In the parking lot, she drove and parked in a dark area with no other cars around. She reclined her seat, and listened to music. Outside there were trees, a ditch, a bridge, another parking lot. It was very dark. Maybe the Sasquatch would run out from the woods. Chelsea wouldn’t be afraid. She would calmly watch the Sasquatch jog into the ditch then out, hairy and strong and mysterious — to be so large yet so unknown; how could one cope except by running? — smash through some bushes, and sprint, perhaps, behind Wal-Mart, leaping over a shopping cart and barking. Did the Sasquatch bark? It used to alarm Chelsea that this might be all there was to her life, these hours alone each day and night — thinking things and not sharing them and then forgetting. The possibility of that would shock her a bit, trickily, like a three-part realization: that there was a bad idea out there; that that bad idea wasn’t out there, but here; and that she herself was that bad idea. But recently, and now, in her car, she just felt calm and perceiving, and a little consoled, even, by the sad idea of her own life, as if it were someone else’s, already happened, in some other world, placed now in the core of her, like a pillow that was an entire life, of which when she felt exhausted by aloneness she could crumple and fall towards, like a little bed, something she could pretend, and believe, even (truly and unironically believe; why not?), was a real thing that had come from far away, through a place of no people, a place of people, and another place of no people, as a gift, for no occasion, but just because she needed, or perhaps deserved — did the world try in that way? to make things fair? — it.
In the morning she looked puffy to herself in the mirror — not like a person at all, not like anything — and didn’t want to leave the house. She called in sick, went back to sleep, and woke in the afternoon. She washed her face, not looking at it, and went into the living room. Her dad was lying on the carpet, head propped up, watching the movie she’d bought him. A dog was walking around. It looked nervous and very small. Chelsea sat on the sofa and lay down and fell asleep, and then her dad was touching her shoulder and grinning. “I’m watching it again,” he was saying. “The movie made me feel good. I think I’ll watch it again.” The dog was barking somewhere and, in the vague panic and quicker learning of having just woken up, the world seemed obscure in a meticulous and exciting way, like in childhood, perhaps, and the feeling of that glided in, from some corner of the room, and filled the space in Chelsea from where once it had left. She was not really awake; or maybe was still asleep. She didn’t know. But she felt ready (for what, she couldn’t tell; just a kind of readiness), and was thinking that there were three of them, like a team or triangle, set to leave this place, safe because of the variety (man, animal, girl) and purposed because of the movie, and, liking the way she felt, then, smiled a little — prepared to travel, or whatever, to some unique and distractionless spot, thinking strange and illogical thoughts, and about to shrink into herself, to fit the small room of being asleep, the boxing-in and cardboard of it, like a shipment that stays, or a heart that goes, into a lung, and sits there, beating into itself, worldless and full.
In the spring, a few months after Chelsea’s high school classmates ran out on their check, Bernadette began to talk again about vandalizing them—“We should paint their windows black and superglue their front door”—and Chelsea looked forward to that. But after a while Bernadette stopped talking about it, then one night said she was moving to Seattle with her boyfriend, and a week later was gone. Chelsea was moved to the morning shift — her new manager was balding, with two sons at the community college — and found herself not knowing what to do each day after work. Sometimes she just drove around and listened to the radio. Then she began to sit in her room and go through all her old things, and found her social anxiety tapes, and listened to them, more out of boredom — or nostalgia, even, as sometimes she missed her teenage emotions, those moments when, alone, in her room, in the morning or at night, something in her would deepen, there would be a space and a rush, like a falls, and she would drop a little, into that depth, the secret lake of it, close and warm and wild as, she imagined, a best friend — than in an attempt to change (though of course there was a little hope; always, there was a little hope), but most days just fell asleep, anyway, before each half-hour tape ended, and so after a while just took to taking naps, naturally, without any tapes. One afternoon she had a dream. She and a boy were holding hands on a bus. It was a field trip. In the parking lot there were midgets, talking to her. The boy was in the distance, tall and shy and waiting, and she felt compassionate. She petted the midget’s heads, then tentatively picked up two of them — one in each arm — and grinned at the boy, who had a video camera and was filming the movie. She had an idea and hesitated, and picked up a third midget by having her two midgets pick up another midget.
