His brother gave no answer.
Filippo was close to tears. "Papa never contacts me. He's been in New York and not even called to see me, and now this… No matter what I've done wrong, I should have been part of this Lenny business." He began to weep. "I remember, I remember that night when he told us… about Michael."
Filippo was referring to the night six weeks after Michael's death, when their father had discovered Constantino's intention of marrying Sophia. Constantino had begun to call on her without his father's permission and, while Don Roberto was away from home, had brought Sophia to the villa. None of them had been prepared for their father's rage.
His fury terrified them and centered on the fact that they had allowed a stranger, albeit a young girl, into the house. It was against the rules; no one outside the immediate family was ever allowed within the walls of the family home. The don's anger had become a tirade against his sons. Apparently out of control, he had ranted and raved until, finally, he had told them the truth about their adored elder brother, Michael.
The two brothers sat silent now, immersed in their memories of that night. Michael had been their hero, their champion, their shining example. He was not only athletic but academically brilliant, and to his father's pride he had won a coveted place at Harvard. But then he had, mysteriously, returned home halfway through his second year. They had believed he was suffering from a virus. On the night of his return he had collapsed and been rushed to the hospital. Weeks later he was sent to the mountains to recuperate, but he never came back. The virus, they had been told, had killed him.
He had been buried with a funeral befitting the eldest son of a don. The grief had consumed them all and darkened the house. Their mother had been bereft, and their beloved papa had changed before their eyes. His head of thick black hair had turned gray overnight; the lines of his face had deepened with pain. But worst of all was his frightening silence. It had lasted until the night they both remembered, the night he had released before them such anguish it had struck them dumb with fear.
He had told them at last that Michael Luciano had been murdered. The so-called virus was a heroin addiction, carefully arranged by Paul Carolla because Don Roberto Luciano had persistently refused to cooperate with him, refused to use his legitimate export company as a cover. Luciano had told Constantino and Filippo that they were as vulnerable as Michael. Michael was a warning.
The don had initiated his sons that night, teaching them the codes of the Mafia. He had told them, without emotion, how many had already paid the price for their involvement in Michael's murder, had urged them to keep their brother's soul alive in their hearts, never to forget the need to make his killers pay. He had made them promise never to tell their mother what had taken place that night or how her beloved firstborn son had died.
In confirmation of their obedience, they had kissed the ring worn by their father, the ring that Paul Carolla coveted. But when he had drawn them into his arms, they had felt only terror.
Filippo's shoulders shook as he wept. Constantino tried to comfort him.
"Look, they got Carolla banged up on so many charges the odds are stacked against him. He'll never get free. They'll drop the murder rap against him, but in the end he's finished. Maybe it'll let Michael's ghost rest in peace. I hope so because if you want the truth, I've had him on my shoulder too long."
"I thought I was the only one who felt like that, like I had to live up to him and I was never good enough. I thought it was just me… You know, it got so bad I hated him."
Constantino opened the liquor cabinet and poured himself a whiskey. He downed it in one swallow. "I guess we both were in competition with him. Just take a look at the family album perched on the piano. You see me, Sophia, the kids; there's you, Teresa, Rosa… and there is Michael, always Michael, the biggest frame, the biggest photograph."
Filippo chuckled. Then his face lit up in a grin. "I used to put his photo at the back. Every day I did that. And every time back it would go, and there he was smiling at me, like he was saying, 'Fuck you, you don't get me out of your life that easily.
Laughing, Constantino poured two whiskeys, and they clinked their glasses together. "To Michael, may he rest in peace and leave us in peace."
They drank, and Filippo threw his empty glass into the stone fireplace. Constantino followed suit. They both stared guiltily at the shattered glass.
"Holy shit, Mama's gonna hit the roof. That was her b-b- best crystal."
Paul Carolla was led into the small interview room. He went to the counter and pressed his hand against the bulletproof glass partition. On the other side his son gave a slow smile that made him appear younger than his twenty-five years. Luka laid his hand flat against the glass, his long, fine fingers with their perfectly manicured nails tanned to a golden brown. Carolla's own stubby fingers and square palm rested against his son's. They both reached for the communicating phones.
Carolla was guarded day and night because his life had been threatened over the murder of the jail cleaner's child. Luka had arranged the hit, and Carolla had instructed him to leave Sicily lest anyone make the connection between them. Seeing him made Carolla shake with rage.
He looked at his two guards, then back to his son, and whispered hoarsely into the mouthpiece, "I told you I want you out of Palermo."
"But I have something for you."
The sweat began to trickle down Carolla's face. "You get out and you stay out, you hear me, Luka?"
Luka held the phone loosely. The only indication that he had heard his father was a slight arching of one of his fine, almost invisible blond eyebrows.
When he spoke, his soft voice was a strange echolike whisper. "I know the name; I have the name; everything is going to be all right."
Puzzled, Carolla watched as Luka took out a pencil and wrote on a piece of paper. He looked up and smiled, then spoke into the mouthpiece again. "I got it for you. I had to pay ten million lira for it."
"What? What?" Sweat streamed down Carolla's face, and the hand holding the telephone was clammy. "You are fucking insane, you hear me?"
Luka's pale blue eyes narrowed, the pupils turning to pinpoints. He waved the scrap of paper and spoke in a singsong voice, "I have what you want, but you tell your man to pay me."
Carefully Luka straightened the piece of paper and laid it flat against the glass. In his strange, old-fashioned spidery writing he had scrawled the name of the witness for the prosecution.
Carolla's stomach lurched, and his bile rose. He tasted it as he retched uncontrollably, but his eyes were riveted on the name: his old enemy Don Roberto Luciano.
Don Roberto's driver radioed to the guards at the gates that they were arriving in minutes. The message was passed by walkie-talkies to the men on the roof, and the last part of the journey was closely monitored through field glasses.
The gates opened, and the gleaming black Mercedes headed toward the villa. The don sat between two bodyguards in the back, with his faithful driver up front.
The villa was ablaze with lights. As the car stopped, Don Roberto sat for a moment, waiting for the door to be opened. One of the bodyguards adjusted the cashmere coat to sit perfectly on the don's shoulders, then handed him his kid gloves and hat. He had been giving statements to Emanuel since ten o'clock that morning; it had been a grueling, painstaking day, a day when memories flooded back, old wounds opened, but he stood straight, inches taller than his bodyguards, and smiled. The front door opened as he walked up the white steps and onto the porch.
There was not one of them in the sprawling villa who did not know, could not sense the presence. Don Roberto Luciano was home.
Luciano closed his eyes and thought for a moment, then leaned forward and spoke softly. "Paul Castellano, head of the Gambino family, and his driver, Thomas Bilotti, were shot to death in front of Sparks Steak House in New York. Neither man was carrying a gun. There was no backup team to protect Castellano. Yet until that moment he had always been protected, insulated by his men. He was losing sight, not comprehending anymore the world in which he had been raised. He had refused to have his food distribution companies used as covers for drug couriers. He was not prepared to take the risks of drug running, and the main importer, the main dealer in heroin to the United States, was Paul Carolla. I have evidence that will give you Paul Carolla as the man who ordered the murders." Luciano's eyes were like slits. He cocked his head to one side as if to say, "Is that enough?"