“I assure you that a man should know about his own child,” Father Flannery says, backing away from Uncle Ray. “I assure you that is true.”
“This was not your business,” Daddy shouts at Father Flannery.
Mama scoots Evie off to stand with Elaine and walks down the hall but Jonathon waves her away. She stops when Daniel walks up to her side. He pats Mama on the shoulder, probably because he saw Jonathon do that and he wants to be grown up like Jonathon, and then he walks toward Daddy and Uncle Ray.
Nobody answers Daddy when he shouts out again wondering who told Father Flannery about Aunt Ruth’s baby. Daddy stops searching for someone to be angry at and turns back to Uncle Ray.
“Go on home,” he says, taking Uncle Ray by the shoulders and pointing him toward the double doors at the end of the hallway. “You go home. Sleep it off. Jonathon’ll drive you.”
“No damn thing to sleep off,” Uncle Ray says, pushing Daddy away. His cloudy eye is white under the bright lights. “I’ve been patient enough with you, Arthur Scott.” He points at Daddy first, swings his arm around, stumbles and points next at Aunt Ruth’s room. “That woman didn’t get nothing wasn’t coming to her. Feeding those Robisons after they aimed their God damned finger at me.”
Uncle Ray sways a few steps and shoves Daddy with both hands. Daddy stumbles backward, trips over Daniel who didn’t listen to Mama when she said to stay put, and falls on his hind end. Daniel falls, too, knocking his head against the gray wall. The crack his head makes when it bounces off the concrete is loud enough that Evie hears it. Mama hears it, too, and she jumps forward. This time Jonathon can’t stop her even though he holds up the same hand that turned her around before. She rushes down the hall to Daniel as Jonathon shoves Uncle Ray away from Aunt Ruth’s door. Daddy stands and tries to catch Uncle Ray as he staggers backward, but he misses and Uncle Ray trips over Mama and Daniel, who is trying to stand. All three fall to the shiny tile floor.
Elaine shouts out but it isn’t loud because she has one hand pressed over her mouth. With the other hand, she tries to cover Evie’s eyes, but Evie can still see. Daniel’s legs are tangled up with Mama and Uncle Ray’s legs. Mama lies flat on her back and Uncle Ray is spread out on top of her, his arms and legs straddling her, his chest pressing down on hers. Their noses would touch if Mama lifted her head an inch. Uncle Ray seems bigger again, lying face to face with Mama. She pulls her chin in tight and rolls her head away. Uncle Ray smiles down at Mama. Evie wishes he would go away. She wishes he were the happy man in her picture. She starts to cry as Daddy reaches into the pile and yanks out Uncle Ray.
“It’s moving day,” Uncle Ray says as Daddy shoves him. “You got no business doing what you’re doing, Arthur Scott.”
Evie chokes on her tears but she can still hear Uncle Ray shout. He doesn’t stop, not even when Father Flannery walks back through the double doors with two more men. Daddy holds up one hand so the three of them stand back and watch.
“You go on home, Ray. Your time with this family is done.”
The two men who came with Father Flannery push open the doors and Uncle Ray walks through, still mumbling. All four disappear.
Celia arches her back so Daniel can slip his arm out from under her but she doesn’t stand. Focusing on a blank spot on the wall, she draws in full, deep breaths until the feel of Ray on top of her, the pressure that he laid down on her, is gone. It must have been her imagination, his hips grinding into her. He didn’t have the time, couldn’t have had the presence of mind, to take the opportunity. But she did feel him, pressed against her upper thigh and into her hipbone. She closes her eyes and hopes she doesn’t cry. Next to her, Daniel sits up. She inhales, two deep breaths, pushes up on her elbows and reaches out to touch the spot where his head hit the wall. He pulls away and stands. At the end of the hallway, the double doors fall shut, swing back and forth and finally hang motionless. Above her, Daniel reaches down, offering a hand. Celia clears her throat, smoothes her hair and the gathered pleats on the front of her skirt and takes Daniel’s help.
Once standing, Celia tugs at her waistline, straightens her collar, and when she looks at Daniel, she realizes she is looking up at him. Surely she has been for quite some time, but suddenly it strikes her how much he’s grown, how close he is to becoming a man, and how, like a man, his ego is bruised. She smiles and reaches for him but he pulls away again and walks down the hall toward Elaine and Evie, where he sits in one of the chairs lined along the hallway and rests his head in his hands.
“My good Lord in heaven,” Reesa says, her voice shattering the silence. Wearing her blue flannel housecoat, a pair of galoshes and the brown hat that she normally saves for Sundays, she shuffles through the doors. “What is going on here?”
“Everyone is fine, Reesa,” Celia says, rubbing her tailbone. “We had a little car accident but everyone is fine.”
“Well, from the sounds of Ray,” Reesa says, motioning toward the closed doors, “things are not fine.”
“Nobody’s worried about Ray right now,” Arthur says, shaking Jonathon’s hand and slapping him on the back. “Ruth is in there.” He nods toward her room. “Doctor checked her out. The baby’s fine. She can come home in the morning.”
“Seems that Ray plans on being the one to take her home. He knows, doesn’t he?” Reesa scans the room before finally resting her eyes on Celia as if she wears the most blame. “He knows about the baby?”
“He does,” Arthur says, pulling a speck of fuzz from Celia’s hair. “You okay?” he asks.
Celia swallows and nods.
Reesa snorts, shaking her head at Celia and scoots Jonathon away from Ruth’s room, sending him back down the hall to stand with Elaine. “Well, I’ve said it before, and I’ll say it again,” Reesa says, taking Jonathon’s position as guard. “I think Ruth should move in with me.”
Arthur wraps one arm around Celia and rubs his forehead with his other hand. “No need for Ruth to move anywhere. She’s fine where she is.”
“Ray is going to come knocking now that he knows about the baby. She needs to live farther away. She needs to move home.”
“Ruth is not living in that house.” Arthur’s voice is calm but his body is rigid, and the arm around Celia’s shoulder is like a clamp.
“Maybe it’s not such a bad idea,” Celia says. “Only because you seem to upset Ray. Maybe he’d be less upset by Ruth living with your mother.”
“And you think we should care about making Ray happy?” Arthur says.
Down the hall, Daniel sits alone, his shoulders slumped, his head in his hands.
Shaking his head at Daniel, Arthur continues. “You think I give two God damned cents about making Ray happy?”
“I think nothing of the sort. But I do know we’re trapped in a terrible place. All of us, but mostly Ruth and her sweet baby. You were the one who said you wanted to keep the peace. I want whatever will keep Ray away from them.”
Celia doesn’t want to say it, or even admit it to herself, but mostly she wants Ruth to move so Ray will never come near her house again. She doesn’t want him near Evie. Doesn’t want him to start thinking that Evie is close enough to Eve, something that he might have thought about Julianne Robison.
“I will keep Ruth and this family safe,” Arthur says to Reesa. “And keeping the peace ended the second he found out about the baby.”
Reesa takes a breath to say something back to Arthur but stops when the door opens behind her. Ruth peeks through the small opening, hiding her body with the door, and motions for Arthur to come inside.
Jonathon stands next to Elaine, one arm wrapped around her waist, the other cocked on his hip as if he is wearing a holster and gun and is ready to draw if Uncle Ray returns. When Dad disappears into Aunt Ruth’s room, Jonathon turns to Daniel.