At night, the boy held her and they watched their movie in the Sunshine cinema in Manhattan.
“That was risky,” she said in the boy’s ear. “The third midget.”
“You’re risky,” he said.
“I like midgets.”
“I like you,” he said.
And she felt vivid and nervous, and happy.
Another day, a little bored after a nap, she sort of wandered into a strip mall pet-store and — in a tic of expendable income and misdirected loneliness — bought a 50-gallon fish aquarium, with an oak stand. At home, her dad put the poodle, who he’d named Wong Kar-Wai, in the aquarium, and Wong Kar-Wai lay down, unsurprised and accepting; when Chelsea went to take him out, though, she fell and knocked the aquarium off its stand and Wong Kar-Wai landed badly, and yelped, then walked around strangely, as if paralyzed a little; but after a while walked normally and then one day ran away. Chelsea’s dad put flyers in people’s mailboxes, and an old man called, said he’d found a toy poodle, but that it was his — he lived four houses down, he said, and had almost forgotten about Ronnie, who’d disappeared about half a year ago — and then it was summer and the heat and humidity made Chelsea’s skin oily and, for a few days in July, and then an entire week in August, she thought about moving to San Francisco. She felt excited. But she didn’t know what she would do there. Probably just work at another Denny’s. She wouldn’t have any friends — not that she had any now — and her dad would be alone. And she had to take care of her fish; she had a lot now. So she decided to stay, and settled into a sort of routine: working, napping, reading, taking care of her fish, and, on the weekends, eating dinner or seeing movies with her dad, who she more and more felt comfortable talking to, and who, one evening in October, then, came home from a walk and said he’d met a young man, who’d just moved here for graduate school and with whom he’d set up a date with Chelsea, and Chelsea went on it, but, driving around — she’d said something about these two parks she liked, and then he’d wanted to see them both — was so nervous and became so silent and still, like a statue, almost, though also trembling a bit, and sweating, that, finally, after twenty-five minutes of driving, stupidly, from one park to the other (the parks were in different counties), staring at things, the young man, who had blonde eyebrows and had mentioned when he first got in the car that he felt great, said he felt really sick and needed to go home and sleep. Chelsea dropped him off, and ate pizza alone in her car. And felt so disappointed at herself that when she came home and her dad stood up, smiling, and asked her how it went, she thought she was going to hug him and cry, that it would be one of those scenes — like on TV, when dads say, “Now, now, hey, now,” while holding their daughters, who sob, then sniffle, then eat too many cookies and grin — but nothing like that had ever happened to her and she knew it wouldn’t now, or probably ever. She said she was sleepy and went to her room, and stood there, in the middle of it, wanting to sleep immediately but knowing she should wash her face and brush her teeth first; and being annoyed at that, and then at everything, at all of canceled and envisioning life, the darkened yearning of upkeep and practice, the sarcasm of it all, like a lie that says it’s the truth and begins and goes for a while and then stops being sarcastic and doesn’t go anymore, so that when her dad surprised her, a few minutes later, by coming into her room without knocking, catching her just standing there, not doing anything, with the lights off, she got angry, though mostly it was just dismay — a dry and lifeward sort of beating, unpulsing and everywhere as a sky; how could one cope with that? — and looked at her dad, something wild and extrasensory in her eyes, and shouted that he should knock, that he should go away and knock next time. He left and she showered, then wrote a note of apology and found him in the living room, on the sofa, and handed it to him. But at Sweet Tomatoes the next afternoon — a late lunch before an early movie — he didn’t ask about the young man, whose name was Mitchell, and she didn’t talk about him, and the knowledge of that stayed between them, like a thing that was large and trembled when approached, and they talked less, and the friendliness they’d built between them the past couple of months, like a sandcastle, was subsumed by the water of the last 22 years. In bed that night it felt to Chelsea like whatever this was would go on forever, but also just a little longer, as it was a kind of forever that was so fast and small that it blurred and seemed to be over, already, and always — to be over forever.