there in the ghost world. People alone would hear her songs and be afraid. Her eyes would, like her father’s, look out from lost blue places. High lakes at certain times of afternoon, the evening sky, the cornflower; the shad violet. Easy to bring her ghost back — burn a little sweet grass, fix her guitar maybe and play it, she would come. Her and her father; called Smart, all their songs, two poets.