"Good. The papers are full of you. How does it feel?"
"It feels dark and quiet."
"Good. Does the 'psycho killer' speculation disturb you?"
"No, it amuses me because it's so far from the truth."
"You had to take out three?"
"Yes. I-I remembered your efficacy training. Some-sometime I might have to do it again."
"A cold gun? Untraceable?"
"Cold city. I stole it."
"Good. How are the headaches?"
"Not too bad. I chant if they really start to hurt."
"Good. If your vision starts to blur again, see me immediately, I'll give you an injection. Dreams?"
"Sometimes I dream about the Alchemist. He was good, wasn't he?"
"He was superb, Thomas. But he's gone. I scared him off the face of the earth."
Havilland handed Goff a slip of paper. "She's a legitimate patient-she phoned the office for an appointment. I checked her out with some girls in the life. She's a thousand dollars a night. Check out her john book-anyone who can afford her can afford us."
Goff looked at the slip: Linda Wilhite, 9819 Wilshire Blvd, 91W. He smiled. "It's an easy building. I've hit it before."
Havilland smiled back. "Good, Thomas. Go home now and enjoy your dreams."
"How do you know I'll enjoy them?"
"I know your dreams. I made them."
Goff watched the Doctor about-face and walk to the latticework patio that overlooked the beach. He let the Doctor's exit line linger in his mind, then turned off the tape console and walked outside to his car. He was about to hit the ignition when he noticed a mound of wadded up plastic on top of the dashboard. He grabbed at it and screamed, because he knew that it was beige plastic, and that meant that he knew.
Goff ripped the plastic trashbag to shreds, then slammed his fists into the dashboard until the pain numbed the screaming in his mind. Turning on the headlights, he saw something white under his windshield wiper. He got out of the car and examined it. The embossed business card of John R. Havilland, M.D., Practice in Psychiatry, stared at him. He turned the card over. Neatly printed on the back were the words I know your nightmares.
4
After thirty-six nonstop hours on the liquor store case, Lloyd Hopkins fell asleep in his cubicle at Parker Center and dreamed of annihilation. Sound waves bombarded him, predator birds attacked the willfully shut-off part of his brain where the man he had killed in the Watts Riot and the man he had tried to kill last year resided. The birds tore open jagged sections of sky, letting in crystals the color of blood. When he awakened he bludgeoned the images with quiet still-lifes of Janice and the girls in San Francisco, waiting for time to heal the wounds or reinforce the division. The liquor store/charnel house memory took over from there, pushing family love back into the safety compartment with his nightmares. Lloyd was relieved.
The death scene expanded in his mind, chalked like a forensic technician's marking grid. Off to his left were an open cash register, a counter scattered with tens and twenties, broken liquor bottles all along the lower shelves. Heel marks where the proprietor had been dragged to his execution. The right hand grid revealed an overturned cardboard beer display and heel marks where the two other victims had probably crouched to hide from the killer. Bisecting the grids was the crimson wind tunnel into the store's rear room, three bodies crumpled across a once beige curtain that was torn free from the doorway by the muzzle velocity of three hollow point.41 slugs smashing through three cranial vaults. There were no discernible trajectory or spatter marks; exploded brain and bone debris had rendered the tiny stockroom a slaughterhouse.
Lloyd shook himself further awake, thinking: psychopath. He walks into the store, pulls out a monster handcannon and demands the money, then sees or hears something that flips his switch. Enraged, he hops over the counter and drags the proprietor by the hair over to the doorway. The girl and the old man betray their presence. He knocks over the display cutout and makes them walk to the curtain. Then he takes them out with three bull's-eyes from a top-heavy, unvented revolver with monster recoil, leaving the money on the counter. A volcano with ice-water fuel injection.
Lloyd stood up and stretched. Feeling the last residue of sleep dissipate, he walked down the hall to the men's room and stood before the sink, alternately staring at himself in the mirror and running cold water over his face. He ignored the sound of early arriving officers laughing and primping quietly around him, aware for a split second that they were keeping their voices at a low register out of deference to his reputation and well-known hatred of loud noise. Feeling his rage start to peak, he defined his killer with self-righteous cop invective: psychopathic scumbag. Take him out before his switch flips again.
The first thirty-six hours of his investigation had been spent thinking and chasing computer type. After noticing a "No Parking" zone outside the liquor store and extending all the way down the block, Lloyd theorized that the killer had either walked to the location or had parked in the bushes beside the freeway on-ramp. His latter thesis had been rewarded-under fluorescent arc lights the forensic technicians had found fresh tire tracks in the soft dirt and minute yellow paint scrapings stuck to the tips of sharp branches. Four hours later the L.A.P.D.'s Scientific Investigation Division completed its tests on the paint and announced the results of the technician's plaster of paris moldings of the tire tracks: The car was a Japanese import, late model; the paint the standard brand in every Japanese automotive plant; the tires standard equipment radials-used solely by Japanese manufacturers. R amp;I and a computer cross-check of recent armed robbery and homicide bulletins revealed that there were no yellow Japanese imports registered to convicted and paroled armed robbers or murderers and that none had been mentioned as figuring in any robberies or homicides dating back over a year. The California Department of Motor Vehicles supplied the most frustrating information: There were 311,819 yellow Japanese automobiles, 1977 to 1984 models, registered in Los Angeles County, making a concerted check for criminal records a clerical impossibility. Even the L.A. County "Hot Sheet" yielded zilch-a total of eight yellow Toyotas, Subarus, and Hondas had been reported stolen over the past six weeks, and all eight had been recovered. The car was a dead end.
Which left the gun.
Lloyd considered the still awaited latent print workup a foregone conclusion: smudges, streaks, partials, and at best a few completes belonging to local juiceheads who patronized the store. Let the three officers he had assigned to run background checks on the victims have carte blanche there- fingerprint mania or the "kill three to get one" angle his superiors at Robbery/Homicide had told him to stress were as dead as the car. Every ounce of Lloyd's instinct told him that, just as every ounce had told him that the trinity of this case was the killer's psychosis, his cool, his gun.
The Ballistics Report and the Autopsy Protocol were rife with flat-out wonderment. Henry McGuire, Wallace Chamales, and Susan Wischer were killed by a.41 revolver fired from a distance of twelve to fifteen feet, all three slugs hitting them square between the eyes. The killer was a marksman, the gun an anomaly. Forty-one revolvers predated the Wild West days, going out of manufacture before the Civil War. They were too unwieldy, too heavy, and had a marked tendency toward misfiring. Forty-one ammunition was even worse: hardball or hollow point, its unpredictable reports were capable of jerking the shooter's arm seemingly out of its socket or of going off like a soggy popcorn kernel. Whoever had shot the three people at Freeway Liquor had mastered a difficult antique handgun with antique ammo and had exercised his mastery under a state of extreme duress.